It’s an old discussion, but I can’t resist to post my own take on it. I think this is an issue which went well out of hand from the very start, and I also think that the ongoing discussions about what is the better 表示する are way too much colored によって the way Elementary came to exist. So before I discuss the shows in itself, here my thoughts about Elementary being a rip-off.
I firmly believe that the writers of Sherlock were right when they made noise to protect their copyright. While Sherlock Holmes is not their property, their take on this character is, and they had reasons to worry about Elementary copying too many elements. But I also believe that there is always room for another adaptation, if 発言しました adaptation has found a new fresh take on the material. If Elementary manages such a fresh take is, at the end of the day, the crux of the matter.
The Sherlock fandom is a scary one. I don’t deny this. It’s not the fault of common fan, though. I have been in a lot of fandoms over the years, and as a general rule, the larger the fandom the もっと見る nutcases あなた have to deal with. That the Sherlock Fandom is so volatile just shows how large it is, and in reverse, how good Sherlock really is that it manages to ensnare so many of us. It’s a worldwide phenomenon.
The initially uproar about Elementary was, as far as I can tell, not about Sherlock ファン thinking that there can be only one. It mostly happened because it was known that CBS originally wanted to make a remake of Sherlock, but the creators resisted the notion. And then suddenly CBS announces Elementary? Add to this that American Networks have a history of making bad remakes of European shows, あなた might understand where the ファン were coming from a little bit better. Since Elementary turned out to be very different, this discussion mostly quieted down. Though this doesn’t change the fact that CBS simply jumped on the グレービー, 肉汁 train, and a lot of ファン 質問 of this new adaptation has something meaningful to add.
The problem with comparing these two shows is that they really are fundamentally different. So while I do have an opinion about which one I like the best, I’ll start out with pointing out how fundamentally different both shows are, how they relate to canon and how they fare as TV-Shows in general. I’ll also mostly concentrate on the two pilot episodes, because the pilot is kind of the calling card of a show.
1. The Format
This is really a no-brainer. Sherlock is a BBC production, the seasons are considerable shorter and every episode has essentially movie quality. The makers introduced some revolutionary aspects to the show. It seems strange to make such a big deal around text messages on screen, but they were the first who did it. Everything about Sherlock, from the way they blend over from scene to scene to the ways the look into Sherlock’s mind is created feels fresh and new. Elementary has to work with a smaller budget and has to produce もっと見る episodes in a much shorter time. This gives the writers もっと見る time to develop the characters, though Sherlock has the advantage of a tighter narrative.
Since Sherlock takes full advantage of his higher production value, there was from the get go no chance in hell that Elementary would be able to match that. And in a way, both shows have to compromise. Sherlock offers the audience 上, ページのトップへ quality, but the ファン have to deal with a really long hiatus between each short season in return. Elementary might not have the same quality, but it delivers regarding quantity.
Conclusion: The choice between Sherlock and Elementary is like the choice between a cup cacao made of Swiss チョコレート and sweetened with honey and a can of instant cacao made with water. The cup will always taste better, but it might not be enough to quell your thirst.
2. The Setting
2.1 Twice contemporary
As the makers of Sherlock pointed out, a contemporary setting for the story is hardly a new idea. Nevertheless, the way they did it is a new approach. There is a simple reason why at one point the TV and movie productions stopped setting the stories in current time and instead reverted back to the costume drama approach: The leap between Victorian and Post-War England is way smaller than the leap to our modern time, with computers, mobiles and fundamentally different society standards. Earlier contemporary adaptations just took the figure of Sherlock as it was, giving the character always a slightly anachronistic feel. For Sherlock the writers sat down and asked themselves how Sherlock Holmes would be if he were born today. Victorian Sherlock was on 上, ページのトップへ of the scientific research of his time, so the same is true for modern Sherlock. He used to prefer wire, now he prefers to text, he used to 公開する an 記事 about the science of deduction, now he owns a blog with this title. For nearly every decision they made concerning BBC Sherlock, あなた can find a canon reference.
Elementary is a little bit at disadvantage here, because it has to avoid a lot of ideas the Sherlock makers came up with. But all in all they manage quite well, too, even though they are less referential about this, the technical gadgets are just there. But there are some aspects which make me wonder. For example I don’t really see the point of the tattoos. They are such an odd and ランダム thing, which doesn’t seem to fit the character at all, no matter in which era he lives. Sherlock is supposed to be someone who can slip into a different role quite easily. タトゥー would this ability considerably. Plus, neither whores nor タトゥー nor badly written romances are something which wasn’t around as the original Sherlock lived, so why should a contemporary Holmes be suddenly interested in any of this?
2.2 ロンドン vs. New York
There is a fundamental difference between the thought processes behind Sherlock and Elementary. Sherlock is set in contemporary ロンドン because the writers are avid ファン of the 本 who wanted to play with the idea of a modern Sherlock Holmes. Elementary is set in New York because CBS is an American Network.
Thus said, I wouldn’t have minded the change of place (even though it brought back very bad memories of the atrocity which was “Sherlock Holmes in New York”), seeing CBS Sherlock interact on foreign soil, if Elementary would have bothered to explore the possibilities a little bit more. That their Sherlock Holmes is a British who works on American soil has no bearing to the plot at all, aside from some jokes along the line of “you foreigners don’t understand baseball”. I’m also wondering why CBS Sherlock is British, while Joan is American. Wouldn’t it made もっと見る sense if either both of them were American または both of them were British?
Elementary also fails to establish New York, while Sherlock manages to create a distinctive ロンドン vibe. Sure, CBS Sherlock taking the subway parallels BBC Sherlock using the typical ロンドン バッジ (it would have been a nice touch if he knew the whole subway system によって heart), but a lot of the story is set indoors, and aside from a few landmarks あなた see in passing, there isn’t really much of a New York feel. What I really liked are the bees, because they are a Sherlock Holmes as well as a New York thing.
But overall, there is very little New York in Elementary, and in this case, the tighter budget is not an excuse. White 襟, 首輪 for example (and expect me to use this example a couple of times in this article) is an USA network 表示する with a way lower budget and it nevertheless manages to establish New York as an additional character quite well (I would even got so far to say that they do it even better than Sherlock). They have to do deal with obnoxious product placement to achieve it on their tight budget, but even in the pilot they managed a distinct New York feeling によって regularly featuring shots from the streets of New York. With White Collar, I couldn’t imagine the 表示する anywhere else, Elementary could be set in any ランダム American city, it wouldn’t make any difference.
And Sherlock – well, it’s set where Sherlock Holmes belongs, so it’s not like the 表示する even needs to establish the place all that much. But just the one chase scene practically oozes ロンドン and A Study in ピンク takes care to portray ロンドン as a city with two faces – one the tourists see and a one which is basically a battlefield.
Then there is 221B Baker street. Sherlock creates a nice mix of old and modern, the cozy but cluttered feeling I’ve come to expect. There are a lot of details put into the design, like a British flag 枕 just lying around, the old fashioned tapestry, the laptop sitting on an antique looking table. Elementary’s 褐色砂岩, 茶色の石, ブラウンス トーン house is a good pick from the outside, but the inside feel chaotic. I have no idea how much room there actually is in the house, it feels like a labyrinth. And the mass of TV’s (when exactly had CBS Sherlock the time to set them up either way?) don’t really look like they have any purpose.
Conclusion: The changes in Sherlock are deeply rooted in canon. Elementary goes for a freer interpretation, but the changes are mostly made because of Network demands and not with the plot in mind.
3. The Characters
3.1 Sherlock Holmes
What both shows have in common is that they present Sherlock Holmes as somewhat of a mystery, an approach straight from the 情報源 text, in which Watson spends a lot of time noting the strange habits of his new roommate, trying to figure him out, until Holmes takes him to a crime scene the first time. A Study in ピンク takes full advantage of the longer running time and takes it slowly. We first see his text and hear people talking about him before he has his first real appearance on the screen, hitting a body in the morgue. Elementary does something similar, starting out with Joan getting a call about CBS Sherlock before she meets him. But I don’t think that it does good job establishing the character.
A Study in ピンク has basically two mysteries, one is the mystery of the serial suicides, the other is the mystery of BBC Sherlock. And while we don’t get a final solution, we at least get a perfectly sound analysis of the character at the end of the episodes “You risk your life to proof that you’re clever.”
Elementary is missing this kind of answer in the end, but that’s not necessarily a bad thing. There is a whole season left to explore CBS Sherlock’s character, so why rush it? Sometimes keeping a mystery is the right way to go for a show. But what bothers me about CBS Sherlock is that a lot stuff he does makes no sense. What is the point of quoting the TV 表示する as greeting for Joan? Does he just try to rattle her? At one point he says that he deliberately made a wrong deduction to spare her feelings, but why deduce her at all then? And if he finds sex so distasteful, why does he bother with it at all? Am I supposed to believe that it’s humanly not possible to life without sex?
There is a certain dichotomy in CBS Sherlock which sometimes works (I 愛 that despite tendency to rudeness he automatically acts like a gentleman and helps Joan into a jacket, like a trained habit), but most of the time it is just confusing. Sherlock Holmes is actually a character which changed quite a lot over time (nobody can accuse ACD of being overly concerned with details), from the pleasant to life with gentleman to the guy who expected Watson to drop everything for him at short notice, and who was the bane of his landlady. That leaves a lot of room for a valid interpretation of the character, but Elementary doesn’t seem to be able to stick to one tone. I think I would like this もっと見る laid back and approachable version better, if there were some kind of pattern in CBS Sherlock’s behavior. Sherlock Holmes tended to be very restrained with his clients, but he also tended to use veiled sarcasm, and in private he was painfully honest towards Dr. Watson as soon as they became closer. CBS Sherlock just changes from rude to understanding from one moment to another.
