こんにちは there, Swifties.
In my 前 article, I talk about Taylor Swift's first song, Tim McGraw which came out in 2006 and what we could do to have her first single from 2006 played on pop stations this year.
Now, as あなた may know that there will be no もっと見る country 音楽 for Taylor Swift. Is that true? Well, to me, I loved Taylor 迅速, スウィフト making country music. I 愛 Taylor Swift's 3 albums from 2006-2010 which includes her 秒 album, Fearless and my personal favorite, Speak Now. I am really anticipating to for Taylor Swift's fifth album. This will not only be Taylor Swift's first album without any country 音楽 but also the first no-country album made によって Big Machine Records. The problem is that Taylor 迅速, スウィフト is still marketable in the country market. But it would be cool if country market can get rid of Taylor 迅速, スウィフト allowing the pop market to add Taylor Swift. Taylor 迅速, スウィフト would be a great addition to the pop market. That's way, pop market will have the whole Taylor 迅速, スウィフト franchise to itself. Which means, pop radio can play her country 音楽 (something that country ファン prefer over her pop counterparts). Her country 音楽 is perfect for 音楽 listeners who never listen to country music. Let's continue.
I would like Taylor Swift's upcoming album to not have any country 音楽 and goes straight pop. So I was thinking that I want her pop 音楽 to go with the pop-rock route rather than just plain pop または pop-country (or country-pop). I hope Taylor Swift's pop songs will go back to the pop-rock routes and have an awesome electric ギター sound. Let's hope Big Machine Records can make a pop 音楽 label department outside of Nashville. Plus, Taylor 迅速, スウィフト would be a perfect time to tackle new genres. Yes, she needs to tackle new genres beside just country and pop. She can make a rap song, she cam make a rock song, she can make an rnb song. That would be awesome. Have Taylor 迅速, スウィフト make new non-country outputs によって tackling different genres and put them on her pop albums. That way, her pop albums will not only include genres but other genres not named country too like rnb.
I went to a website called Saving Country 音楽 and I just saw an 記事 called Taylor 迅速, スウィフト Is Leaving Country. But Will Country Let Her? on this website. Let's take a look shall we?
Link taken from the article: link
"Welp, that’s that. Gauging from the コメント made in Rolling Stone‘s current country 音楽 special edition によって the CEO of Big Machine Records aka the Country 音楽 Antichrist Scott Borchetta, we can now put a period at the end of Taylor Swift’s pop country career. Finito. Done. End of story. Taylor Swift’s country run is in the books, and she’s now a pop 星, つ星 exclusively.
And for the 愛 of God people, please don’t tell me she was never country to begin with. That goes without saying.
In the Rolling Stone 記事 currently on newsstands, Scott Borchetta is quoted as saying that Swedish pop producer Max Martin, the man behind Taylor Swift’s last album Red‘s most pop-oriented material like “We Are Never Ever Getting Back Together” and “I Knew あなた Were Trouble”, worked on “most of her” 次 album. Martin was the producer behind successful pop 音楽 franchises such as The Backstreet Boys, N’Sync, and Britney Spears before being brought onto the 迅速, スウィフト team at Scott Borchetta’s behest. But Martin, along with his fellow Swedish collaborator Shellback, only worked on three of the sixteen total songs on Swift’s Red album, despite their footprint feeling much bigger because the partnership comprised the album’s two biggest singles.
Scott Borchetta says in the 記事 about Swift’s new album, “Taylor ファン are going to 愛 it. Will country stations play a complete pop song just because it’s her? No.” This quote is then reinforced in a caption under a picture of Scott Borchetta and Taylor 迅速, スウィフト together.
