Imagine a science project were the cells of serial killers were genetically spliced with the DNA of sex symbols. Then, raise the children on sugar coated breakfast cereals and all 日 marathons of Saturday morning cartoons. When they grow up, teach them how to make 音楽 and what would あなた get? Why, none other than a group of クロス dressing super freaks known as Marilyn Manson.
Mr. Manson appears a クロス between the movie Chitty Chitty Bang Bang's the Child Snatcher and goth punk complete with nightmare タトゥー and pierced lip. "I'm here to call Christian America on their bluff", he says proudly. Marilyn Manson stands for freak supremacy and he isn't about to let the morals of normalcy stand in his way.
Despite their controversial approach, the band was signed to Trent Reznor's Nothing/Interscope from the beginning . Since then, they've released three CDs- Portrait of an American Family, Smells Like Children, and their latest dark vision, Antichrist Superstar. It should come as no surprise that Mr. Manson is a reverend in the Church of Satan appointed によって Anton LaVey himself. Regarding such matters, he says "Marilyn Manson represents the ideas of Satanism put into effect rather than just posturing about them. After all, Marilyn Manson is bigger than Satan."
Chad Hensley: Why do 映画 like Chitty Chitty Bang Bang and Willy Wonka and the チョコレート Factory fascinate you?
Marilyn Manson: I like how they can be interpreted from an adult point of view. I think when あなた go back to a lot of 映画 like that, and Saturday morning shows like H.R. Puffenstuff, Lidsville, and all those other Kroft Super Shows, you'll find that they're very adult oriented. When あなた were young あなた didn't pick up on the innuendoes and references that were being made. These ideas were implanted in your head at an early age. I'm fascinated によって that. A character like the Child Snatcher from Chitty, Chitty Bang Bang wouldn't be acceptable によって today's standards. Its too politically incorrect for somebody to go around stealing little kids and luring them with candy. It's unfair that they fed us these great violent カートゥーン with no concern for the repercussions. Now, they've decided that it was all wrong and they want to take it back. They have to give kids this bland, boring bullshit that tells them the proper decision to make every step of the way. America's gone to great lengths to create Marilyn Manson and now they want to deny that they've done so. They've failed to recognize that the monster they've made is going to eat them. I think Marilyn Manson stands for anyone of our generation because we are a product of the sixties and seventies. Now, everyone is concerned with every little problem in the world on such a greater scale than they were back then. Its almost like prohibition. They want to control guns. Control drugs. They should just open up the gates and let everybody do whatever it is they want. Then the people who are strong enough to survive will. People too stupid to live will be crushed under the wheels of progress.
CH: What's your fascination with serial killers?
MM: Do あなた have any favorites? My fascination is similar to that of people stopping to look at car accidents または wanting to go to an amusement park and get on a ride that says "ride at your own risk". People 愛 their fear, whether they realize it または not. People are afraid of death but 愛 to get closer to it vicariously through serial killers, horror movies, the O.J. Simpson trial, Lorraina Bobbit, または whatever it may be. I think that's why there is a need for Marilyn Manson in America. America has created that demand. I've always been fascinated によって cult leaders like Charles Manson または David Koresh and their followers. The relationship between that and rock stars and their fans. As far as serial killers, I think Jeffery Dahlmer is one of the もっと見る interesting individuals. His story is probably the most fascinating that I've heard. The チョコレート factory aspect made it very interesting for me. Just the fact that society made him feel so shitty for his homosexual impulses that he reacted violently. This goes back to my feelings that the American family has become a very masochistic structure that kids are constantly made to feel shitty for who they are. If they don't conform to conservative America's fascist agenda, they're made to feel guilty for it. That guilt is what spawns America's serial killers and teen suicides.
CH: Why are あなた sick of politically correct America?
MM: Because its not willing to admit its hypocrisy. People are too blind to see its phoniness. All the political correctness now is just another reason to sell a product. I can see them starting a race war just so they can sell a "Free Your Mind" t-shirt. They don't want the problem to go away because then they won't have anything to complain about. People don't want to fix problems because problems are what people thrive on.