BBC Sherlock has a certain dichotomy too, but it works much better in this case. This version genuinely doesn’t care about social norms, all that matters to him is to find something to engage his intelligence with. He can fake feelings and be polite when it SUITS/スーツ his goal, but since he isn’t restrained によって Victorian society, he mostly doesn’t bother. But despite him pretending not to care when people see him as a freak, there is this moment after he deduced John’s mobile, in which あなた can him see brace himself for the insult he expects to come. He might not care enough to change his behavior, but that doesn’t meant that a part of him doesn’t crave acceptance. And あなた can see how surprised and pleased he is that for once he gets appreciated for his talents that for once he doesn’t get ridiculed. This invites the audience to think about why BBC Sherlock is the way he is, to delve into the psyche of the great detective.
But the clincher between those two versions of Sherlock Holmes is the level of arrogance. I don’t mind arrogant people, real または fictional, if they have the skill to back their arrogance up. BBC Sherlock has those skills, the whole episode he is one step ahead of everyone. He is an independent character who had some troubles in the past, judging によって the references to drug use, but who also caved himself his own little niche in the world. And when he points out that everyone else is an idiot in his eyes, あなた at least get where he is coming from.
CBS Sherlock on the other hand acts like a spoiled brat. He is just fresh out of rehab and complains about his father, the man who gives him a place to live in and pays for a companion to make the transition easier for him. When he acts out, he does it to provoke some sort of reaction. And when he shows a lack of respect, he simply doesn’t have the skills to back it up. This is partly because of the plotting of the 表示する (more about it later), but all in all, Elementary seems to be set on going against the trend of portraying Sherlock Holmes as someone above normal people によって emphasizing his mental instability, and treating his abilities as something everyone can learn with the right training.
It also seems to go out of its way to make CBS Sherlock somewhat “nice”. I have to admit: I’m kind of tired of all the rude geniuses who currently float out screens. Nevertheless I expect Sherlock Holmes to be one of them at least to some degree. I expect him to be someone who doesn’t care about his clients as soon as the case is concluded, and I expect him to be sure of his own abilities. A character who doesn’t believe in modesty has to be a show-off. When CBS Sherlock says “I sometimes hate it when I’m right” this doesn’t feel right, because not only contradicts this everything we learned about CBS Sherlock up to this point (and the 書く on his T-Shirt), this is simply not what the character of Sherlock Holmes is about. Not that Sherlock Holmes always was right. He did draw the wrong conclusions from time to time, mostly because he tended to think the worst of people instead of the best. But he was a character which strived in being right – and quite aware of the fact. At one point he asks Watson to remind him of his wrong conclusion should be become too sure of himself again. Sherlock Holmes just doesn’t hate when he is right, he loves it so much that he can barely imagine being wrong.
3.2 Dr. Watson
Watson has to be one of the most mistreated characters in the history of the media. For nearly hundred years Sherlock Holmes faithful companion was reduced to a bland sidekick, often used as comic relief. At best he was some sort of foil for the audience to see Sherlock through his eyes, at worst he was a pointless, annoying character. In most adaptations the focus is so much on Sherlock that Watson is forgotten. It’s understandable, considering that his role in the 情報源 text is the one of a narrator, but nevertheless a little bit disappointing.
This in mind, I give Sherlock a lot of credit for finally giving John Watson a believable motivation for sticking around with BBC Sherlock. “You are not haunted によって the war, あなた miss it” is not just a perfect explanation, it also cleverly avoids the PTSD cliché, which so many TV Shows attach to war heroes. And why does BBC Sherlock need John? Well, originally he doesn’t, he only invites him to the crime scene “to make a point”. But as soon as he discovers John honest appreciation for his ability, he keeps pulling him back to his side. Again, the audience gets a simple explanation for this behavior: Genius needs an audience.
The main point of Joan seems to be the fact that she happens to be female. Honestly, I didn’t get the fuss – on both sides. I don’t get why CBS and various reviewers made such a big deal about having the first female Watson, because, well, they don’t. There have been female Watsons in the past (none of them leaving an impact, though), and if あなた look もっと見る general, the genius with the female sidekick/care-taker/boss who takes the fall for him had become a cliché in 最近 years. And, if あなた ask me, a quite annoying one on 上, ページのトップへ of it.
I don’t get why so many ファン see a female Watson as a no-go either, but I do get feeling apprehensive about CBS doing it. I wasn’t sold on the idea of a female Watson from the get go (and for the record, I couldn’t care less who the actress is または about her heritage), because it seemed to me もっと見る a gimmick than a decision made with a specific goal in mind. The 質問 is, if the gender really makes a difference for the story, wouldn’t it change the character too much to be still a veritable Watson, and if it doesn’t make a difference, why changing it at all? And while I’m all for gender equality, I’m not sure that meeting some sort of female quota in a 表示する is the right way to go.
If there is one thing which sometimes bothers me about Sherlock, than the way female characters are portrayed. Partly the fault lies with the 情報源 text, the original stories are very much male dominated after all, and since Sherlock has less time to develop the side characters, the females get the short stick most of the time. Elementary should be ahead of Sherlock in this regard.
Except – it isn’t. Even if あなた hand-wave the string of woman which have been abused, murdered, held as slaves in this 表示する as something which just happens in a crime show, their version of Joan Watson is frankly insulting. There is not much known about John Watson, but there are three basic facts, which shouldn’t be changed for a serious adaptation: He is a doctor, he is a soldier, he writes about Sherlock. Elementary barely manages one out of three. Well, it’s possible that the writer part might come into play later on, but there was no reason to remove the military past from the character aside from believing that a military career wouldn’t fit a female (despite the fact that there are a lot of woman in the military).
And this is an important point in canon. Sherlock Holmes can look out for himself, but he often takes Dr. Watson with him as back-up. There is even one instance in which he tells a suspect that he is lucky that he didn’t attack, because Dr. Watson would have shoot him immediately.
John Watson, the original and the BBC one, was forced out of his career after he was wounded in action. He is basically a war hero (how heroic is anybody’s guess, considering that Watson rarely writes about himself, but he does mention having lead an adventurous life). He meets Sherlock Holmes at a point in his life in which he has to redefine himself, a time during which he is low on funds and has to figure out his 次 steps. Joan Watson is a trauma surgeon who gave up her job because she made a mistake and her patient died. Right – how exactly is that still the same character, gender issues aside? It makes a big difference if あなた give up your career because あなた made a mistake または if your whole purpose in life gets ripped from あなた in one single moment. What is left of John Watson if あなた change his complete back-story, including the reason why he meets Sherlock Holmes? There was always もっと見る leeway with Watson than with Holmes, but CBS managed to step outside of the very wide possibilities of veritable interpretations of this character nevertheless.
I don’t even like the character on its own, independent from what she/he should be. あなた could argue that Joan is at least also in the process of redefining herself, but if that’s the case, she has been in this state for a long time, unable to 移動する ahead on her own, despite being in a job and situation she hates. It’s not PTSD, but it goes in the same direction, but above all, it results in a very 1990s portrayal of female characters. Because female (emphasis on female) characters can’t just be good in what they do and simply hit with bad luck. No, they naturally have a vulnerable side, something which happened in the past in which haunts them in a way at they build up all kinds of shields to protect their tender hearts. And naturally they can’t pull through emotional problems on their own, they need a man to inspire them.
And frankly: It bothers me that Joan turns around when she sees a body. Yes, she says it’s different the 次 episode, but she has been a trauma surgeon! She has seen victims of vicious attacks before. I can see her being bothered about it the same way BBC John is bothered about it (he sights and briefly clothes his eyes), but her turning around and 芝居 as if she has never seen that level of brutality before just doesn’t make any sense. And I think the only reason she does it, is because she is female. And she bonds with a female witness because, あなた know, she is female and we all know that woman tell each other everything, because we are all part of the same sisterhood. I for my part would have thrown out both of them, no matter if Joan defended me または not. によって changing the gender, the writers are so focused on the fact that they have a female Watson that they seem to be stuck on the word “female” (and 書く a gender instead of first and foremost a character is a mistake in itself, no matter who the character is supposed to be), meanwhile forgetting that this is still supposed to be “Watson”.
This might explain why Elementary seems to be so set to portray Joan as intellectually equal to Sherlock. She might not have the ability to do what he does, but it’s strongly implied that she could learn from him and at least keep up with his process of thinking. She even is allowed to make a break through when he isn’t able to do so. But that’s not what the partnership between Holmes and Watson is about. The whole point is that Watson can’t keep up with Holmes, despite being a very intelligent man himself, because Holmes abilities are at least one level over what everyone else can do. That’s what makes him a genius, and Watson is the stand-in for the audience in this equitation. If あなた want a female character who can outsmart Sherlock Holmes, あなた shouldn’t create a female Watson, あなた should create a female Mycroft.
Sherlock strives for an equal partnership – both, John and BBC Sherlock get something out of moving in together – but emphasizes that John can’t keep up with BBC Sherlock intellectually, without making him stupid. Instead of making him overly smart (which would remove him from the audience) he becomes BBC Sherlock’s emotional and social compass (in a way speaking up on behalf of the audience).
Elementary on the other hand is set on establishing equality on the professional level, but overlooks the private one. If Joan is at disadvantage because she is basically just a hire, または if she has control over CBS Sherlock, because it’s her job to control him, that is a matter of perspective, but in any case the result is an unequal relationship, in which none of the participants can simply walk away. Joan not because it’s her job, and CBS Sherlock not because his father will throw him out of the house. Even if there is a scene in which CBS Sherlock offers Joan a way out, this is not really an option, because it would mean for her to ignore her responsibility.