So much can be read into this quick statement from Borchetta. A man who is known for brevity and measuring his words, Borchetta alludes to us that there will be little, または potentially nothing about Taylor Swift’s new album, または at least the singles that will be targeted for radio, that country radio will find enticing; so much so that he predicts that a format that has moved so dramatically in a pop direction in the two years since Taylor’s last release, and especially in just the last six to nine months since a major Taylor 迅速, スウィフト single, will still be completely unwelcoming to Taylor Swift’s new material. That is how pop it is. もっと見る pop than Jerrod Nieman’s “Drink To That All Night” または Luke Bryan’s “That’s My Kind Of Night”. もっと見る pop than “We Are Never Ever Getting Back Together”. If this estimate of Taylor Swift’s new material is accurate, and if country programmers will be able to resist the urge to play Taylor to audiences as her Big Machine-backed singles blow up on 上, ページのトップへ 40 stations, then yes, it truly is time for country to say bon voyage to Taylor.
Then Scott Borchetta tells Rolling Stone, “But when she comes to town, her フレンズ at country radio will come and see her.” This seems to allude that Borchetta and Taylor 迅速, スウィフト don’t think they even really need country radio anymore, they’re planning without it, and can trump radio politics with the strength of Taylor’s touring might. They care so little about the acceptance of Taylor’s 音楽 によって country, they’re downright flippant, unconcerned about it. And clearly these 名言・格言 are buttering up the public so when Taylor releases her first purely pop single, it doesn’t come as a complete shock. Though would it anyway, 与えられた her track record with Red?
There’s a couple of other interesting nuggets from the same small portion of the Rolling Stone piece talking about Taylor’s new album. Though the premise of the conversation is about how Scott Borchetta, unlike many of his 音楽 Row bunk mates, actually extends quite a bit of creative latitude and freedom to his artists, it is also reinforced in the 記事 that it was Borchetta’s idea to bring big pop producer Max Martin into Taylor Swift’s creative process in the first place.
“He’s allowed me to evolve on my own one 年 at a time,” 迅速, スウィフト says about Borchetta to Rolling Stone, but the very 次 line in the 記事 says, “But he did urge her [Taylor] to collaborate with Max Martin on her last album.”
This Max Martin decision is the arguably the most important, most defining moment in Taylor Swift’s entire career up to this point, and interestingly enough, it wasn’t instigated によって her. It was Scott Borchetta that made the decision to bring Max Martin in, and the result has been a big shift from substantive songwriting with country pop flavor, to the pop-only, vapid stylings of Max Martin, bringing in dub-step and other influences completely foreign to country music, and resulting in shallow compositions like “We Are Never Ever Getting Back Together.” Of course Taylor 迅速, スウィフト is not completely innocent in this dramatic, and defining career shift, but its origination point is undoubtedly Borchetta.
The story of Scott Borchetta barging in on Taylor Swift’s creative process during the making of Red in late 2012 was chronicled によって Billboard:
“I said, ‘You know, this song isn’t working yet.’ They both looked at me (Swift and Nathan Chapman) with a blank stare. ‘The chorus isn’t elevating like it needs to. Where you’re wanting to take the song, it’s not going there. It needs a Max Martin type of lift.”
… At that point Borchetta called Martin. Both Borchetta and 迅速, スウィフト agree that it was a turning point for “Red”.
And it was a turning point in Taylor Swift’s entire career, putting her on a completely different path from what got her to where she was.
Who is Nathan Chapman that is referenced in the above quote? He is the producer who worked with Taylor 迅速, スウィフト from 日 one, recording her first demos, and presiding over virtually all of her 音楽 up to Red, when a bevy of eight producers, including Chapman on certain songs, were brought in to work on, and in the Max Martin instances, co-write Taylor’s songs. Compare this to Swift’s 前 album Speak Now where 迅速, スウィフト wrote the entire album によって herself, and produced it with help from Chapman alone.
We can’t assume that just because Max Martin has a majority stake in Taylor’s new album that there still won’t be moments of substance. The rules of the game are a little different in this instance. When Max Martin was brought in on Red, his sole purpose was to produce radio hits. Now, hypothetically, he will be employed to deal with a もっと見る diverse range of material. Still, it is concerning that Max Martin almost always insists on weaseling his way into a co-writing role of the songs he produces. This is what we saw with Red, and what we’ve seen with other Max Martin-involved projects.