CH: Why do あなた like Anton LaVey?
MM: I think he's probably the most powerful writer that あなた can find today. Probably because he's so extreme. He's the one I can relate to the most. One of my お気に入り 本 of his is THE DEVIL'S NOTEBOOK. I like what he has to say about society. I also like Nietzsche and Crowley. These guys have always been pointed out as being wrong and evil. I would encourage anyone to read LaVey. I like an idea that he alludes to, the great Satanic Unconsciousness. That everyone is really a Satanist. They just haven't realized it yet. Christians are some of the greatest Satanists because they've managed to pull off such an amazing scam that its almost respectable.
CH: Do あなた follow the philosophy "the strong over the weak"?
MM: Most definitely. I don't think it is the strong people's responsibility to constantly be cleaning up after weak people. Its always weak people that come up with statements like "everybody's created equal". I've worked for what I have so why can't you? It's not my responsibility to wipe someone's ass. There's too many people in America. In the world. I think it's nature's way of striking back with all the new horrible diseases that are fucking everyone up. It's nature's way of saying "use some discretion".
CH: Tell me about your lunchbox collection.
MM: It started about four years 前 when I resurrected my キッス lunchbox out of the attic. It reminded me of the period in my life when I went to a private Christian school and I wasn't allowed to bring it. They 発言しました it was satanic and that it would somehow corrupt the other kids. At the time, I use to get my 尻, お尻 kicked によって all the kids in public school. Then I got kicked out of private school. Thinking back, I really wanted to get kicked out but I didn't realize it at the time. The final straw was when I got caught stealing money out of girls' purses during prayer. I think it was pretty poetic in a way. Then, when I went to public school I got my 尻, お尻 kicked some more. I was the punk kid. So, I grew up not being accepted too well によって the other kids. I found later that I could relate to the kind of mentality that a lot of serial killers fall into. That "Someday, I'll 表示する you" attitude. I think that a lot of serial killers want to 表示する the world. They want to be a star. All these things inspired me to write the song, "Lunchbox" on the CD, and with my re-interest in lunchboxes I started to collect them. Some of my お気に入り are Land of the Giants, Lidsville, H.R. Puffenstuff, Land of the Lost, Bugaloos, and Dr. Doolittle. I got a Gomer Pyle lunchbox around the time they were having all the fuss about gays in the military. It has Jim Neighbors on the front. He's in this really suggestive pose getting sprayed in the face によって a garden hose. I thought it was really appropriate. The last lunchbox that I bought was Lancelot Link and it cost me $75 bucks. I use to carry around my lunchbox to クラブ and all these jock guys would want to fight me. Once, I actually got into a fight and hit this guy in the face with my lunchbox. Metal lunchboxes do come in handy. Its kind of funny, because lunchboxes were outlawed in Florida in 1976. A kid bludgeoned another kid, not to death but into a pulp with a metal lunchbox on the playground. We can only hope that when we make Marilyn Manson lunchboxes that the same thing happens.
CH: Were there any particular bands that influenced some of the remixes on Smells Like Children?
MM: Some of the things that we were thinking about when we recorded the three cover songs on the CD were the Stooges, Bauhaus, and the original Screaming カケス, ジェイ Hawkins. The three covers we picked were songs that I thought were very powerful and had pretty much gotten overlooked in their time. "Sweet Dreams" によって the Eurythmics was a song that had some really dark lyrics. I wanted to re-present that in a way so people could really focus on the words. This song tied in together with "Dope Hat" and that's really how the birth of the Ep came about. Both songs deal with use and abuse and how they relate. Another one of the covers, Patti Smith's "Rock and Roll Nigger", we had been doing live for a couple of years. That song is an anthem for the 90s- a big "fuck you" to political correctness. I think it de-mystifies the word "nigger". The song is not about racism but about being an individual.
CH: Tell me about some of the other songs on Smells Like Children.
