Okay. I just read the 記事 myself out of undying curiosity (click link to read it yourself), and I have to say . . . I'm laughing my tail feathers off. This is what I would say if I had the opportunity to talk to this guy.
Ms, Inkoo Kang,
Your "review"—if あなた can call it that—on the upcoming Penguins of Madagascar movie is laughable. This so-called review delves too much into your interpretation of everything about the movie that was wrong, give または take that one statement about almost enjoying that one chase scene. If あなた wanted to give a proper review, あなた should've first 与えられた much もっと見る information on how the movie could've been improved and WHY the points あなた mentioned were wrong, rather than just stating WHAT was wrong. あなた want to talk big words and over-analyzing faults? Try this on, Ms. Inkoo Kang.
あなた have focused too much on the film's faults, giving only one side to your argument. To provide a solid and sound argument, one must point out why the other side to the argument is wrong. Allow me to demonstrate.
あなた claim the penguins are "unfunny, unmoving, and uninspired," but あなた never explained why あなた think so. I'll have あなた know many think the penguins are funny at least at times. Whether it's a one-liner ("We killed 'em and ate their livers.") または it's just an action (Come on, the penguins playing at the train controls in the third film was a little funny. Just a little.), there's at least one thing the penguins have done to make someone laugh. Even if they haven't for you, doesn't mean they're necessarily "unfunny." あなた just have a different sense of humor, I presume.
As far as "unmoving," I admit the penguins haven't had many "moving" moments in the "Madagascar" trilogy. However, as far as the trailers go, あなた have to admit, Skipper bringing the young hatchling (Private) into his brotherhood was just a little moving. Of course, I wouldn't know this until I watched the movie, especially since あなた didn't explain why あなた felt it was unmoving yourself.
"Uninspired"? Do あなた know not the meaning? Inspired; adjective: aroused, animated, または imbued with the spirit to do something, によって または as if によって スーパーナチュラル または divine influence (dictionary.reference.com). What makes あなた think the movie is uninspired? I'm thinking it might be inspired to, I don't know, make people laugh. There's probably some better message in the movie as well, since, from what I've seen from DreamWorks, there always is if あなた think hard enough. I have yet to figure out what it is myself, since I obviously haven't seen it, but I'm sure I can come up with something. My guess is that it'd be along the lines of brotherhood または something, but I don't know yet.
Speaking of, あなた say the film has a "distinct lack of purpose." Which 映画 do あなた think has a purpose? It would have been absolutely fantastic for あなた to have 与えられた us some examples for why あなた believe the movie has no purpose (you have a right to uphold your opinion, but あなた have to support it if あなた want others to agree with you). Furthermore, what would've 与えられた the movie purpose for you? Your thoughts on that would've been nice. あなた also mentioned that the movie "caters to an audience that doesn't exist" because of the references not many people would get. How would あなた know that? My best friend is a ファン of a 表示する I've never even heard of until he told me he liked it. How do あなた know no one will understand those references? While many people will not, it still brings a smile to the face of those who would get that reference. Additionally, the movie may still bring a smile to the face of the unknowing "eight-year-olds" because I would imagine it still has funny moments. Even if they don't get a reference, doesn't mean they won't find it funny (I've found references funny without fully understanding them. I know I'm not the only one). I realize I'm ignorant to if these references will be funny または not, but then again, not everyone has the same sense of humor as I.
あなた 発言しました that there "isn't much to the film's story, yet it's stuffed to the gills with plot." If there's one thing I've noticed about DreamWork's films, it's that it's never just a story. The "Madagascar" trilogy relays the message that ホーム isn't where あなた are, but who you're with. "Shrek" is a story about acceptance, correlating to the idea that everyone's different, and that's okay, and あなた have to accept yourself and others to truly be happy. "Kung Fu Panda" sends a message in that to accomplish anything, あなた have to first believe in yourself ("There is no secret ingredient"). It all starts with you. Even if this movie is an exception to this idea, it would be really awesome if あなた would've explained why あなた feel that way.
あなた mentioned that Dave's character is basically ruined because of his humor. Last time I checked, audiences 愛 a villain with a little humorous side. A villain that's too dark wouldn't appeal to younger audiences anyway (ooh, that reminds me of your "point" made earlier. hm . . .).
First and foremost about your thoughts on North Wind, it's a SEAL, not an OTTER. If あなた don't know the facts before あなた propose an argument, then you've basically ruined any chance of gaining support because people will believe あなた have no idea what you're talking about. Second, what makes あなた think Eva's only purpose is to be sexy? How do あなた know they're not also relaying the idea that women can be intelligent as well? Not to mention that from what I've seen in the trailers, Kowalski is the only one falling for her. あなた could've at least explained why it seemed that way to you.