What endeared Taylor 迅速, スウィフト to America and had critics coming to her defense was the fact that however pop she was, her songs were sincere expressions from her directly. She was the superstar that was also the girl 次 door. The Max Martin material from Red shattered this perception, and also resulted in significantly less industry awards and accolades from both country music, and all-genre based awards. It also resulted in some of the biggest sales numbers of Taylor Swift’s career. Choosing to go with Max Martin is about trading commercial acceptance over artistic substance.
At the same time, a complete cutoff from the country 音楽 realm makes a lot of sense for Taylor Swift. What are the two biggest criticisms Taylor has faced over her career? That she can’t sing, and she’s not country. Since her debacle on the Grammy Awards with Stevie Nicks in 2010, Taylor has at least reined in her 歌う problems to some extent. And if she leaves country, this will put this long-suffering ディベート about if she’s country または not to ベッド for good.
So that’s good, right? Let Taylor 迅速, スウィフト go. Let the pop world have her …. Except that she was one of the genre’s last female stars that could do battle with the men who have dominated the charts and radio, and despite the Max Martin-produced material from her last album and her early material that lacked maturity, Taylor 迅速, スウィフト was one of the last vestiges of artistic substance mainstream country 音楽 could boast, even if she was in the genre artificially.
Country 音楽 lacks female talent. It can’t fill out the nominees for Female Vocalist of the 年 at the CMA and ACM Awards even when Taylor 迅速, スウィフト is included. All signs point to Taylor 迅速, スウィフト wanting to shake free from her country 音楽 bonds, with the singles she released from Red, and now these 名言・格言 from Borchetta that in many respects don’t seem to be taking into account the realities of country radio. But there’s no guarantee country 音楽 is willing to play ball with Taylor Swift’s departure. Country 音楽 needs Taylor Swift, and it will be unwilling to forfeit the opportunity to have her sales and touring force fall under its umbrella without a fight.
If Taylor 迅速, スウィフト is truly leaving country, it’s hard to declare a victory for country 音楽 here, または for Taylor Swift. Without the support of country, and with the presence of Max Martin, there’s likely going to be a lot less trophies adorning Taylor’s mantle. At the same time Taylor 迅速, スウィフト is now free to do what she wants …. または what Max Martin wants to do with her.
Predictions:
Taylor 迅速, スウィフト will make an announcement about her new album in late July, または early August.
The new album will be released in October, または early November.
There will be at least one collaboration with Justin Timberlake on the new album.
It will include about 15 to 18 songs.
Despite Scott Borchetta’s rhetoric, country radio will still play Taylor Swift, and with a lack of other leading females to fill the spots, 迅速, スウィフト will still get nominated for country music’s 上, ページのトップへ female awards."
See, as あなた may know that Trigger, a person who owns Saving Country 音楽 talks about why Taylor 迅速, スウィフト is leaving country 音楽 for good and he can do to make country 音楽 needs Taylor 迅速, スウィフト back. Well, according to the article, which I 発言しました called Taylor 迅速, スウィフト Is Leaving Country. But Will Country Let Her?, there's no plans for Taylor 迅速, スウィフト to return to the country 音楽 department. Even if country radio can still play Taylor 迅速, スウィフト allowing her to still get nominated for country music’s 上, ページのトップへ female awards, country 音楽 has no plans for Taylor 迅速, スウィフト and her country songs like Begin Again. I guess country 音楽 has moved on to other country 音楽 records like Miranda Lambert and Dolly Parton. It would be cool if pop radio can play every single Taylor 迅速, スウィフト country single like Picture To Burn, Ours and Sparks Fly. That would be pretty cool if Taylor Swift's country songs like Tim McGraw and Mean can be played on pop radio. I guess country radio will never want to play Taylor 迅速, スウィフト again. I think pop radio needs to play her country songs like Red just for fun. That would be something that Taylor 迅速, スウィフト was looking for. Plus, all Taylor 迅速, スウィフト 音楽 動画 has a pop category on Vevo. Even on her country 動画 too like The Best Day. I want to see Highway Don't Care on pop radio one day. OK, let's 移動する on.