What bothers me about Elementary the most is that the pilot doesn’t take enough time to establish Joan Watson as a character. We see her running, she gets this phone call, and then spend the rest of the episode getting conflicting information about her. Now, I don’t say that あなた have to know everything about a character in the first episode, but あなた need one character well enough established that あなた can identify with him. It’s one thing to have Sherlock Holmes presented as a riddle, it’s another thing to have a riddle at both sides. Watson was always the eyes for the audience, but Joan is もっと見る another character to explore.
Sherlock on the other hand takes its time to introduce John, though honestly, the first few 分 of Study in ピンク already tell us もっと見る than enough about him. Just seeing him waking up from his nightmare, his depressing living conditions, the gun in his drawer, and his broken “nothing happens to me” is enough to get a feeling for his character.
And again: That’s not a matter of time または budget. White 襟, 首輪 (told あなた that we would get back to it) manages to establish the basics with two still shots and some words written on the screen (Neal Caffrey: Convicted: Bond Forgery Suspected: Securities Fraud, Art Theft, Racketeering) and the information that Peter Burke (F.B.I. White 襟, 首輪 Crime Unit, NYC) was the only one who ever caught him. “You know that I don’t like guns” and “This is the same suit あなた wore the last time あなた arrested me” are simple facts, but they go a long way to establish the kind of men those characters are further.
With Joan, I’m wondering about everything. In fact, I have an easier time to understand CBS Sherlock, who apparently slipped at some point, now tries to gets his live back on track and despises the idea that he might need help, than Joan, who does a job she hates after losing a patient. I really don’t get her. I don’t get her at all.
3.3 The supporting cast
Both shows もっと見る または less present the same set of characters. Sherlock has Lestrade, Anderson, Donavan and Mycroft as meddling brother, Elementary has Gregson, Marcus ベル and an invisible but also meddling father (who is not canon-based at all). No Mrs. Hudson though (at least not is the pilot), and no Molly. Ironically, Sherlock presents 全体, 全体的です もっと見る female recurring characters than Elementary. And it makes me wonder. Why adding a female Watson, but no female police officers?
Despite my complaints about Sherlock’s boys club, I actually think that the 表示する mostly does a good job with characters like Molly and Mrs. Hudson, especially during the 秒 season. I always prefer a female character who looks like a push-over and suddenly displays hidden strength over the common action girl. It’s the kind of character I somewhat miss in Elementary. And my thoughts about their version of Mrs. Hudson – I honestly wonder why the character is even called this way. I mean, why can’t a transvestite be a landlady または proper housekeeper?
The portrayal of Toby Gregson works way better, even though the character is mostly reduced to “the guy who provides the cases”. It is notable though that CBS Sherlock seems to respect him, but even もっと見る important, while there is some hostility, the police does respect CBS Sherlock. In the original books, ACD Sherlock is widely respected, too, so in this regard Elementary is closer to canon.
The relationship between Lestrade and BBC Sherlock is a little bit different from canon, but it is also way better established. And もっと見る important. The characters we meet in A Study in ピンク are the ones who know BBC Sherlock the best. John’s quest for understanding BBC Sherlock doesn’t start and end with him, we see him talking to a lot of people who all provide a different perspective. Donovan warns John away, Lestrade says that Sherlock is a great man and he hopes that he will one 日 be a good one too, Mycroft impresses on him that just being around Sherlock is like living in a war zone and people like Mrs. Hudson または Angelo sing his praise.
Elementary on the other hand is very much focused on CBS Sherlock and Joan. Especially in the pilot they spent a lot of time talking to each other and the suspects of the case, but everyone else seems to be outside the bubble they build for themselves. The biggest influence on their relationship is a character who doesn’t even appear on screen (the father). Making CBS Sherlock yet another TV-Lead with Daddy-Issues. Because after Gregory House, Shawn Spencer, Patrick Jane, Nathan Ford, Michael West, Neal Caffrey, Rick Castle, and at least a dozen others, we totally need yet another character who has a complicated relationship with his father. Not!
BBC Sherlock and John are rarely alone. There are moments in which the 表示する does concentrate on the two characters, but most of the time, the situation gets immediately broken up によって the case または Mrs. Hudson. And while their partnership is the ハート, 心 of the show, the relationships between them and Mrs. Hudson, Sherlock and Molly, Sherlock and Mycroft, Sherlock and Lestrade, John and Mycroft, are equally important.
3.4 The Villains
3.4.1 The Criminal of the Week
I can’t emphasis enough how cleverly A Study in ピンク plays with the concept of a villain in Sherlock’s life. It’s rare that a TV 表示する can fool me at all (or is written well enough that I can’t predict the plot at least partly), but I admit: They got me. I totally fell for the Moriarty fake-out. But even knowing the truth now, this is one of the strongest scenes in A Study in Pink. And naturally is the promise of Moriarty lurking in the back at the very end exactly the kind of incentive which draws the audience in.
But Moriarty aside, Jeff Hope is also a very memorable villain in his own right. And he is mostly memorable because he poses a true danger to BBC Sherlock, because he is able to use his weaknesses against him. We never learn if BBC Sherlock picked the right pill, but that he even allowed himself to get snared into Hope’s game shows how much he needs John to have his back.
The villain in the Elementary Pilot is a pretty weak one, mostly because his motivation is pretty hazy. For starters, why does he want to kill his wife in the first place? She is apparently so much in 愛 with him that she would change her whole appearance for him, there is no talk about a divorce being problematic または another woman, so why does he do it? Just for kicks? Just imagine how long it must have taken to change her in the way that she fits the プロフィール of the serial killer (though, how exactly does he qualify as a serial killer when there is only one prior victim who is still alive I don’t really get), on the off-chance that he would really snap at the right moment.
Another thing which makes the husband a really forgettable killer is that the stakes are not particularly high. Really, what will happen when CBS Sherlock doesn’t catch him? He will go free and gloat. That’s it. And I don’t mean that there has to be a physical danger. In White 襟, 首輪 (yeah, I know, this should be the last time I used this example) the Dutchman is not only portrayed as clever, maybe as good as Neal, Neal is also forced to risk everything to catch him because otherwise he will go back to prison. And the same way Sherlock concludes with promising an upcoming mystery によって mentioning Moriarty, White 襟, 首輪 hints of that Neal will go off the rail in the future to 検索 for Kate. Elementary ends with baseball. Not exactly a good hook.
3.4.2 Moriarty
So far, I did my very best to keep my analysis to the first episodes of both shows. But for a complete analysis, we have to talk about the most important canon characters. We have to skip Milverton, though, because he didn’t turn up in Sherlock so far. At this point, Sherlock has finished the 秒 season and I have watched enough of Elementary to get the gist what the first season was about. Fair warning: If あなた don’t want to get spoilered for either show, あなた should 移動する フォワード, 前進, 楽しみにして to the conclusion.
When Sherlock ended its first season, there were a lot of complains about their version of Moriarty. Not from me, though. I liked their erratic version from the get go, perhaps because it reminded me of another (kind of) adaption I really like, Rattigan from Disney’s “The Great マウス Detective”. Plus, to me it make sense that if BBC Sherlock is もっと見る outgoing, BBC Moriarty should be to. Thankfully, I didn’t really have to argue the point, because the 秒 season won most of the ファン over. One thing for sure, Moriarty will be missed in the third season. That doesn’t mean that I want him back. He is a character who has run its course and I look フォワード, 前進, 楽しみにして to the 次 villain.
When it comes to Elementary: I 愛 the idea of a female Moriarty. In this case, the gender change has so much potential. Part of what made Moriarty so successful in canon is that he was able to pretend to be just a harmless citizen. A female version would be able to play this role even もっと見る convincingly, she even could pretend to be the poor damsel in distress stalked によって the obsessed Sherlock Holmes.
They could have introduced Moriarty much earlier, made her an established character before revealing the truth in a truly unexpected twist. Sadly that’s not the route CBS picked. Instead they first needed ages to mention Moriarty at all, and when she finally turned up on screen, I immediately pegged her as a baddy. And as I much as I 愛 the idea of a female Moriarty, I hate her being in a romantic relationship with Sherlock and I hate that she is called Irene Adler.
3.4.3 Irene Adler
When it comes to Irene Adler – I think that adaptations who make her a criminal または Sherlock’s 愛 interest (or both) are missing the point of the character. Irene Adler is important because she was the woman who taught Sherlock Holmes not to dismiss females. She is feminist, because despite being descripted as the kind of woman who gets the attention of men, she is not a femme fatale, but a woman of integrity, whose word is taken serious. A woman who doesn’t pin after the king who betrayed her love, but instead goes on with her live and finally marries a “better man” she really loves.
I nevertheless like a lot about Sherlock’s take on the character. I like the idea that BBC Sherlock can’t read BBC Irene. I actually think that the first half of the episode is outstanding. It’s the 秒 half which doesn’t work. First BBC Sherlock wrongly identifying the body (something which never get explained), then the reveal that he whole plan was actually Moriarty’s and don’t get me started on Irene Adler begging and kneeling in the end. I would have bought this version of Irene hook, line and sinker though, if the episode had ended this way: Irene reveals that she partnered up with Moriarty (it would have been even better if he weren’t involved at all, but I guess someone had to call him away from the pool), doesn’t beg for protection but leaves the head high. And the episode ends with Sherlock holding her phone, suggesting that he might have helped her (or that she might have survived on her own), but leaving her fate open for interpretation.