The following paragraph is merely just my opinion of your argument about Classified, and has nothing to do about how あなた presented it. I must say, I do partially agree with your argument about the pompous Agent Classified, but I think it's pretty awesome that Skipper has someone in his same covert classification to be compared to, causing a humorous clash between the duo. And I believe he wants a little もっと見る than just "taking the credit." How do あなた know he just doesn't want 動物 to be safe? How do あなた know he doesn't want some credit because he feels as though he needs the support from his team? Meaning, if he doesn't seem as though he made a success conceived with his help, he won't seem as important, and North Wind will see him as a failure? You'd be surprised what insecurity can drive someone to do. Of course, that is only my opinion, and I would not know until I watched the movie to make my own interpretation.
I have no problem if あなた like the movie または not. But if you're going to post a review for the whole world to see, DO IT RIGHT.
Now, did あなた see how I presented my counter-argument? I used examples from the trailers, and even other 映画 to present my case. I also mentioned your side of the argument to help 表示する a contrast between my and your opinion, as to allow my readers to make up their own minds, rather than present one side and BOMBARD them with my opinion, presenting it as if it were solid fact. Your very vague descriptions of your opinions don't exactly tell anyone why they shouldn't watch it. All I see is, "Don't watch it because it's bad." If あなた would've just explained why it's bad, then あなた would've done just fine, and I wouldn't have 発言しました a word.
Lots of love, peacebaby7
To the fanguins, the main reason I wrote this is to make those who found the "review" unsettling realize how overly-critical this 記事 was. Based on the few コメント on her review, I see I'm not the only one who feels that her review could've been a lot better. I was not judging the fact that she didn't like the movie, but rather that she just needs to put もっと見る thought into her reviews. Your thoughts on my thoughts on her thoughts?
Ms, Inkoo Kang,
Your "review"—if あなた can call it that—on the upcoming Penguins of Madagascar movie is laughable. This so-called review delves too much into your interpretation of everything about the movie that was wrong, give または take that one statement about almost enjoying that one chase scene. If あなた wanted to give a proper review, あなた should've first 与えられた much もっと見る information on how the movie could've been improved and WHY the points あなた mentioned were wrong, rather than just stating WHAT was wrong. あなた want to talk big words and over-analyzing faults? Try this on, Ms. Inkoo Kang.
あなた have focused too much on the film's faults, giving only one side to your argument. To provide a solid and sound argument, one must point out why the other side to the argument is wrong. Allow me to demonstrate.
あなた claim the penguins are "unfunny, unmoving, and uninspired," but あなた never explained why あなた think so. I'll have あなた know many think the penguins are funny at least at times. Whether it's a one-liner ("We killed 'em and ate their livers.") または it's just an action (Come on, the penguins playing at the train controls in the third film was a little funny. Just a little.), there's at least one thing the penguins have done to make someone laugh. Even if they haven't for you, doesn't mean they're necessarily "unfunny." あなた just have a different sense of humor, I presume.
As far as "unmoving," I admit the penguins haven't had many "moving" moments in the "Madagascar" trilogy. However, as far as the trailers go, あなた have to admit, Skipper bringing the young hatchling (Private) into his brotherhood was just a little moving. Of course, I wouldn't know this until I watched the movie, especially since あなた didn't explain why あなた felt it was unmoving yourself.
"Uninspired"? Do あなた know not the meaning? Inspired; adjective: aroused, animated, または imbued with the spirit to do something, によって または as if によって スーパーナチュラル または divine influence (dictionary.reference.com). What makes あなた think the movie is uninspired? I'm thinking it might be inspired to, I don't know, make people laugh. There's probably some better message in the movie as well, since, from what I've seen from DreamWorks, there always is if あなた think hard enough. I have yet to figure out what it is myself, since I obviously haven't seen it, but I'm sure I can come up with something. My guess is that it'd be along the lines of brotherhood または something, but I don't know yet.
Speaking of, あなた say the film has a "distinct lack of purpose." Which 映画 do あなた think has a purpose? It would have been absolutely fantastic for あなた to have 与えられた us some examples for why あなた believe the movie has no purpose (you have a right to uphold your opinion, but あなた have to support it if あなた want others to agree with you). Furthermore, what would've 与えられた the movie purpose for you? Your thoughts on that would've been nice. あなた also mentioned that the movie "caters to an audience that doesn't exist" because of the references not many people would get. How would あなた know that? My best friend is a ファン of a 表示する I've never even heard of until he told me he liked it. How do あなた know no one will understand those references? While many people will not, it still brings a smile to the face of those who would get that reference. Additionally, the movie may still bring a smile to the face of the unknowing "eight-year-olds" because I would imagine it still has funny moments. Even if they don't get a reference, doesn't mean they won't find it funny (I've found references funny without fully understanding them. I know I'm not the only one). I realize I'm ignorant to if these references will be funny または not, but then again, not everyone has the same sense of humor as I.