MM: "May Cause Discoloration of the Urine または Feces" was a conversation that I eavesdropped on. I thought that it really dealt with another aspect of how drugs play into people's lives. This is a conversation between two members of my family. These are the type of people who raised me so I thought that it might be an insight to share with our ファン so that they could see where I came from. Dave Ogilvie from Skinny 子犬 did the remix "Dance of the Dope Hats". He also did the "Kiddie Grinder" remix. Charlie Clouser, the keyboard player for Nail Inch Nails, did a remix of "Cake and Sodomy" called "Everlasting Cock Sucker".
CH: What is a subject that あなた feel strongly about?
MM: I feel strongly about the movement of what Marilyn Manson is to be. The Antichrist is the embodiment of people who disbelieve in Christianity. With the release of Antichrist Superstar it's time for me to stop debating; to stop arguing about who's right and who's wrong. It's time for me to assert myself as a leader to this generation of people who agree with what I have to say. We are unsatisfied with being told who to be. We want to be ourselves. I think in a quite fascist way, Antichrist Superstar needs to overwhelm America. We will create a larger and larger group of like-minded individuals who will decide for themselves what's right and wrong. We shouldn't feel ashamed to say "We think we are superior to the people who are too weak to think for themselves." It's not about sexism または racism. It's about ethics, not ethnics. If あなた are intelligent enough to acknowledge that あなた are an individual and あなた are your own god then あなた are superior to some asshole idiot who wants to go about his everyday job being a 羊 that's too weak to stand up for himself. I think it is a perfectly acceptable ideal. If Marilyn Manson becomes as big as I think it's going to be, America has a lot to be afraid of.
CH: The band lived in New Orleans while あなた were recording Antichrist Superstar. What was the most perverted experience that あなた had while living in this city?
MM: Some of them are もっと見る extreme and the statute of limitations would prohibit me from commenting on them. But I think many of them are very cliché with regard to New Orleans. We went on grave digging expeditions on several nights near Metairie. It was kind of like a ghetto cemetery. I don't remember all the cemeteries but everywhere we went the ground was so eroded that we found BONES（ボーンズ）-骨は語る- just sticking out. Twiggy got into it a lot もっと見る than I did. He started picking out BONES（ボーンズ）-骨は語る- to put in his hair. He took it on as a hobby. As a whole though, living in New Orleans wasn't that much different than living in Florida. So I was accustomed to the usual idiots we would encounter on any 与えられた day. But there are a lot of one-legged people in New Orleans. The track "Dancing With The One-Legged..." is about drug use involving the band. When あなた are using certain types of drugs あなた are dancing with the one-legged man. That man is the one-legged black man that's always hopping around によって the interstate begging money. There is もっと見る to the story than that but I did want to take his artificial leg. Some stuff that happened in New Orleans may appear in a ホーム video we are doing but I'm not sure. The problem that we ran into was that New Orleans is a very nocturnal city. I met all of the heroin junkie strippers that hang out in the French Quarter. It would be about 8 a.m. when we would really get crazy. One night, on Twiggy's birthday, a bunch of events occurred. We were performing a tribute ritual that involved the one-legged black man, an incredible amount of cocaine, and Jack Daniels. We ended up running around our neighborhood near Terpsichore 通り, ストリート at 10 a.m. completely naked wearing wigs and cowboys hats. Twiggy had a lipstick drawn swastika on his chest and was 歌う an acoustic ギター songs to a homeless guy named Joe who we gave a bottle of ウォッカ to. I never met any of our neighbors but I pissed on a couple of their doors. One time I took a shit on a plate and left it in front of one of their doors. I think they thought we were either in the circus または a cult. Which are both true.
CH: What direction do あなた think society is heading?