While Sherlock plays with the idea of a romantic connection between BBC Irene and BBC Sherlock, there is no doubt in Elementary that CBS Sherlock is in 愛 with Ireniarty. This has the advantage that the main villain can be around for a long time without the audience asking itself why CBS Sherlock is still alive, but it does do neither character any favors. Sherlock Holmes is simply not interested in woman, to the constant disappointment of Dr. Watson, and even his relationship to Irene Adler might as well simply one of admiration and not of love. CBS Sherlock pining over a woman and drowning in guilt over her death – that has nothing to do with Canon.
Conclusion: Sherlock’s characters are very close to what canon has to offer, with a few twists thrown in. Elementary changes the whole backstory of the characters, often to a degree that the only thing they have in common with canon is the name.
4. The Plot
4.1 The Approach
Naturally Sherlock has the advantage there, because this 表示する is based on the original stories. It’s clever enough not to repeat what the avid Holmes ファン already knows, instead it creates out of known elements a new plot, which is nevertheless familiar enough to feel immediately at home. The parallels reach from the obvious, like BBC Sherlock immediately being able to tell that John was an army doctor, to the もっと見る obscure. After all, who remembers that John Watson once mentioned in a side note the unsolved case of James Fillmore who went back to fetch an umbrella and was never seen? And makes the connection when A Study in ピンク features a teen によって this name who is found dead after going back for an umbrella? Those are the details which make the 表示する really fun. あなた don’t need to know the 本 によって ハート, 心 (or at all) to get the plot, but あなた are naturally compelled to read the 本 again and hunt for the hidden hints.
Elementary wouldn’t be able to copy the concept, または the 表示する would be over after one season. They have to use original stories and use the well-known references sparingly. But does this work as a real detective story, in which the audience is invited to deduce, too? No…not really. When CBS Sherlock asks if nobody noticed that something is missing in a room, because the otherwise symmetric arrangement has an empty spot, my only thought is “No, naturally not, because the camera angle didn’t allow me to see the symmetry until now.” At the same time, a lot of the conclusion CBS Sherlock makes are painfully obvious. One of the challenges a modern adaptation has to face is that the ACD Sherlock used forensics while the police didn’t, so a lot of his stunning deductions are based on paying attention to details which would have been missed back then. Nowadays the police knows what to look for. They don’t really need CBS Holmes to point out that there are enough shards for two glasses, または to learn that the victim changed her appearance radically in the last years. The only way this character can look smart is によって dumbing down all the other characters (with the exception of Joan), letting them stand around in awe and not doing their job. It’s hardly the first adaptation who does this, especially dumbing down Watson has a long tradition, but I think that a good Holmes should be first and foremost be cleverer than the audience.
To be fair, that the murder in A Study in ピンク was a taxi driver was also very clear early on. But in this case, it is understandable that the characters in the 表示する don’t catch on earlier, since the audience knows a little bit more. We know that all of them needed a taxi, but we don’t know if the police and BBC Sherlock know that. After all, the first deaths were treated as suicides, and who would expect a teenager springing the money for an expensive taxi? (Though in the unaired pilot BBC Sherlock actually did know early on, it was mostly the need to double the length of the episode which created this “slip” on his part).
But the main reason why BBC Sherlock is so impressive is because of a mixture of unexplained off-the-wall deductions and very clever on screen deductions. Often we see exactly what BBC Sherlock sees and then get his way to the deduction right on screen. Wet under the 襟, 首輪 but the umbrella is dry – she was at a place with rain and strong wind. Totally logical, but I would have never made the connection on my own. And if under all this logical deductions we get something along the line of “I can identify an airline pilot によって his left thumb” we are inclined to believe it, even if it is a little bit off the wall. Since the unexplained deductions are never part of the main case, it’s not really important if they work または not (at least あなた don’t feel betrayed によって an impossible solution), but they emphasis the impression that BBC Sherlock really can see what no one else (aside from Mycroft) can.
The concept of Sherlock is also way closer to the original than any other adaptation done beforehand, because it does something unique to all of them: It does it very best to pretend that BBC Sherlock is real, the same way the original stories were written as if they were about a real person. One of the reasons the original death of Sherlock Holmes caused so emotional reactions is because it felt for many readers as if a real person just died. Back then, people were wearing black badges to honor him and one ファン even attacked ACD for killing him. Nowadays ファン plaster “I believe in Sherlock” all over the internet. Naturally we all know on some level that we are dealing with a fictional character, but we 愛 to entertain the possibility, and the BBC does it very best to help the illusion along. あなた can visit “The Science of Deduction” as well as John’s Blog in the net, あなた can even find a fansite for Connie Prince and Molly’s online diary. And this is the real magic of Sherlock, not that it’s set in modern time, but that it’s set in our time, in our reality.
4.2 The Cases
Elementary tries to draw in the audience によって providing really unusual murder plots. The case in the pilot episode is pretty much typical for the show, with its unnecessarily complicated murder scheme and the badly explained motivation for it. I think part of the reason why it’s written this way is to make it harder for the audience to guess the culprit. But since Elementary is trapped in a very generic crime-show structure, it’s like the plot in itself points to the right culprit either way. One reason I rarely read crime novels is because I usually can tell after the first chapter who the murder is (provided that he was mentioned at this point), even if the crime hasn’t been committed yet. It’s hard to explain, but often if a writer tries too hard to distract from the actual culprit, he just draws even もっと見る attention to him (or her). And that’s also the problem of Elementary. It’s predictable
The cases in Sherlock tend to be unusual and complicated too, but the motivations are usually sound and since Moriarty is often the actual mastermind behind them, it makes もっと見る sense that they are deliberately out of the norm to challenge Sherlock. And I really don’t want to know how many people got away with murder with Moriarty’s help before he decided to give Sherlock a glimpse of his enterprise. I don’t think that it’s an accident that the two episodes which are usually considered the “weakest” of the 表示する (relatively speaking) are the ones in which Moriarty takes a back-seat. It’s just harder to believe that Chinese gangster would act the way they do in The Blind Baker, または that someone would test mind-altering smoke on ランダム people in the woods, even though it is a better explanation for a monstrous hound than illuminating paint.
The Hound of Baskerville is a little bit unusual for Sherlock overall, because it’s the only episodes which presents a set of suspects. Normally the 質問 is not “who did it” but “How and why was it done” (not to confuse with the Columbo structure in which the 質問 is “how will the detective proof it”). And honestly, the 質問 how someone could die standing alone in a meadow, または how a serial killer convinces his victims to voluntary take poison, または why a guard figured out that a painting is a fake is way もっと見る interesting than the 質問 if the husband または the sister was the culprit.
The nature of the cases make the involvement of BBC Sherlock もっと見る logical, too. Since the case is unusual from the get-go, it makes sense that the police would involve the specialist for unusual cases. And if it doesn’t look unusual – well, Dimmock is really not happy about BBC Sherlock butting in what looks to him like a normal suicide, and the only reason BBC Sherlock gets called to a kidnapping is because the ambassador asked for the famous detective. With Elementary, I often wonder why the police calls CBS Sherlock for what initially looks like a pretty straightforward case, which only gets complicated later on. Are they psychic?
4.3 The Story-arc
The most notable thing about Elementary is that it spends a lot of time dwelling on the past of Joan and CBS Sherlock. The whole arc seems to be focused on them facing and overcoming their demons – in CBS Sherlock’s case quite literally. A lot of time is spend with the characters analyzing each other または digging into each other’s past. The first half of the season in mostly about Joan settling into her new life, the 秒 half focusses もっと見る on CBS Sherlock’s relationship with Irene.
Sherlock on the other hand is もっと見る about moving forward. Naturally both characters have a past which influences the present, but the focus is もっと見る on how their partnership changes them. John’s story is not about confronting his war memories but about building up a new life for himself. And BBC Sherlock’s is not about him battling his drug addiction (though he does have “danger nights”), but about his journey to become not just a great but also a good man. Sometimes the development is not exactly spelled out. For example in the first season he tends to 削除 what he considers unimportant, something which nearly leads to him “loosing” against Moriarty, because he didn’t think that the solar system is important. In the 秒 season, he suddenly has a mind palace, in which he stores all kind of information. While it is never outright stated, it is entirely possible that he decided on a new approach after realizing that he can’t predict what might matter in the future and what not.
Sherlock is full of references and ironic call-backs. For example in the first episode Sally warns John that at one point they will stand around a body and BBC Sherlock will be the one who put it there. At the end of the episode they stand around a body and John is the one who put it there. In the third episode of the first season, BBC Sherlock is upset because he doesn’t like what John wrote about the first case (quoting canon, btw). And in the first episode of the 秒 season Mycroft remarks that people who spy on other people for money are not trustworthy, revealing indirectly that offering John money for information was もっと見る a character test than a serious proposal.
Elementary has those call-backs, too, but tends to spell them out for the audience. Sherlock is much もっと見る subtle, and every time あなた watch, あなた might notice a new detail. For example there is a Cluedo board stuck to the ウォール with the ナイフ in “Scandal in Belgravia”, which is pretty hilarious in hindsight when John says that he will never play this game again one episode later. I wonder what happened there.
Conclusion: “Nothing is ever new” is a good 説明 for Elementary. An even better one is “just another CBS Crime Show”. It’s a really successful format CBS has used multiple times in the last years (and kind of what their regular viewer expects) but if あなた are familiar with those shows, it seems like あなた have seen Elementary beforehand, multiple times. Sherlock on the other hand is a 表示する which challenges the intelligence of the audience, invites it to pay attention to the detail and above all, to read 情報源 text again.