あなた 発言しました that there "isn't much to the film's story, yet it's stuffed to the gills with plot." If there's one thing I've noticed about DreamWork's films, it's that it's never just a story. The "Madagascar" trilogy relays the message that ホーム isn't where あなた are, but who you're with. "Shrek" is a story about acceptance, correlating to the idea that everyone's different, and that's okay, and あなた have to accept yourself and others to truly be happy. "Kung Fu Panda" sends a message in that to accomplish anything, あなた have to first believe in yourself ("There is no secret ingredient"). It all starts with you. Even if this movie is an exception to this idea, it would be really awesome if あなた would've explained why あなた feel that way.
あなた mentioned that Dave's character is basically ruined because of his humor. Last time I checked, audiences 愛 a villain with a little humorous side. A villain that's too dark wouldn't appeal to younger audiences anyway (ooh, that reminds me of your "point" made earlier. hm . . .).
First and foremost about your thoughts on North Wind, it's a SEAL, not an OTTER. If あなた don't know the facts before あなた propose an argument, then you've basically ruined any chance of gaining support because people will believe あなた have no idea what you're talking about. Second, what makes あなた think Eva's only purpose is to be sexy? How do あなた know they're not also relaying the idea that women can be intelligent as well? Not to mention that from what I've seen in the trailers, Kowalski is the only one falling for her. あなた could've at least explained why it seemed that way to you.
The following paragraph is merely just my opinion of your argument about Classified, and has nothing to do about how あなた presented it. I must say, I do partially agree with your argument about the pompous Agent Classified, but I think it's pretty awesome that Skipper has someone in his same covert classification to be compared to, causing a humorous clash between the duo. And I believe he wants a little もっと見る than just "taking the credit." How do あなた know he just doesn't want 動物 to be safe? How do あなた know he doesn't want some credit because he feels as though he needs the support from his team? Meaning, if he doesn't seem as though he made a success conceived with his help, he won't seem as important, and North Wind will see him as a failure? You'd be surprised what insecurity can drive someone to do. Of course, that is only my opinion, and I would not know until I watched the movie to make my own interpretation.
I have no problem if あなた like the movie または not. But if you're going to post a review for the whole world to see, DO IT RIGHT.
Now, did あなた see how I presented my counter-argument? I used examples from the trailers, and even other 映画 to present my case. I also mentioned your side of the argument to help 表示する a contrast between my and your opinion, as to allow my readers to make up their own minds, rather than present one side and BOMBARD them with my opinion, presenting it as if it were solid fact. Your very vague descriptions of your opinions don't exactly tell anyone why they shouldn't watch it. All I see is, "Don't watch it because it's bad." If あなた would've just explained why it's bad, then あなた would've done just fine, and I wouldn't have 発言しました a word.
Lots of love, peacebaby7
To the fanguins, the main reason I wrote this is to make those who found the "review" unsettling realize how overly-critical this 記事 was. Based on the few コメント on her review, I see I'm not the only one who feels that her review could've been a lot better. I was not judging the fact that she didn't like the movie, but rather that she just needs to put もっと見る thought into her reviews. Your thoughts on my thoughts on her thoughts?
TDH: this is a remake to the movie with the same title. The character's personalities may be somewhat altered to fit the characters from the movie. Please read and review. Rated T for sexuality and some language.
Narrator: This is a story of Boy meets Girl.
The boy, Kowalski, grew up thinking he'd never truly be happy until the 日 he met The One. This belief stands from early exposure to Skipper's hard training and being cooped up in his lab making recipes for disaster.
The girl, Summer, did not share this belief. Since the separation from her family, she only loved two things. The first was her long feathery hair. The 秒 was how easily she could cut it off, and feel nothing.
Kowalski meets Summer on January 8th. He knows almost immediately, she is who he's been searching for.
This is a story of Boy meets Girl, but あなた should know upfront, this is not a 愛 story.
Narrator: This is a story of Boy meets Girl.
The boy, Kowalski, grew up thinking he'd never truly be happy until the 日 he met The One. This belief stands from early exposure to Skipper's hard training and being cooped up in his lab making recipes for disaster.
The girl, Summer, did not share this belief. Since the separation from her family, she only loved two things. The first was her long feathery hair. The 秒 was how easily she could cut it off, and feel nothing.
Kowalski meets Summer on January 8th. He knows almost immediately, she is who he's been searching for.
This is a story of Boy meets Girl, but あなた should know upfront, this is not a 愛 story.