MM: I think it's heading for a huge explosion that will probably resolve things. Hopefully, we'll end up with a better way of living. But, "Free Your Mind" attitude and the whole hippie Woodstock mentality is doing exactly what "Just Say No" did in the '80s; nothing. Its causing もっと見る racial tension. もっと見る intolerance and hatred. Marilyn Manson will be the house band for Armageddon</blockquote>
Retrieved from "http://www.mansonwiki.com/wiki/Interview:1996_The_Voice_of_Generation_Hex"
Mr. Manson appears a クロス between the movie Chitty Chitty Bang Bang's the Child Snatcher and goth punk complete with nightmare タトゥー and pierced lip. "I'm here to call Christian America on their bluff", he says proudly. Marilyn Manson stands for freak supremacy and he isn't about to let the morals of normalcy stand in his way.
Despite their controversial approach, the band was signed to Trent Reznor's Nothing/Interscope from the beginning . Since then, they've released three CDs- Portrait of an American Family, Smells Like Children, and their latest dark vision, Antichrist Superstar. It should come as no surprise that Mr. Manson is a reverend in the Church of Satan appointed によって Anton LaVey himself. Regarding such matters, he says "Marilyn Manson represents the ideas of Satanism put into effect rather than just posturing about them. After all, Marilyn Manson is bigger than Satan."
Chad Hensley: Why do 映画 like Chitty Chitty Bang Bang and Willy Wonka and the チョコレート Factory fascinate you?
Marilyn Manson: I like how they can be interpreted from an adult point of view. I think when あなた go back to a lot of 映画 like that, and Saturday morning shows like H.R. Puffenstuff, Lidsville, and all those other Kroft Super Shows, you'll find that they're very adult oriented. When あなた were young あなた didn't pick up on the innuendoes and references that were being made. These ideas were implanted in your head at an early age. I'm fascinated によって that. A character like the Child Snatcher from Chitty, Chitty Bang Bang wouldn't be acceptable によって today's standards. Its too politically incorrect for somebody to go around stealing little kids and luring them with candy. It's unfair that they fed us these great violent カートゥーン with no concern for the repercussions. Now, they've decided that it was all wrong and they want to take it back. They have to give kids this bland, boring bullshit that tells them the proper decision to make every step of the way. America's gone to great lengths to create Marilyn Manson and now they want to deny that they've done so. They've failed to recognize that the monster they've made is going to eat them. I think Marilyn Manson stands for anyone of our generation because we are a product of the sixties and seventies. Now, everyone is concerned with every little problem in the world on such a greater scale than they were back then. Its almost like prohibition. They want to control guns. Control drugs. They should just open up the gates and let everybody do whatever it is they want. Then the people who are strong enough to survive will. People too stupid to live will be crushed under the wheels of progress.
CH: What's your fascination with serial killers?
MM: Do あなた have any favorites? My fascination is similar to that of people stopping to look at car accidents または wanting to go to an amusement park and get on a ride that says "ride at your own risk". People 愛 their fear, whether they realize it または not. People are afraid of death but 愛 to get closer to it vicariously through serial killers, horror movies, the O.J. Simpson trial, Lorraina Bobbit, または whatever it may be. I think that's why there is a need for Marilyn Manson in America. America has created that demand. I've always been fascinated によって cult leaders like Charles Manson または David Koresh and their followers. The relationship between that and rock stars and their fans. As far as serial killers, I think Jeffery Dahlmer is one of the もっと見る interesting individuals. His story is probably the most fascinating that I've heard. The チョコレート factory aspect made it very interesting for me. Just the fact that society made him feel so shitty for his homosexual impulses that he reacted violently. This goes back to my feelings that the American family has become a very masochistic structure that kids are constantly made to feel shitty for who they are. If they don't conform to conservative America's fascist agenda, they're made to feel guilty for it. That guilt is what spawns America's serial killers and teen suicides.
CH: Why are あなた sick of politically correct America?
MM: Because its not willing to admit its hypocrisy. People are too blind to see its phoniness. All the political correctness now is just another reason to sell a product. I can see them starting a race war just so they can sell a "Free Your Mind" t-shirt. They don't want the problem to go away because then they won't have anything to complain about. People don't want to fix problems because problems are what people thrive on.
CH: Why do あなた like Anton LaVey?
