Los Angeles based Runic Films スポンサー the blog site: Captain America! Redefining Modern Myth. March 4th marks the first 月 of posts from creative team Ben Alpi, filmmaker and Rick Arthur, comic artist. Interest has been high for this careful reconstructing of the Steve Rogers/Captain America myth which blends factual elements from the WWII era with the wealth of キャップ 情報源 material.
Visit at: www.mythdiscussionseries.blogspot.com
Post titles include Going Home, Watch Out Red Skull, No Ordinary Man, Letters From Soldiers and many more. When asked to describe the project, Alpi said, "It is a unique 検索 for character leading into new territory."
Arthur also commented,"We set out to build a living, breathing character for film. What we ended up with was very unexpected."
Runic FIlms provided an excerpt from post #8 as follows:
Nature abhors a vacuum. Opposites attract. Fate will always bring them together. Captain America and Red Skull are trapped together in a web of hatred spun before either of them were born. Both play their part. Neither would dare stand aside for the other.
As part of the hero's journey, キャップ must find the courage to destroy the Red Skull before the war can end. I would like to think that in the crazy last days of the war キャップ pursues the Red Skull mercilessly. For his part, the Red Skull is privy to a lot of resources, troops, weapons and secret weapons. It is only on the last day, the last 時 of the war that キャップ catches up to and corners him. With no place to run, this will be the fight to the finish!
To give meaning to the battle, キャップ must have faced the Red Skull before and been badly beaten and humiliated. キャップ must be severely weakened または handicapped in some way while the Red Skull must be at the height of his powers and have ホーム court advantage. At some point, キャップ must be on the verge of giving up and the Red Skull must seem to have the advantage with victory almost in his grasp.
Why must キャップ seem so weak? It is important that he be the underdog so that when he turns the tables it is all the もっと見る dramatic an example of his virtues defeating those of his opponents. If they are もっと見る equally matched または キャップ has the upper hand going in, audiences will easily mistake the drubbing Red Skull gets as a personal vendetta compared to an act of bravery and heroism that the whole rest of the film tries to set up. キャップ is not about vengeance.
Think about the final conflicts in a lot of the movies, particularly action 映画 and how many of them are predicated on attaining revenge. When あなた see the "hero" spouting pithy one-liners then killing a lot of bad guys the juxtaposition of elements tells あなた that they are not ヒーローズ at all but revenge seekers. Ultimately, there can be no pay off on a spiritual level. Revenge is not a virtue. Nothing is gained. In order for the audience to feel anything, the conflict must result in shock rather than growth. Entire films have been ruined this way with a strong build up and under satisfying finish.
If the villain is not dead at the end of the movie and the hero ends up in a block of ice, is it a victory?
Decide for yourself によって visiting:
www.mythdiscussionseries.blogspot.com
Visit at: www.mythdiscussionseries.blogspot.com
Post titles include Going Home, Watch Out Red Skull, No Ordinary Man, Letters From Soldiers and many more. When asked to describe the project, Alpi said, "It is a unique 検索 for character leading into new territory."
Arthur also commented,"We set out to build a living, breathing character for film. What we ended up with was very unexpected."
Runic FIlms provided an excerpt from post #8 as follows:
Nature abhors a vacuum. Opposites attract. Fate will always bring them together. Captain America and Red Skull are trapped together in a web of hatred spun before either of them were born. Both play their part. Neither would dare stand aside for the other.
As part of the hero's journey, キャップ must find the courage to destroy the Red Skull before the war can end. I would like to think that in the crazy last days of the war キャップ pursues the Red Skull mercilessly. For his part, the Red Skull is privy to a lot of resources, troops, weapons and secret weapons. It is only on the last day, the last 時 of the war that キャップ catches up to and corners him. With no place to run, this will be the fight to the finish!
To give meaning to the battle, キャップ must have faced the Red Skull before and been badly beaten and humiliated. キャップ must be severely weakened または handicapped in some way while the Red Skull must be at the height of his powers and have ホーム court advantage. At some point, キャップ must be on the verge of giving up and the Red Skull must seem to have the advantage with victory almost in his grasp.
Why must キャップ seem so weak? It is important that he be the underdog so that when he turns the tables it is all the もっと見る dramatic an example of his virtues defeating those of his opponents. If they are もっと見る equally matched または キャップ has the upper hand going in, audiences will easily mistake the drubbing Red Skull gets as a personal vendetta compared to an act of bravery and heroism that the whole rest of the film tries to set up. キャップ is not about vengeance.
Think about the final conflicts in a lot of the movies, particularly action 映画 and how many of them are predicated on attaining revenge. When あなた see the "hero" spouting pithy one-liners then killing a lot of bad guys the juxtaposition of elements tells あなた that they are not ヒーローズ at all but revenge seekers. Ultimately, there can be no pay off on a spiritual level. Revenge is not a virtue. Nothing is gained. In order for the audience to feel anything, the conflict must result in shock rather than growth. Entire films have been ruined this way with a strong build up and under satisfying finish.
If the villain is not dead at the end of the movie and the hero ends up in a block of ice, is it a victory?
Decide for yourself によって visiting:
www.mythdiscussionseries.blogspot.com