5. The Casting
To be frank: I usually don’t pay much attention to actors, especially not TV-Actors, unless they stand out to me in some way. And even if I really dislike an actor in a certain role, I rarely hold it against him または her, unless 発言しました actor ruins every role without fail. This happens rarely, though. Most actors out there have the ability to work in a certain kind of role, and as soon as the producers recognize this, they are usually cast in this role again and again either way. There are a few which have a really impressive range and can sell whatever they are 与えられた – in most (not all) cases those are the actors who are really successful despite not being particularly good-looking, and who nevertheless regularly steal the Hollywood beauties the 表示する because of pure charisma.
I was pretty much without opinion about any of the main cast members of both shows. Well, I naturally had heard the name Lucy Liu beforehand, but I can’t actively remember seeing her on screen (no, I didn’t watch Charlie’s Angels). And while I adored Martin Freeman in “Love actually” and hoped that this actor would go on to a lot of other roles, I didn’t take the time to learn his name または follow the career. And since I have a really bad memory for faces, it did take some time for me to connect him to the actor which impressed me back then.
I’m also not a Dr. Who fan, so I was neither predisposed to like nor to dislike Sherlock because of the people behind it. Honestly, I originally just stumbled over the 表示する because I was bored and the タイトル sounded interesting enough to take a peek. Benedict Cumberbatch needed some solid 芝居 talent to win me over, because he looked so different from my imaginative Sherlock Holmes. But he delivered, it didn’t take long until I bought him as young version of Sherlock Holmes. For the record though: Unlike a lot of fans, I don’t think that he is particularly attractive. Charismatic, yes, but I honestly don’t get the fuss about his looks. He isn’t even my お気に入り actor of the show.
This honor belongs to Freeman. He had me from the very first scene. Just the half-sigh, half-whimper he does when he awakes from his nightmare made me immediately feel for his character. What impresses me about this actor is that he is really, really good in playing the normal guy from the street. I would never cast him in a flashy role, but if I had a quiet character who nevertheless has to stand out somehow, he would be on the 上, ページのトップへ of my list. And the great casting didn’t stop there. Sherlock is full of high-prolific actors. I even adore the performance of Pulver, even though I have some issues with the character she plays.
The first thing I noticed about the leads of Elementary was that they are both nearly impossible to understand. Perhaps あなた noticed によって now that I'm not a native speaker, and this is certainly not the first time a TV 表示する poses a challenge, but this is the worst case I have ever seen in any 表示する I decided to watch. With Miller it was pretty easy to realize what the problem was: I simply don’t understand his accent. Not because it’s British (in fact, I 愛 the もっと見る posh accent Mycroft and Sherlock use in the BBC version, it’s really easy to understand, even though it tends to sound a little bit arrogant, but since this fits the characters perfectly, I have no complains in this regard), but because he speaks a strange mix out of American and British English. With Lucy Liu, it took me some time to figure it out. First I thought that it’s because she whispers, but while both main character speak a little bit quieter than usual, it’s not THAT quiet. She also doesn’t mumble, if あなた concentrate, あなた can understand every word quite easy. And then I realized: She has 次 to no infliction. No matter what she says または what the mood of her character is, even when she is supposedly angry, every single word is spoken exactly the same, I can barely hear when a sentences ends.
Maybe the problem is もっと見る me and they are easier to understand for a native speaker. But just for the record: One of the main reasons I only watched a couple of selected episodes of Elementary was because this 表示する is a chore to watch. I have to pay really close attention every single 分 of it and often have to rewind to figure out what a dialogue was about.
This issue aside: I think both actors are a perfect fit and miscast at the same time. They fit the roles the makers of Elementary had in mind, but they would never make a good Sherlock Holmes and Dr. Watson in a もっと見る traditional sense. In Lucy Lui’s case because I think she looks too smart. Yeah, an odd complain, but I think she would make a much better Holmes than Watson. In her current role she looks too much as if she could upstage Homes whenever she is in the mood to do so – and while I’m all for female power, this was never the point of Watson.
With Miller, I’m not sure how much this is a casting and how much it is a directing issue, but he looks constantly scruffy. He looks もっと見る like I would imagine Watson and not Sherlock. No, scratch that. He looks もっと見る like a modern Inspector Columbo.
Conclusion: Both 表示する offer good actors, but in the case of Elementary not necessarily the right ones.
6. Final thoughts
I guess most people started to watch Elementary hoping for the best but expecting the worst. They ended up with a pleasant surprise in this case. With me, I was a little bit the other way around. I was hoping for the worst, but expected the best CBS has to offer. I ended up being disappointed in both regards.
I really wish that Elementary had been either really, really bad and easily to dismiss, または really, really good, something to watch during the hiatus. Sadly it is neither. It settled for being mediocre. A very polished kind of mediocre, but mediocre nevertheless. And even this would have been okay if the result would have been a mediocre Sherlock Holmes adaptation.
When it comes down to it, Elementary can barely considered adaption. If BBC had done Sherlock and had 与えられた all the characters (and the show) different names, I would have wondered immediately why the 表示する of a consulting detective and an army doctor with so many parallels to Sherlock Holmes isn’t named this way. If CBS had done the same with Elementary, I doubt that I would have even made the connection. It’s もっと見る a 表示する inspired によって Sherlock Holmes, with the difference that this one was bold enough to slap the Sherlock Holmes label on it. With different names there wouldn’t be the problem that Elementary fails to connect to the 情報源 text on a meaningful level.
But then, if it were “inspired によって it”, it would face really strong rivals, too. Monk, House, Psych, The Mentalist, Bones, just to mention a few shows which played with the concept, all done in 最近 years. And every single one of them better than Elementary, not necessarily in production value, but with もっと見る creative characters and plot, since those shows weren’t bogged down によって the Holmes name. Even as a cop-show, Elementary is 全体, 全体的です very generic. Perhaps enjoyable if あなた are into this kind of thing, but not memorable. It might have been if CBS had launched it a couple of years earlier, but now it’s a little bit late to the game. If not for the whole discussion surrounding it, it would have been wholly unremarkable.
In a way, it is similar to the Rathbone Movie-Series. It does have something to offer, but the 表示する as a whole is spoiled によって the demands and interests of an American network. The Rathbone 映画 have the advantage though that they were among the first adaptations ever made, and stayed influential for a long, long time. But the audience has been spoiled in the last years. With Jeremy Brett we got an actor, who was obsessed with Holmes and even had the mannerism described in the 本 down. It’s harder to get away with rewriting the stories now, because even non-readers have a better idea about it than just “genius detective and side-kick solves crimes”.
If あなた ask me, Sherlock will stay influential for a long, long time. Elementary on the other hand is certainly not a must-see for a Sherlock Holmes fan. I guess quite a few Sherlock ファン watch it nevertheless, though. And why not. If あなた are really into this kind of crime show, Elementary, generic または not, is still a decent offer, and for someone who didn’t watch The Mentalist and Castle, this might even look fresh and compelling. If I had seen the first episodes without knowing those shows, I guess I might have been もっと見る impressed によって those twisted cases.
Just for fun, I googled Elementary and BBC and looked for results from the last month. I found a myriad of posts along the line of “10 reasons why Elementary is better than Sherlock”. Why not “10 things which make Elementary a great adaptation”? It seems to me like the discussion has shifted. It’s no longer the Sherlock ファン who rage. Most of them have seen Elementary, concluded that it doesn’t really pose a danger and isn’t a rip-off, and are now a little bit puzzled that there are people out there who insist that it is somehow superior. Why is it so important for the Elementary ファン to gloat about the 表示する holding its own? I don’t think that most Sherlock ファン really care that much now that it’s clear that it isn’t a copy (naturally there will always be some rabid fanatics, and the larger the fandom, the もっと見る vocal they seem to be). At most they feel sad that so many Americans are missing out on the “superior adaptation” because Elementary runs on the もっと見る public network.
In any case, Elementary doesn’t have to proof that it’s better than Sherlock. They already ロスト this particular fight either way, it will always be the quantity 表示する which rode on the コート tails of the quality show. But in the end, this doesn’t really matter, because what Elementary really has to proof is that it’s a worthy Holmes adaptation.
7. And now?
Well, now I’ll wait for the third season of Sherlock, while Elementary will go the way all CBS shows go. They will ミルク is as long as the ratings are okay, if possible until syndication. Meanwhile, I’m in the mood for even もっと見る adaptations, but ones which manage to think outside the box without losing the connection to canon. I really want one with a well done female Moriarty. または one which is not about Watson exploring Sherlock, but Sherlock trying to figure out Watson. または one which is not about Watson at all, but instead fills the hole for the years when Sherlock was dead and how he took down Moriarty’s network, with Mycroft (perhaps even a female one) having his back. または one which focusses on the rivalry between Lestrade and Tobias Gregson. または one which makes Moriarty and Moran the protagonists of the story. The possibilities are endless.
I firmly believe that the writers of Sherlock were right when they made noise to protect their copyright. While Sherlock Holmes is not their property, their take on this character is, and they had reasons to worry about Elementary copying too many elements. But I also believe that there is always room for another adaptation, if 発言しました adaptation has found a new fresh take on the material. If Elementary manages such a fresh take is, at the end of the day, the crux of the matter.
The Sherlock fandom is a scary one. I don’t deny this. It’s not the fault of common fan, though. I have been in a lot of fandoms over the years, and as a general rule, the larger the fandom the もっと見る nutcases あなた have to deal with. That the Sherlock Fandom is so volatile just shows how large it is, and in reverse, how good Sherlock really is that it manages to ensnare so many of us. It’s a worldwide phenomenon.
The initially uproar about Elementary was, as far as I can tell, not about Sherlock ファン thinking that there can be only one. It mostly happened because it was known that CBS originally wanted to make a remake of Sherlock, but the creators resisted the notion. And then suddenly CBS announces Elementary? Add to this that American Networks have a history of making bad remakes of European shows, あなた might understand where the ファン were coming from a little bit better. Since Elementary turned out to be very different, this discussion mostly quieted down. Though this doesn’t change the fact that CBS simply jumped on the グレービー, 肉汁 train, and a lot of ファン 質問 of this new adaptation has something meaningful to add.