MM: I think he's probably the most powerful writer that あなた can find today. Probably because he's so extreme. He's the one I can relate to the most. One of my お気に入り 本 of his is THE DEVIL'S NOTEBOOK. I like what he has to say about society. I also like Nietzsche and Crowley. These guys have always been pointed out as being wrong and evil. I would encourage anyone to read LaVey. I like an idea that he alludes to, the great Satanic Unconsciousness. That everyone is really a Satanist. They just haven't realized it yet. Christians are some of the greatest Satanists because they've managed to pull off such an amazing scam that its almost respectable.
CH: Do あなた follow the philosophy "the strong over the weak"?
MM: Most definitely. I don't think it is the strong people's responsibility to constantly be cleaning up after weak people. Its always weak people that come up with statements like "everybody's created equal". I've worked for what I have so why can't you? It's not my responsibility to wipe someone's ass. There's too many people in America. In the world. I think it's nature's way of striking back with all the new horrible diseases that are fucking everyone up. It's nature's way of saying "use some discretion".
CH: Tell me about your lunchbox collection.
MM: It started about four years 前 when I resurrected my キッス lunchbox out of the attic. It reminded me of the period in my life when I went to a private Christian school and I wasn't allowed to bring it. They 発言しました it was satanic and that it would somehow corrupt the other kids. At the time, I use to get my 尻, お尻 kicked によって all the kids in public school. Then I got kicked out of private school. Thinking back, I really wanted to get kicked out but I didn't realize it at the time. The final straw was when I got caught stealing money out of girls' purses during prayer. I think it was pretty poetic in a way. Then, when I went to public school I got my 尻, お尻 kicked some more. I was the punk kid. So, I grew up not being accepted too well によって the other kids. I found later that I could relate to the kind of mentality that a lot of serial killers fall into. That "Someday, I'll 表示する you" attitude. I think that a lot of serial killers want to 表示する the world. They want to be a star. All these things inspired me to write the song, "Lunchbox" on the CD, and with my re-interest in lunchboxes I started to collect them. Some of my お気に入り are Land of the Giants, Lidsville, H.R. Puffenstuff, Land of the Lost, Bugaloos, and Dr. Doolittle. I got a Gomer Pyle lunchbox around the time they were having all the fuss about gays in the military. It has Jim Neighbors on the front. He's in this really suggestive pose getting sprayed in the face によって a garden hose. I thought it was really appropriate. The last lunchbox that I bought was Lancelot Link and it cost me $75 bucks. I use to carry around my lunchbox to クラブ and all these jock guys would want to fight me. Once, I actually got into a fight and hit this guy in the face with my lunchbox. Metal lunchboxes do come in handy. Its kind of funny, because lunchboxes were outlawed in Florida in 1976. A kid bludgeoned another kid, not to death but into a pulp with a metal lunchbox on the playground. We can only hope that when we make Marilyn Manson lunchboxes that the same thing happens.
CH: Were there any particular bands that influenced some of the remixes on Smells Like Children?
MM: Some of the things that we were thinking about when we recorded the three cover songs on the CD were the Stooges, Bauhaus, and the original Screaming カケス, ジェイ Hawkins. The three covers we picked were songs that I thought were very powerful and had pretty much gotten overlooked in their time. "Sweet Dreams" によって the Eurythmics was a song that had some really dark lyrics. I wanted to re-present that in a way so people could really focus on the words. This song tied in together with "Dope Hat" and that's really how the birth of the Ep came about. Both songs deal with use and abuse and how they relate. Another one of the covers, Patti Smith's "Rock and Roll Nigger", we had been doing live for a couple of years. That song is an anthem for the 90s- a big "fuck you" to political correctness. I think it de-mystifies the word "nigger". The song is not about racism but about being an individual.
CH: Tell me about some of the other songs on Smells Like Children.
