Last one for today. ^_^
Jasper's Pov
"What's wrong Alice?"
Alice looked as if she were faint または something.
"Nothing is of the matter, I mean...nothing is...well
nothing is wrong okay?"
I really can't trust her sometimes, so I went to Edward.
"Edward, what is Alice thinking?"
"Why would I want to help you?! あなた tortured me once already!"
"Please! Just tell me what she is thinking!"
"I don't think I should tell them または should I? If someone is controllong Esme, where is this person-"
"Someone is controlling ESME!?!?!?!?!?!?!?!?!?" Edward shouted.
Then, everyone looked at Alice, Edward, and Esme's purple marking.
Jasper's Pov
"What's wrong Alice?"
Alice looked as if she were faint または something.
"Nothing is of the matter, I mean...nothing is...well
nothing is wrong okay?"
I really can't trust her sometimes, so I went to Edward.
"Edward, what is Alice thinking?"
"Why would I want to help you?! あなた tortured me once already!"
"Please! Just tell me what she is thinking!"
"I don't think I should tell them または should I? If someone is controllong Esme, where is this person-"
"Someone is controlling ESME!?!?!?!?!?!?!?!?!?" Edward shouted.
Then, everyone looked at Alice, Edward, and Esme's purple marking.
EDWARD'S エンドウ, エンドウ豆 COAT
''Everybody wants to know where his エンドウ, エンドウ豆 コート came from!'' exclaims the costumer. Unfortunately, it is a one-of-a-kind piece (er, sort of: three to four were made for filming purposes) which Chuck herself crafted after not being able to find the perfect one. ''We needed the right fit, [and] I couldn't find anything in the right shade of gray,'' she recalls. ''Catherine [Hardwicke, the director] is really big on back story for her characters and anything that can help that, even if it's in a texture または color of clothes.'' After considering ''probably 20 swatches,'' Chuck went with one from Mood Fabrics and based her final デザイン on a combination of other styles of エンドウ, エンドウ豆 coats. In the end, his turned out as ''a classic shape with a modern twist.''
''Everybody wants to know where his エンドウ, エンドウ豆 コート came from!'' exclaims the costumer. Unfortunately, it is a one-of-a-kind piece (er, sort of: three to four were made for filming purposes) which Chuck herself crafted after not being able to find the perfect one. ''We needed the right fit, [and] I couldn't find anything in the right shade of gray,'' she recalls. ''Catherine [Hardwicke, the director] is really big on back story for her characters and anything that can help that, even if it's in a texture または color of clothes.'' After considering ''probably 20 swatches,'' Chuck went with one from Mood Fabrics and based her final デザイン on a combination of other styles of エンドウ, エンドウ豆 coats. In the end, his turned out as ''a classic shape with a modern twist.''