The problem with comparing these two shows is that they really are fundamentally different. So while I do have an opinion about which one I like the best, I’ll start out with pointing out how fundamentally different both shows are, how they relate to canon and how they fare as TV-Shows in general. I’ll also mostly concentrate on the two pilot episodes, because the pilot is kind of the calling card of a show.
1. The Format
This is really a no-brainer. Sherlock is a BBC production, the seasons are considerable shorter and every episode has essentially movie quality. The makers introduced some revolutionary aspects to the show. It seems strange to make such a big deal around text messages on screen, but they were the first who did it. Everything about Sherlock, from the way they blend over from scene to scene to the ways the look into Sherlock’s mind is created feels fresh and new. Elementary has to work with a smaller budget and has to produce もっと見る episodes in a much shorter time. This gives the writers もっと見る time to develop the characters, though Sherlock has the advantage of a tighter narrative.
Since Sherlock takes full advantage of his higher production value, there was from the get go no chance in hell that Elementary would be able to match that. And in a way, both shows have to compromise. Sherlock offers the audience 上, ページのトップへ quality, but the ファン have to deal with a really long hiatus between each short season in return. Elementary might not have the same quality, but it delivers regarding quantity.
Conclusion: The choice between Sherlock and Elementary is like the choice between a cup cacao made of Swiss チョコレート and sweetened with honey and a can of instant cacao made with water. The cup will always taste better, but it might not be enough to quell your thirst.
2. The Setting
2.1 Twice contemporary
As the makers of Sherlock pointed out, a contemporary setting for the story is hardly a new idea. Nevertheless, the way they did it is a new approach. There is a simple reason why at one point the TV and movie productions stopped setting the stories in current time and instead reverted back to the costume drama approach: The leap between Victorian and Post-War England is way smaller than the leap to our modern time, with computers, mobiles and fundamentally different society standards. Earlier contemporary adaptations just took the figure of Sherlock as it was, giving the character always a slightly anachronistic feel. For Sherlock the writers sat down and asked themselves how Sherlock Holmes would be if he were born today. Victorian Sherlock was on 上, ページのトップへ of the scientific research of his time, so the same is true for modern Sherlock. He used to prefer wire, now he prefers to text, he used to 公開する an 記事 about the science of deduction, now he owns a blog with this title. For nearly every decision they made concerning BBC Sherlock, あなた can find a canon reference.
Elementary is a little bit at disadvantage here, because it has to avoid a lot of ideas the Sherlock makers came up with. But all in all they manage quite well, too, even though they are less referential about this, the technical gadgets are just there. But there are some aspects which make me wonder. For example I don’t really see the point of the tattoos. They are such an odd and ランダム thing, which doesn’t seem to fit the character at all, no matter in which era he lives. Sherlock is supposed to be someone who can slip into a different role quite easily. タトゥー would this ability considerably. Plus, neither whores nor タトゥー nor badly written romances are something which wasn’t around as the original Sherlock lived, so why should a contemporary Holmes be suddenly interested in any of this?
2.2 ロンドン vs. New York
There is a fundamental difference between the thought processes behind Sherlock and Elementary. Sherlock is set in contemporary ロンドン because the writers are avid ファン of the 本 who wanted to play with the idea of a modern Sherlock Holmes. Elementary is set in New York because CBS is an American Network.
Thus said, I wouldn’t have minded the change of place (even though it brought back very bad memories of the atrocity which was “Sherlock Holmes in New York”), seeing CBS Sherlock interact on foreign soil, if Elementary would have bothered to explore the possibilities a little bit more. That their Sherlock Holmes is a British who works on American soil has no bearing to the plot at all, aside from some jokes along the line of “you foreigners don’t understand baseball”. I’m also wondering why CBS Sherlock is British, while Joan is American. Wouldn’t it made もっと見る sense if either both of them were American または both of them were British?
Elementary also fails to establish New York, while Sherlock manages to create a distinctive ロンドン vibe. Sure, CBS Sherlock taking the subway parallels BBC Sherlock using the typical ロンドン バッジ (it would have been a nice touch if he knew the whole subway system によって heart), but a lot of the story is set indoors, and aside from a few landmarks あなた see in passing, there isn’t really much of a New York feel. What I really liked are the bees, because they are a Sherlock Holmes as well as a New York thing.
But overall, there is very little New York in Elementary, and in this case, the tighter budget is not an excuse. White 襟, 首輪 for example (and expect me to use this example a couple of times in this article) is an USA network 表示する with a way lower budget and it nevertheless manages to establish New York as an additional character quite well (I would even got so far to say that they do it even better than Sherlock). They have to do deal with obnoxious product placement to achieve it on their tight budget, but even in the pilot they managed a distinct New York feeling によって regularly featuring shots from the streets of New York. With White Collar, I couldn’t imagine the 表示する anywhere else, Elementary could be set in any ランダム American city, it wouldn’t make any difference.
And Sherlock – well, it’s set where Sherlock Holmes belongs, so it’s not like the 表示する even needs to establish the place all that much. But just the one chase scene practically oozes ロンドン and A Study in ピンク takes care to portray ロンドン as a city with two faces – one the tourists see and a one which is basically a battlefield.
Then there is 221B Baker street. Sherlock creates a nice mix of old and modern, the cozy but cluttered feeling I’ve come to expect. There are a lot of details put into the design, like a British flag 枕 just lying around, the old fashioned tapestry, the laptop sitting on an antique looking table. Elementary’s 褐色砂岩, 茶色の石, ブラウンス トーン house is a good pick from the outside, but the inside feel chaotic. I have no idea how much room there actually is in the house, it feels like a labyrinth. And the mass of TV’s (when exactly had CBS Sherlock the time to set them up either way?) don’t really look like they have any purpose.
Conclusion: The changes in Sherlock are deeply rooted in canon. Elementary goes for a freer interpretation, but the changes are mostly made because of Network demands and not with the plot in mind.
3. The Characters
3.1 Sherlock Holmes
What both shows have in common is that they present Sherlock Holmes as somewhat of a mystery, an approach straight from the 情報源 text, in which Watson spends a lot of time noting the strange habits of his new roommate, trying to figure him out, until Holmes takes him to a crime scene the first time. A Study in ピンク takes full advantage of the longer running time and takes it slowly. We first see his text and hear people talking about him before he has his first real appearance on the screen, hitting a body in the morgue. Elementary does something similar, starting out with Joan getting a call about CBS Sherlock before she meets him. But I don’t think that it does good job establishing the character.
A Study in ピンク has basically two mysteries, one is the mystery of the serial suicides, the other is the mystery of BBC Sherlock. And while we don’t get a final solution, we at least get a perfectly sound analysis of the character at the end of the episodes “You risk your life to proof that you’re clever.”
Elementary is missing this kind of answer in the end, but that’s not necessarily a bad thing. There is a whole season left to explore CBS Sherlock’s character, so why rush it? Sometimes keeping a mystery is the right way to go for a show. But what bothers me about CBS Sherlock is that a lot stuff he does makes no sense. What is the point of quoting the TV 表示する as greeting for Joan? Does he just try to rattle her? At one point he says that he deliberately made a wrong deduction to spare her feelings, but why deduce her at all then? And if he finds sex so distasteful, why does he bother with it at all? Am I supposed to believe that it’s humanly not possible to life without sex?
There is a certain dichotomy in CBS Sherlock which sometimes works (I 愛 that despite tendency to rudeness he automatically acts like a gentleman and helps Joan into a jacket, like a trained habit), but most of the time it is just confusing. Sherlock Holmes is actually a character which changed quite a lot over time (nobody can accuse ACD of being overly concerned with details), from the pleasant to life with gentleman to the guy who expected Watson to drop everything for him at short notice, and who was the bane of his landlady. That leaves a lot of room for a valid interpretation of the character, but Elementary doesn’t seem to be able to stick to one tone. I think I would like this もっと見る laid back and approachable version better, if there were some kind of pattern in CBS Sherlock’s behavior. Sherlock Holmes tended to be very restrained with his clients, but he also tended to use veiled sarcasm, and in private he was painfully honest towards Dr. Watson as soon as they became closer. CBS Sherlock just changes from rude to understanding from one moment to another.
BBC Sherlock has a certain dichotomy too, but it works much better in this case. This version genuinely doesn’t care about social norms, all that matters to him is to find something to engage his intelligence with. He can fake feelings and be polite when it SUITS/スーツ his goal, but since he isn’t restrained によって Victorian society, he mostly doesn’t bother. But despite him pretending not to care when people see him as a freak, there is this moment after he deduced John’s mobile, in which あなた can him see brace himself for the insult he expects to come. He might not care enough to change his behavior, but that doesn’t meant that a part of him doesn’t crave acceptance. And あなた can see how surprised and pleased he is that for once he gets appreciated for his talents that for once he doesn’t get ridiculed. This invites the audience to think about why BBC Sherlock is the way he is, to delve into the psyche of the great detective.
But the clincher between those two versions of Sherlock Holmes is the level of arrogance. I don’t mind arrogant people, real または fictional, if they have the skill to back their arrogance up. BBC Sherlock has those skills, the whole episode he is one step ahead of everyone. He is an independent character who had some troubles in the past, judging によって the references to drug use, but who also caved himself his own little niche in the world. And when he points out that everyone else is an idiot in his eyes, あなた at least get where he is coming from.