It seems that PopDust has made an 記事 called Max Martin Produced ‘Most Of’ Taylor Swift’s New Album. It says that, the 記事 represents most Taylor 迅速, スウィフト songs were produced によって Max Martin. So let's take a look and what PopDust has to say about that.
Link taken from the article: link
"Taylor 迅速, スウィフト always walked a thin line between country and pop 音楽 up until 2012′s Red, which もっと見る または less marked the completion of her transformation from sweet country songstress to the biggest pop superstar on the planet. ファン who were hoping that the top-forty-friendly Red was just a phase for Tay Tay might be disappointed によって her upcoming fifth studio album, with a 最近 記事 in Rolling Stone hinting that the record could be her poppiest work to date.
“I Knew あなた Were Trouble” and “22″ hitmaker Max Martin has apparently worked “on most of” Tay Tay’s new album, while Scott Borchetta –who discovered Taylor and heads her label, Big Machine Records– 発言しました that he doesn’t expect country radio to play her new pop songs.
“Taylor ファン are going to 愛 it,” Borchetta 発言しました about the new album. “Will country stations play a complete pop song just because it’s her? No. But when she comes to town, her フレンズ at country radio will come and see her.”
After climbing to the 上, ページのトップへ of the musical 食 chain with the quadruple-platinum Speak Now and Red, あなた can’t really blame Taylor for not wanting to return to being a crossover country artist like Carrie Underwood and Kacey Musgraves — even if it does mean that her new tunes lack the charm of her earlier work.
あなた know what would be perfect? If Max Martin made a bunch of country-pop fusion songs for Taylor just like his underrated Carrie Underwood production, “Quitter.” That’d be a win for everybody."
There あなた go. I'm happy to see Max Martin working with Taylor 迅速, スウィフト again. No もっと見る 書く songs about boys. Try something new each time. OK, that's it for this article.
So what do あなた think? Are あなた exciting to see Taylor 迅速, スウィフト releasing her fifth album? Do あなた want Taylor 迅速, スウィフト to not include her country 音楽 on her upcoming fifth album? Would あなた like to see Taylor Swift's country songs played on pop radio または other pop stations? Sound off below!
In my 前 article, I talk about Taylor Swift's first song, Tim McGraw which came out in 2006 and what we could do to have her first single from 2006 played on pop stations this year.
Now, as あなた may know that there will be no もっと見る country 音楽 for Taylor Swift. Is that true? Well, to me, I loved Taylor 迅速, スウィフト making country music. I 愛 Taylor Swift's 3 albums from 2006-2010 which includes her 秒 album, Fearless and my personal favorite, Speak Now. I am really anticipating to for Taylor Swift's fifth album. This will not only be Taylor Swift's first album without any country 音楽 but also the first no-country album made によって Big Machine Records. The problem is that Taylor 迅速, スウィフト is still marketable in the country market. But it would be cool if country market can get rid of Taylor 迅速, スウィフト allowing the pop market to add Taylor Swift. Taylor 迅速, スウィフト would be a great addition to the pop market. That's way, pop market will have the whole Taylor 迅速, スウィフト franchise to itself. Which means, pop radio can play her country 音楽 (something that country ファン prefer over her pop counterparts). Her country 音楽 is perfect for 音楽 listeners who never listen to country music. Let's continue.
I would like Taylor Swift's upcoming album to not have any country 音楽 and goes straight pop. So I was thinking that I want her pop 音楽 to go with the pop-rock route rather than just plain pop または pop-country (or country-pop). I hope Taylor Swift's pop songs will go back to the pop-rock routes and have an awesome electric ギター sound. Let's hope Big Machine Records can make a pop 音楽 label department outside of Nashville. Plus, Taylor 迅速, スウィフト would be a perfect time to tackle new genres. Yes, she needs to tackle new genres beside just country and pop. She can make a rap song, she cam make a rock song, she can make an rnb song. That would be awesome. Have Taylor 迅速, スウィフト make new non-country outputs によって tackling different genres and put them on her pop albums. That way, her pop albums will not only include genres but other genres not named country too like rnb.
I went to a website called Saving Country 音楽 and I just saw an 記事 called Taylor 迅速, スウィフト Is Leaving Country. But Will Country Let Her? on this website. Let's take a look shall we?
