was released on January 29, 1959 and was made due to the overwhelming success of Cinderella
. Therefor the ディズニー Studios got right to work revisiting the fairy tale formula and developing a new version of the classic story. It was decided early on that this film would have to surpass its predecessing fairy tale films.
by Evynd Earle
Background artist Evynd Earle
was hired to develop a new look which combined both medieval and modern art forms. His designs were unique in that they were dominated によって definate vertical/ horizontal lines and geometric shapes. This would have a lasting effect on the future デザイン for Disney's third princess as she would have to be designed to not clash with the angular style.
When coming up with a name for the princess, ディズニー had two options. In early translations of the Brothers Grimm
story Little Briar Rose
, the princess's name was Briar Rose and her mother
was named Aurora (sunlight bringing forth お花 and all that poetic symbolism stuff). Then in Tchiakovsky’s
ballet Sleeping Beauty
the princess was named Aurora. As it fit into their new plotline, ディズニー used both names making Briar Rose a pseudonym for the Princess Aurora in hiding.
One of Disney's greatest muses was the young Audrey Hepburn
starring in her 1953 debut film Roman Holiday
. In an Oscar-winning performance, Hepburn plays a Princess Ann from a nondescript country visiting Rome. After a slight emotional breakdown, the princess sneaks out of the royal embassy and enjoys living as a regular person for a 日 going によって the name Anya
. (which would later be the name used for Don Bluth’s
misplaced princess Anastasia
) She meets a guy, they fall for each other, her bodyguards come after her so she ultimately has to make a choice on whether または not to return. ~Great movie. Watch it!
Audrey Hepburn's character in this film has had the greatest impact on ディズニー films than any other woman as she influenced every single ディズニー Princess since in some way.
by Tom Oreb..&.. Audrey Hepburn in Roman Holiday
Early concept designs for the princess were left to ディズニー artist Tom Oreb known for his stylized 1950s animation. He derived much of his inspiration from Audrey Hepburn herself. Aurora’s peasant outfit was a direct result of using Roman Holiday scenes with Princess Ann [Hepburn] for reference material. The same black & white color scheme was even used from the film and a black ビスチェ was added to make it appear もっと見る period.
by John Collier
With the name Aurora, meaning ‘dawn’, it was decided upon that she would be a blonde rather than brunette. Walt ディズニー himself felt this also helped in setting her apart from Snow White and Cinderella. (according to ディズニー Color Archives, Cinderella's hair was ‘burnt orange
’) But a classical piece of inspiration was a painting from the turn of the last century によって John Collier
of The Sleeping Beauty
. The two handmaidens dressed in red and blue may have aided in the color-coding of Flora and Merryweather.
The job of animating Aurora was handed over to ディズニー veteran Marc Davis
who was also responsible for such characters as Cinderella, Tinker Bell, Maleficent, Alice, & Cruella De Vil to name a few. In addition he brought in Helene Stanley
would once again be used as the live action model since her work modeling for シンデレラ had been so successful. She would return a final time to model as Anita
in 101 Dalmatians
, a film that would ultimately reuse the angular style of Sleeping Beauty for its characters but atop a messy, modern background.
As far as the iconic dress goes, animators went in 検索 of some 14th century reference material. Much of what they found was slightly contradictory in terms of what was appealing in the 1950's fashion. So they modernized the medieval dress a bit. A common style in both medieval and 1950's formal wear was the shoulder bearing dress. Aurora's white 襟, 首輪 (which WASN'T white in the film) was added to give her an even もっと見る angular look. Other similarities are self-evident によって this picture.
It is rumored that during the デザイン of this dress, deciding upon a color was a matter of some debate. One artist wanted ピンク while another stubbornly insisted on blue. The humor in this situation was spotted at a meeting and this very feud was incorporated into the story as the rival between the 妖精 Flora and Merryweather adding a magical element to the dress. A great comprimise.
In the end, Sleeping Beauty has come to be one of my お気に入り ディズニー films. The artists' gamble in making an all-new style was nothing less than a triumph, becoming one of most successful films of the entire decade. It also set the par for future animated films and sparked the desire to give every new film a new artistic style. If any of Disney's work is worthy of such a タイトル as 'Masterpiece
', it is indeed Sleeping Beauty