CBS Sherlock on the other hand acts like a spoiled brat. He is just fresh out of rehab and complains about his father, the man who gives him a place to live in and pays for a companion to make the transition easier for him. When he acts out, he does it to provoke some sort of reaction. And when he shows a lack of respect, he simply doesn’t have the skills to back it up. This is partly because of the plotting of the 表示する (more about it later), but all in all, Elementary seems to be set on going against the trend of portraying Sherlock Holmes as someone above normal people によって emphasizing his mental instability, and treating his abilities as something everyone can learn with the right training.
It also seems to go out of its way to make CBS Sherlock somewhat “nice”. I have to admit: I’m kind of tired of all the rude geniuses who currently float out screens. Nevertheless I expect Sherlock Holmes to be one of them at least to some degree. I expect him to be someone who doesn’t care about his clients as soon as the case is concluded, and I expect him to be sure of his own abilities. A character who doesn’t believe in modesty has to be a show-off. When CBS Sherlock says “I sometimes hate it when I’m right” this doesn’t feel right, because not only contradicts this everything we learned about CBS Sherlock up to this point (and the 書く on his T-Shirt), this is simply not what the character of Sherlock Holmes is about. Not that Sherlock Holmes always was right. He did draw the wrong conclusions from time to time, mostly because he tended to think the worst of people instead of the best. But he was a character which strived in being right – and quite aware of the fact. At one point he asks Watson to remind him of his wrong conclusion should be become too sure of himself again. Sherlock Holmes just doesn’t hate when he is right, he loves it so much that he can barely imagine being wrong.
3.2 Dr. Watson
Watson has to be one of the most mistreated characters in the history of the media. For nearly hundred years Sherlock Holmes faithful companion was reduced to a bland sidekick, often used as comic relief. At best he was some sort of foil for the audience to see Sherlock through his eyes, at worst he was a pointless, annoying character. In most adaptations the focus is so much on Sherlock that Watson is forgotten. It’s understandable, considering that his role in the 情報源 text is the one of a narrator, but nevertheless a little bit disappointing.
This in mind, I give Sherlock a lot of credit for finally giving John Watson a believable motivation for sticking around with BBC Sherlock. “You are not haunted によって the war, あなた miss it” is not just a perfect explanation, it also cleverly avoids the PTSD cliché, which so many TV Shows attach to war heroes. And why does BBC Sherlock need John? Well, originally he doesn’t, he only invites him to the crime scene “to make a point”. But as soon as he discovers John honest appreciation for his ability, he keeps pulling him back to his side. Again, the audience gets a simple explanation for this behavior: Genius needs an audience.
The main point of Joan seems to be the fact that she happens to be female. Honestly, I didn’t get the fuss – on both sides. I don’t get why CBS and various reviewers made such a big deal about having the first female Watson, because, well, they don’t. There have been female Watsons in the past (none of them leaving an impact, though), and if あなた look もっと見る general, the genius with the female sidekick/care-taker/boss who takes the fall for him had become a cliché in 最近 years. And, if あなた ask me, a quite annoying one on 上, ページのトップへ of it.
I don’t get why so many ファン see a female Watson as a no-go either, but I do get feeling apprehensive about CBS doing it. I wasn’t sold on the idea of a female Watson from the get go (and for the record, I couldn’t care less who the actress is または about her heritage), because it seemed to me もっと見る a gimmick than a decision made with a specific goal in mind. The 質問 is, if the gender really makes a difference for the story, wouldn’t it change the character too much to be still a veritable Watson, and if it doesn’t make a difference, why changing it at all? And while I’m all for gender equality, I’m not sure that meeting some sort of female quota in a 表示する is the right way to go.
If there is one thing which sometimes bothers me about Sherlock, than the way female characters are portrayed. Partly the fault lies with the 情報源 text, the original stories are very much male dominated after all, and since Sherlock has less time to develop the side characters, the females get the short stick most of the time. Elementary should be ahead of Sherlock in this regard.
Except – it isn’t. Even if あなた hand-wave the string of woman which have been abused, murdered, held as slaves in this 表示する as something which just happens in a crime show, their version of Joan Watson is frankly insulting. There is not much known about John Watson, but there are three basic facts, which shouldn’t be changed for a serious adaptation: He is a doctor, he is a soldier, he writes about Sherlock. Elementary barely manages one out of three. Well, it’s possible that the writer part might come into play later on, but there was no reason to remove the military past from the character aside from believing that a military career wouldn’t fit a female (despite the fact that there are a lot of woman in the military).
And this is an important point in canon. Sherlock Holmes can look out for himself, but he often takes Dr. Watson with him as back-up. There is even one instance in which he tells a suspect that he is lucky that he didn’t attack, because Dr. Watson would have shoot him immediately.
John Watson, the original and the BBC one, was forced out of his career after he was wounded in action. He is basically a war hero (how heroic is anybody’s guess, considering that Watson rarely writes about himself, but he does mention having lead an adventurous life). He meets Sherlock Holmes at a point in his life in which he has to redefine himself, a time during which he is low on funds and has to figure out his 次 steps. Joan Watson is a trauma surgeon who gave up her job because she made a mistake and her patient died. Right – how exactly is that still the same character, gender issues aside? It makes a big difference if あなた give up your career because あなた made a mistake または if your whole purpose in life gets ripped from あなた in one single moment. What is left of John Watson if あなた change his complete back-story, including the reason why he meets Sherlock Holmes? There was always もっと見る leeway with Watson than with Holmes, but CBS managed to step outside of the very wide possibilities of veritable interpretations of this character nevertheless.
I don’t even like the character on its own, independent from what she/he should be. あなた could argue that Joan is at least also in the process of redefining herself, but if that’s the case, she has been in this state for a long time, unable to 移動する ahead on her own, despite being in a job and situation she hates. It’s not PTSD, but it goes in the same direction, but above all, it results in a very 1990s portrayal of female characters. Because female (emphasis on female) characters can’t just be good in what they do and simply hit with bad luck. No, they naturally have a vulnerable side, something which happened in the past in which haunts them in a way at they build up all kinds of shields to protect their tender hearts. And naturally they can’t pull through emotional problems on their own, they need a man to inspire them.
And frankly: It bothers me that Joan turns around when she sees a body. Yes, she says it’s different the 次 episode, but she has been a trauma surgeon! She has seen victims of vicious attacks before. I can see her being bothered about it the same way BBC John is bothered about it (he sights and briefly clothes his eyes), but her turning around and 芝居 as if she has never seen that level of brutality before just doesn’t make any sense. And I think the only reason she does it, is because she is female. And she bonds with a female witness because, あなた know, she is female and we all know that woman tell each other everything, because we are all part of the same sisterhood. I for my part would have thrown out both of them, no matter if Joan defended me または not. によって changing the gender, the writers are so focused on the fact that they have a female Watson that they seem to be stuck on the word “female” (and 書く a gender instead of first and foremost a character is a mistake in itself, no matter who the character is supposed to be), meanwhile forgetting that this is still supposed to be “Watson”.
This might explain why Elementary seems to be so set to portray Joan as intellectually equal to Sherlock. She might not have the ability to do what he does, but it’s strongly implied that she could learn from him and at least keep up with his process of thinking. She even is allowed to make a break through when he isn’t able to do so. But that’s not what the partnership between Holmes and Watson is about. The whole point is that Watson can’t keep up with Holmes, despite being a very intelligent man himself, because Holmes abilities are at least one level over what everyone else can do. That’s what makes him a genius, and Watson is the stand-in for the audience in this equitation. If あなた want a female character who can outsmart Sherlock Holmes, あなた shouldn’t create a female Watson, あなた should create a female Mycroft.
Sherlock strives for an equal partnership – both, John and BBC Sherlock get something out of moving in together – but emphasizes that John can’t keep up with BBC Sherlock intellectually, without making him stupid. Instead of making him overly smart (which would remove him from the audience) he becomes BBC Sherlock’s emotional and social compass (in a way speaking up on behalf of the audience).
Elementary on the other hand is set on establishing equality on the professional level, but overlooks the private one. If Joan is at disadvantage because she is basically just a hire, または if she has control over CBS Sherlock, because it’s her job to control him, that is a matter of perspective, but in any case the result is an unequal relationship, in which none of the participants can simply walk away. Joan not because it’s her job, and CBS Sherlock not because his father will throw him out of the house. Even if there is a scene in which CBS Sherlock offers Joan a way out, this is not really an option, because it would mean for her to ignore her responsibility.
What bothers me about Elementary the most is that the pilot doesn’t take enough time to establish Joan Watson as a character. We see her running, she gets this phone call, and then spend the rest of the episode getting conflicting information about her. Now, I don’t say that あなた have to know everything about a character in the first episode, but あなた need one character well enough established that あなた can identify with him. It’s one thing to have Sherlock Holmes presented as a riddle, it’s another thing to have a riddle at both sides. Watson was always the eyes for the audience, but Joan is もっと見る another character to explore.
Sherlock on the other hand takes its time to introduce John, though honestly, the first few 分 of Study in ピンク already tell us もっと見る than enough about him. Just seeing him waking up from his nightmare, his depressing living conditions, the gun in his drawer, and his broken “nothing happens to me” is enough to get a feeling for his character.
And again: That’s not a matter of time または budget. White 襟, 首輪 (told あなた that we would get back to it) manages to establish the basics with two still shots and some words written on the screen (Neal Caffrey: Convicted: Bond Forgery Suspected: Securities Fraud, Art Theft, Racketeering) and the information that Peter Burke (F.B.I. White 襟, 首輪 Crime Unit, NYC) was the only one who ever caught him. “You know that I don’t like guns” and “This is the same suit あなた wore the last time あなた arrested me” are simple facts, but they go a long way to establish the kind of men those characters are further.