Link taken from the article: link
"Welp, that’s that. Gauging from the コメント made in Rolling Stone‘s current country 音楽 special edition によって the CEO of Big Machine Records aka the Country 音楽 Antichrist Scott Borchetta, we can now put a period at the end of Taylor Swift’s pop country career. Finito. Done. End of story. Taylor Swift’s country run is in the books, and she’s now a pop 星, つ星 exclusively.
And for the 愛 of God people, please don’t tell me she was never country to begin with. That goes without saying.
In the Rolling Stone 記事 currently on newsstands, Scott Borchetta is quoted as saying that Swedish pop producer Max Martin, the man behind Taylor Swift’s last album Red‘s most pop-oriented material like “We Are Never Ever Getting Back Together” and “I Knew あなた Were Trouble”, worked on “most of her” 次 album. Martin was the producer behind successful pop 音楽 franchises such as The Backstreet Boys, N’Sync, and Britney Spears before being brought onto the 迅速, スウィフト team at Scott Borchetta’s behest. But Martin, along with his fellow Swedish collaborator Shellback, only worked on three of the sixteen total songs on Swift’s Red album, despite their footprint feeling much bigger because the partnership comprised the album’s two biggest singles.
Scott Borchetta says in the 記事 about Swift’s new album, “Taylor ファン are going to 愛 it. Will country stations play a complete pop song just because it’s her? No.” This quote is then reinforced in a caption under a picture of Scott Borchetta and Taylor 迅速, スウィフト together.
So much can be read into this quick statement from Borchetta. A man who is known for brevity and measuring his words, Borchetta alludes to us that there will be little, または potentially nothing about Taylor Swift’s new album, または at least the singles that will be targeted for radio, that country radio will find enticing; so much so that he predicts that a format that has moved so dramatically in a pop direction in the two years since Taylor’s last release, and especially in just the last six to nine months since a major Taylor 迅速, スウィフト single, will still be completely unwelcoming to Taylor Swift’s new material. That is how pop it is. もっと見る pop than Jerrod Nieman’s “Drink To That All Night” または Luke Bryan’s “That’s My Kind Of Night”. もっと見る pop than “We Are Never Ever Getting Back Together”. If this estimate of Taylor Swift’s new material is accurate, and if country programmers will be able to resist the urge to play Taylor to audiences as her Big Machine-backed singles blow up on 上, ページのトップへ 40 stations, then yes, it truly is time for country to say bon voyage to Taylor.
Then Scott Borchetta tells Rolling Stone, “But when she comes to town, her フレンズ at country radio will come and see her.” This seems to allude that Borchetta and Taylor 迅速, スウィフト don’t think they even really need country radio anymore, they’re planning without it, and can trump radio politics with the strength of Taylor’s touring might. They care so little about the acceptance of Taylor’s 音楽 によって country, they’re downright flippant, unconcerned about it. And clearly these 名言・格言 are buttering up the public so when Taylor releases her first purely pop single, it doesn’t come as a complete shock. Though would it anyway, 与えられた her track record with Red?
There’s a couple of other interesting nuggets from the same small portion of the Rolling Stone piece talking about Taylor’s new album. Though the premise of the conversation is about how Scott Borchetta, unlike many of his 音楽 Row bunk mates, actually extends quite a bit of creative latitude and freedom to his artists, it is also reinforced in the 記事 that it was Borchetta’s idea to bring big pop producer Max Martin into Taylor Swift’s creative process in the first place.
“He’s allowed me to evolve on my own one 年 at a time,” 迅速, スウィフト says about Borchetta to Rolling Stone, but the very 次 line in the 記事 says, “But he did urge her [Taylor] to collaborate with Max Martin on her last album.”