MM: "May Cause Discoloration of the Urine または Feces" was a conversation that I eavesdropped on. I thought that it really dealt with another aspect of how drugs play into people's lives. This is a conversation between two members of my family. These are the type of people who raised me so I thought that it might be an insight to share with our ファン so that they could see where I came from. Dave Ogilvie from Skinny 子犬 did the remix "Dance of the Dope Hats". He also did the "Kiddie Grinder" remix. Charlie Clouser, the keyboard player for Nail Inch Nails, did a remix of "Cake and Sodomy" called "Everlasting Cock Sucker".
CH: What is a subject that あなた feel strongly about?
MM: I feel strongly about the movement of what Marilyn Manson is to be. The Antichrist is the embodiment of people who disbelieve in Christianity. With the release of Antichrist Superstar it's time for me to stop debating; to stop arguing about who's right and who's wrong. It's time for me to assert myself as a leader to this generation of people who agree with what I have to say. We are unsatisfied with being told who to be. We want to be ourselves. I think in a quite fascist way, Antichrist Superstar needs to overwhelm America. We will create a larger and larger group of like-minded individuals who will decide for themselves what's right and wrong. We shouldn't feel ashamed to say "We think we are superior to the people who are too weak to think for themselves." It's not about sexism または racism. It's about ethics, not ethnics. If あなた are intelligent enough to acknowledge that あなた are an individual and あなた are your own god then あなた are superior to some asshole idiot who wants to go about his everyday job being a 羊 that's too weak to stand up for himself. I think it is a perfectly acceptable ideal. If Marilyn Manson becomes as big as I think it's going to be, America has a lot to be afraid of.
CH: The band lived in New Orleans while あなた were recording Antichrist Superstar. What was the most perverted experience that あなた had while living in this city?
MM: Some of them are もっと見る extreme and the statute of limitations would prohibit me from commenting on them. But I think many of them are very cliché with regard to New Orleans. We went on grave digging expeditions on several nights near Metairie. It was kind of like a ghetto cemetery. I don't remember all the cemeteries but everywhere we went the ground was so eroded that we found BONES（ボーンズ）-骨は語る- just sticking out. Twiggy got into it a lot もっと見る than I did. He started picking out BONES（ボーンズ）-骨は語る- to put in his hair. He took it on as a hobby. As a whole though, living in New Orleans wasn't that much different than living in Florida. So I was accustomed to the usual idiots we would encounter on any 与えられた day. But there are a lot of one-legged people in New Orleans. The track "Dancing With The One-Legged..." is about drug use involving the band. When あなた are using certain types of drugs あなた are dancing with the one-legged man. That man is the one-legged black man that's always hopping around によって the interstate begging money. There is もっと見る to the story than that but I did want to take his artificial leg. Some stuff that happened in New Orleans may appear in a ホーム video we are doing but I'm not sure. The problem that we ran into was that New Orleans is a very nocturnal city. I met all of the heroin junkie strippers that hang out in the French Quarter. It would be about 8 a.m. when we would really get crazy. One night, on Twiggy's birthday, a bunch of events occurred. We were performing a tribute ritual that involved the one-legged black man, an incredible amount of cocaine, and Jack Daniels. We ended up running around our neighborhood near Terpsichore 通り, ストリート at 10 a.m. completely naked wearing wigs and cowboys hats. Twiggy had a lipstick drawn swastika on his chest and was 歌う an acoustic ギター songs to a homeless guy named Joe who we gave a bottle of ウォッカ to. I never met any of our neighbors but I pissed on a couple of their doors. One time I took a shit on a plate and left it in front of one of their doors. I think they thought we were either in the circus または a cult. Which are both true.
CH: What direction do あなた think society is heading?
MM: I think it's heading for a huge explosion that will probably resolve things. Hopefully, we'll end up with a better way of living. But, "Free Your Mind" attitude and the whole hippie Woodstock mentality is doing exactly what "Just Say No" did in the '80s; nothing. Its causing もっと見る racial tension. もっと見る intolerance and hatred. Marilyn Manson will be the house band for Armageddon</blockquote>
Retrieved from "http://www.mansonwiki.com/wiki/Interview:1996_The_Voice_of_Generation_Hex"
