Finchel, Klaine, and Brittana, the three main ships of Glee.
によって portrayal, I mean issues such as differences in screentime and double standards. Everyone wants to see their character on screen, not necessarily all the time, but for a fair amount. glee/グリー was very promising in Season 2 when they found a way to run Klaine, Brittana, and Finchel/(Quinn's) storylines pretty equally. As Season 3 occurred, the weight shifted towards Finchel so much that Klaine and Brittana became neglected. Before, I mentioned that the 表示する built your couples and characters to root for. Well when あなた 表示する only one of them then the ファン of the others will predictably get upset. The couples' screentime is dependent on several double standards, some because of controversy, and some only because of writers. Yes, there are the groups that get angry and complain any time glee/グリー shows homosexual affection, but it begs the question, are the writers too afraid to include such couples, または do they just not like them? The answer is unclear but either way, the result has become relationships that have developed unusually and extremely slowly in comparison to the other ones on the show. As it turned out, Klaine and Brittana were only shown as an actual relationship in 'special' episodes. Brittana had to wait a full three years for an on-screen kiss. Brittany is bi- this and bi-that, but she's never just "bisexual" because bisexaulity is portrayed as a taboo concept even in a 表示する like Glee. Klaine became もっと見る like 'Blaine and his boyfriend.' Blaine was, as Kurt said, the 'alpha gay,' and all the spotlight went to him once he walked in. Not only are there portrayal problems with the same-sex relationships, but the decision of how to portray Finchel in the latter half of Season 3 has been a large issue. The writers have basically fed a 火災, 火 with もっと見る fire. Their main couple was two high school teenagers making rash life decisions out of fear and uncertainty. They are constantly bickering and making up in a vicious cycle, and the characters they used as plot devices to dissuade their ideas were seen as wrong and only wanting to ruin their plans. The sheer level of PDA was vastly greater than the combination of the other relationships.
Additionally, there are the other double standards are of race, appearance, and gender, which are もっと見る inexcusable as they are not nearly as controversial. Ethnic characters are often seen for just their appearance and origins. Yes, Tina and Mike are Asian, but do we always have to think of them as 'the Asians' all the time? Appearance means that hot people get the attention, which plays into the ethnicity standards. あなた have Santana, who is actually ethnic, skyrocketing to the front of the pack the moment glee/グリー realized she could sing. Naya is very attractive, no question, and she also has acceptably mid-tone skin. あなた can say that this または that actor/character is so beautiful inside and still beautiful outside, but it doesn't matter. It's a fundamental rule of media that an attractive appearance will get あなた further than an attractive personality. (Luckily the majority of the characters do have those personalities.) Falling under the same problem is the idea that if あなた are overweight または bulky, あなた must be obsessed with food. Mercedes had a whole food-related plotline, and characters such as Lauren, Beiste, and Mrs/Ms. Rose are often associated with food. Gender is an issue with most of the main characters. Sometimes the writers have no idea how to write for Rachel and she ends up learning the same lesson week after week, and forgetting it the 次 日 (ex. her self-centeredness and fame mindset). In het relationships, the girls are often dependent on guys in order to feel secure in their lives (ex. Rachel, Quinn/Joe, Wemma). あなた also have the difference between a gay and a lesbian. Just look at the coming out storylines for Santana versus Kurt (to the school, season 2) または Dave. The latter two were wonderfully handled with the right amount of drama and finesse. Santana was accidently(?) outed in the middle of a crowded hallway. The same boy made it his mission to basically blackmail her into forgiving him via the Lady 音楽 Week. But there was no Brittany, even though this was happening to her too; we barely saw them together in that episode. And apparently Santana was a coward, and just because the glee/グリー club knew about her relationship with Brittany, she should not care if the rest of the world finds out. Now compare Brittany and Puck before graduation. Puck risks graduating and all the boys flock to attempt to teach and help him. Brittany was failing and nobody even cared. It was もっと見る of a joke and in fact, we didn't even find out she wasn't graduating until the near end, when she mentioned it like she was talking about the weather.
These battles with double standards have evidenced a careless group of showrunners with a fandom full of hate. Now we're in Season 4 and in my opinion, the writers are genuinely trying to make things better. The 書く is still problematic, but so far they're making an effort to represent everyone equally. But over the last few years, people have become so used to having to fight for their characters that they are still doing it, arguing and begging for storylines または screentime. Ryan Murphy is not dumb; he knows how to manipulate certain portions of the fandom and does just that. Like announcing that there was a lot of Klaine, Brittana, and Finchel in an airing episode when it turned out that Kurt, Santana, and Rachel weren't even there, which was flat-out lying to get people to tune in. または promising spoilers and being a troll when they're completely wrong- it's pretty terrible if a group of ファン in Brazil is もっと見る trustworthy for spoilers than the showrunners themselves. These kinds of attitudes do absolutely nothing for the show, and the carelessness is apparent in the quality and is the reason so many people have 与えられた up.
In conclusion, yes the ファン can be awful, but the only reason that this is what we've come to is the 表示する itself. If あなた look at other fandoms, people can like different things, no big deal, and they don't mind seeing other people get representation. The showrunners are cooperative, patient, and kind to fans, even though they probably receive hate about their decisions. They know how to write for everyone and yes, there are probably double standards they somewhat adhere to, but they don't make it so apparent によって building a contrast between the different people.
Graph showing the dialogue among the three ships in Seasons 2 and 3. The double standard generally most problematic to the Glee fandom.