This Max Martin decision is the arguably the most important, most defining moment in Taylor Swift’s entire career up to this point, and interestingly enough, it wasn’t instigated によって her. It was Scott Borchetta that made the decision to bring Max Martin in, and the result has been a big shift from substantive songwriting with country pop flavor, to the pop-only, vapid stylings of Max Martin, bringing in dub-step and other influences completely foreign to country music, and resulting in shallow compositions like “We Are Never Ever Getting Back Together.” Of course Taylor 迅速, スウィフト is not completely innocent in this dramatic, and defining career shift, but its origination point is undoubtedly Borchetta.
The story of Scott Borchetta barging in on Taylor Swift’s creative process during the making of Red in late 2012 was chronicled によって Billboard:
“I said, ‘You know, this song isn’t working yet.’ They both looked at me (Swift and Nathan Chapman) with a blank stare. ‘The chorus isn’t elevating like it needs to. Where you’re wanting to take the song, it’s not going there. It needs a Max Martin type of lift.”
… At that point Borchetta called Martin. Both Borchetta and 迅速, スウィフト agree that it was a turning point for “Red”.
And it was a turning point in Taylor Swift’s entire career, putting her on a completely different path from what got her to where she was.
Who is Nathan Chapman that is referenced in the above quote? He is the producer who worked with Taylor 迅速, スウィフト from 日 one, recording her first demos, and presiding over virtually all of her 音楽 up to Red, when a bevy of eight producers, including Chapman on certain songs, were brought in to work on, and in the Max Martin instances, co-write Taylor’s songs. Compare this to Swift’s 前 album Speak Now where 迅速, スウィフト wrote the entire album によって herself, and produced it with help from Chapman alone.
We can’t assume that just because Max Martin has a majority stake in Taylor’s new album that there still won’t be moments of substance. The rules of the game are a little different in this instance. When Max Martin was brought in on Red, his sole purpose was to produce radio hits. Now, hypothetically, he will be employed to deal with a もっと見る diverse range of material. Still, it is concerning that Max Martin almost always insists on weaseling his way into a co-writing role of the songs he produces. This is what we saw with Red, and what we’ve seen with other Max Martin-involved projects.
What endeared Taylor 迅速, スウィフト to America and had critics coming to her defense was the fact that however pop she was, her songs were sincere expressions from her directly. She was the superstar that was also the girl 次 door. The Max Martin material from Red shattered this perception, and also resulted in significantly less industry awards and accolades from both country music, and all-genre based awards. It also resulted in some of the biggest sales numbers of Taylor Swift’s career. Choosing to go with Max Martin is about trading commercial acceptance over artistic substance.
At the same time, a complete cutoff from the country 音楽 realm makes a lot of sense for Taylor Swift. What are the two biggest criticisms Taylor has faced over her career? That she can’t sing, and she’s not country. Since her debacle on the Grammy Awards with Stevie Nicks in 2010, Taylor has at least reined in her 歌う problems to some extent. And if she leaves country, this will put this long-suffering ディベート about if she’s country または not to ベッド for good.
So that’s good, right? Let Taylor 迅速, スウィフト go. Let the pop world have her …. Except that she was one of the genre’s last female stars that could do battle with the men who have dominated the charts and radio, and despite the Max Martin-produced material from her last album and her early material that lacked maturity, Taylor 迅速, スウィフト was one of the last vestiges of artistic substance mainstream country 音楽 could boast, even if she was in the genre artificially.
Country 音楽 lacks female talent. It can’t fill out the nominees for Female Vocalist of the 年 at the CMA and ACM Awards even when Taylor 迅速, スウィフト is included. All signs point to Taylor 迅速, スウィフト wanting to shake free from her country 音楽 bonds, with the singles she released from Red, and now these 名言・格言 from Borchetta that in many respects don’t seem to be taking into account the realities of country radio. But there’s no guarantee country 音楽 is willing to play ball with Taylor Swift’s departure. Country 音楽 needs Taylor Swift, and it will be unwilling to forfeit the opportunity to have her sales and touring force fall under its umbrella without a fight.
If Taylor 迅速, スウィフト is truly leaving country, it’s hard to declare a victory for country 音楽 here, または for Taylor Swift. Without the support of country, and with the presence of Max Martin, there’s likely going to be a lot less trophies adorning Taylor’s mantle. At the same time Taylor 迅速, スウィフト is now free to do what she wants …. または what Max Martin wants to do with her.
Predictions:
Taylor 迅速, スウィフト will make an announcement about her new album in late July, または early August.
The new album will be released in October, または early November.
There will be at least one collaboration with Justin Timberlake on the new album.
It will include about 15 to 18 songs.
Despite Scott Borchetta’s rhetoric, country radio will still play Taylor Swift, and with a lack of other leading females to fill the spots, 迅速, スウィフト will still get nominated for country music’s 上, ページのトップへ female awards."
See, as あなた may know that Trigger, a person who owns Saving Country 音楽 talks about why Taylor 迅速, スウィフト is leaving country 音楽 for good and he can do to make country 音楽 needs Taylor 迅速, スウィフト back. Well, according to the article, which I 発言しました called Taylor 迅速, スウィフト Is Leaving Country. But Will Country Let Her?, there's no plans for Taylor 迅速, スウィフト to return to the country 音楽 department. Even if country radio can still play Taylor 迅速, スウィフト allowing her to still get nominated for country music’s 上, ページのトップへ female awards, country 音楽 has no plans for Taylor 迅速, スウィフト and her country songs like Begin Again. I guess country 音楽 has moved on to other country 音楽 records like Miranda Lambert and Dolly Parton. It would be cool if pop radio can play every single Taylor 迅速, スウィフト country single like Picture To Burn, Ours and Sparks Fly. That would be pretty cool if Taylor Swift's country songs like Tim McGraw and Mean can be played on pop radio. I guess country radio will never want to play Taylor 迅速, スウィフト again. I think pop radio needs to play her country songs like Red just for fun. That would be something that Taylor 迅速, スウィフト was looking for. Plus, all Taylor 迅速, スウィフト 音楽 動画 has a pop category on Vevo. Even on her country 動画 too like The Best Day. I want to see Highway Don't Care on pop radio one day. OK, let's 移動する on.
It seems that PopDust has made an 記事 called Max Martin Produced ‘Most Of’ Taylor Swift’s New Album. It says that, the 記事 represents most Taylor 迅速, スウィフト songs were produced によって Max Martin. So let's take a look and what PopDust has to say about that.
Link taken from the article: link
"Taylor 迅速, スウィフト always walked a thin line between country and pop 音楽 up until 2012′s Red, which もっと見る または less marked the completion of her transformation from sweet country songstress to the biggest pop superstar on the planet. ファン who were hoping that the top-forty-friendly Red was just a phase for Tay Tay might be disappointed によって her upcoming fifth studio album, with a 最近 記事 in Rolling Stone hinting that the record could be her poppiest work to date.
“I Knew あなた Were Trouble” and “22″ hitmaker Max Martin has apparently worked “on most of” Tay Tay’s new album, while Scott Borchetta –who discovered Taylor and heads her label, Big Machine Records– 発言しました that he doesn’t expect country radio to play her new pop songs.
“Taylor ファン are going to 愛 it,” Borchetta 発言しました about the new album. “Will country stations play a complete pop song just because it’s her? No. But when she comes to town, her フレンズ at country radio will come and see her.”
After climbing to the 上, ページのトップへ of the musical 食 chain with the quadruple-platinum Speak Now and Red, あなた can’t really blame Taylor for not wanting to return to being a crossover country artist like Carrie Underwood and Kacey Musgraves — even if it does mean that her new tunes lack the charm of her earlier work.
あなた know what would be perfect? If Max Martin made a bunch of country-pop fusion songs for Taylor just like his underrated Carrie Underwood production, “Quitter.” That’d be a win for everybody."
There あなた go. I'm happy to see Max Martin working with Taylor 迅速, スウィフト again. No もっと見る 書く songs about boys. Try something new each time. OK, that's it for this article.
So what do あなた think? Are あなた exciting to see Taylor 迅速, スウィフト releasing her fifth album? Do あなた want Taylor 迅速, スウィフト to not include her country 音楽 on her upcoming fifth album? Would あなた like to see Taylor Swift's country songs played on pop radio または other pop stations? Sound off below!