With Joan, I’m wondering about everything. In fact, I have an easier time to understand CBS Sherlock, who apparently slipped at some point, now tries to gets his live back on track and despises the idea that he might need help, than Joan, who does a job she hates after losing a patient. I really don’t get her. I don’t get her at all.
3.3 The supporting cast
Both shows もっと見る または less present the same set of characters. Sherlock has Lestrade, Anderson, Donavan and Mycroft as meddling brother, Elementary has Gregson, Marcus ベル and an invisible but also meddling father (who is not canon-based at all). No Mrs. Hudson though (at least not is the pilot), and no Molly. Ironically, Sherlock presents 全体, 全体的です もっと見る female recurring characters than Elementary. And it makes me wonder. Why adding a female Watson, but no female police officers?
Despite my complaints about Sherlock’s boys club, I actually think that the 表示する mostly does a good job with characters like Molly and Mrs. Hudson, especially during the 秒 season. I always prefer a female character who looks like a push-over and suddenly displays hidden strength over the common action girl. It’s the kind of character I somewhat miss in Elementary. And my thoughts about their version of Mrs. Hudson – I honestly wonder why the character is even called this way. I mean, why can’t a transvestite be a landlady または proper housekeeper?
The portrayal of Toby Gregson works way better, even though the character is mostly reduced to “the guy who provides the cases”. It is notable though that CBS Sherlock seems to respect him, but even もっと見る important, while there is some hostility, the police does respect CBS Sherlock. In the original books, ACD Sherlock is widely respected, too, so in this regard Elementary is closer to canon.
The relationship between Lestrade and BBC Sherlock is a little bit different from canon, but it is also way better established. And もっと見る important. The characters we meet in A Study in ピンク are the ones who know BBC Sherlock the best. John’s quest for understanding BBC Sherlock doesn’t start and end with him, we see him talking to a lot of people who all provide a different perspective. Donovan warns John away, Lestrade says that Sherlock is a great man and he hopes that he will one 日 be a good one too, Mycroft impresses on him that just being around Sherlock is like living in a war zone and people like Mrs. Hudson または Angelo sing his praise.
Elementary on the other hand is very much focused on CBS Sherlock and Joan. Especially in the pilot they spent a lot of time talking to each other and the suspects of the case, but everyone else seems to be outside the bubble they build for themselves. The biggest influence on their relationship is a character who doesn’t even appear on screen (the father). Making CBS Sherlock yet another TV-Lead with Daddy-Issues. Because after Gregory House, Shawn Spencer, Patrick Jane, Nathan Ford, Michael West, Neal Caffrey, Rick Castle, and at least a dozen others, we totally need yet another character who has a complicated relationship with his father. Not!
BBC Sherlock and John are rarely alone. There are moments in which the 表示する does concentrate on the two characters, but most of the time, the situation gets immediately broken up によって the case または Mrs. Hudson. And while their partnership is the ハート, 心 of the show, the relationships between them and Mrs. Hudson, Sherlock and Molly, Sherlock and Mycroft, Sherlock and Lestrade, John and Mycroft, are equally important.
3.4 The Villains
3.4.1 The Criminal of the Week
I can’t emphasis enough how cleverly A Study in ピンク plays with the concept of a villain in Sherlock’s life. It’s rare that a TV 表示する can fool me at all (or is written well enough that I can’t predict the plot at least partly), but I admit: They got me. I totally fell for the Moriarty fake-out. But even knowing the truth now, this is one of the strongest scenes in A Study in Pink. And naturally is the promise of Moriarty lurking in the back at the very end exactly the kind of incentive which draws the audience in.
But Moriarty aside, Jeff Hope is also a very memorable villain in his own right. And he is mostly memorable because he poses a true danger to BBC Sherlock, because he is able to use his weaknesses against him. We never learn if BBC Sherlock picked the right pill, but that he even allowed himself to get snared into Hope’s game shows how much he needs John to have his back.
The villain in the Elementary Pilot is a pretty weak one, mostly because his motivation is pretty hazy. For starters, why does he want to kill his wife in the first place? She is apparently so much in 愛 with him that she would change her whole appearance for him, there is no talk about a divorce being problematic または another woman, so why does he do it? Just for kicks? Just imagine how long it must have taken to change her in the way that she fits the プロフィール of the serial killer (though, how exactly does he qualify as a serial killer when there is only one prior victim who is still alive I don’t really get), on the off-chance that he would really snap at the right moment.
Another thing which makes the husband a really forgettable killer is that the stakes are not particularly high. Really, what will happen when CBS Sherlock doesn’t catch him? He will go free and gloat. That’s it. And I don’t mean that there has to be a physical danger. In White 襟, 首輪 (yeah, I know, this should be the last time I used this example) the Dutchman is not only portrayed as clever, maybe as good as Neal, Neal is also forced to risk everything to catch him because otherwise he will go back to prison. And the same way Sherlock concludes with promising an upcoming mystery によって mentioning Moriarty, White 襟, 首輪 hints of that Neal will go off the rail in the future to 検索 for Kate. Elementary ends with baseball. Not exactly a good hook.
3.4.2 Moriarty
So far, I did my very best to keep my analysis to the first episodes of both shows. But for a complete analysis, we have to talk about the most important canon characters. We have to skip Milverton, though, because he didn’t turn up in Sherlock so far. At this point, Sherlock has finished the 秒 season and I have watched enough of Elementary to get the gist what the first season was about. Fair warning: If あなた don’t want to get spoilered for either show, あなた should 移動する フォワード, 前進, 楽しみにして to the conclusion.
When Sherlock ended its first season, there were a lot of complains about their version of Moriarty. Not from me, though. I liked their erratic version from the get go, perhaps because it reminded me of another (kind of) adaption I really like, Rattigan from Disney’s “The Great マウス Detective”. Plus, to me it make sense that if BBC Sherlock is もっと見る outgoing, BBC Moriarty should be to. Thankfully, I didn’t really have to argue the point, because the 秒 season won most of the ファン over. One thing for sure, Moriarty will be missed in the third season. That doesn’t mean that I want him back. He is a character who has run its course and I look フォワード, 前進, 楽しみにして to the 次 villain.
When it comes to Elementary: I 愛 the idea of a female Moriarty. In this case, the gender change has so much potential. Part of what made Moriarty so successful in canon is that he was able to pretend to be just a harmless citizen. A female version would be able to play this role even もっと見る convincingly, she even could pretend to be the poor damsel in distress stalked によって the obsessed Sherlock Holmes.
They could have introduced Moriarty much earlier, made her an established character before revealing the truth in a truly unexpected twist. Sadly that’s not the route CBS picked. Instead they first needed ages to mention Moriarty at all, and when she finally turned up on screen, I immediately pegged her as a baddy. And as I much as I 愛 the idea of a female Moriarty, I hate her being in a romantic relationship with Sherlock and I hate that she is called Irene Adler.
3.4.3 Irene Adler
When it comes to Irene Adler – I think that adaptations who make her a criminal または Sherlock’s 愛 interest (or both) are missing the point of the character. Irene Adler is important because she was the woman who taught Sherlock Holmes not to dismiss females. She is feminist, because despite being descripted as the kind of woman who gets the attention of men, she is not a femme fatale, but a woman of integrity, whose word is taken serious. A woman who doesn’t pin after the king who betrayed her love, but instead goes on with her live and finally marries a “better man” she really loves.
I nevertheless like a lot about Sherlock’s take on the character. I like the idea that BBC Sherlock can’t read BBC Irene. I actually think that the first half of the episode is outstanding. It’s the 秒 half which doesn’t work. First BBC Sherlock wrongly identifying the body (something which never get explained), then the reveal that he whole plan was actually Moriarty’s and don’t get me started on Irene Adler begging and kneeling in the end. I would have bought this version of Irene hook, line and sinker though, if the episode had ended this way: Irene reveals that she partnered up with Moriarty (it would have been even better if he weren’t involved at all, but I guess someone had to call him away from the pool), doesn’t beg for protection but leaves the head high. And the episode ends with Sherlock holding her phone, suggesting that he might have helped her (or that she might have survived on her own), but leaving her fate open for interpretation.
While Sherlock plays with the idea of a romantic connection between BBC Irene and BBC Sherlock, there is no doubt in Elementary that CBS Sherlock is in 愛 with Ireniarty. This has the advantage that the main villain can be around for a long time without the audience asking itself why CBS Sherlock is still alive, but it does do neither character any favors. Sherlock Holmes is simply not interested in woman, to the constant disappointment of Dr. Watson, and even his relationship to Irene Adler might as well simply one of admiration and not of love. CBS Sherlock pining over a woman and drowning in guilt over her death – that has nothing to do with Canon.
Conclusion: Sherlock’s characters are very close to what canon has to offer, with a few twists thrown in. Elementary changes the whole backstory of the characters, often to a degree that the only thing they have in common with canon is the name.
4. The Plot
4.1 The Approach
Naturally Sherlock has the advantage there, because this 表示する is based on the original stories. It’s clever enough not to repeat what the avid Holmes ファン already knows, instead it creates out of known elements a new plot, which is nevertheless familiar enough to feel immediately at home. The parallels reach from the obvious, like BBC Sherlock immediately being able to tell that John was an army doctor, to the もっと見る obscure. After all, who remembers that John Watson once mentioned in a side note the unsolved case of James Fillmore who went back to fetch an umbrella and was never seen? And makes the connection when A Study in ピンク features a teen によって this name who is found dead after going back for an umbrella? Those are the details which make the 表示する really fun. あなた don’t need to know the 本 によって ハート, 心 (or at all) to get the plot, but あなた are naturally compelled to read the 本 again and hunt for the hidden hints.
Elementary wouldn’t be able to copy the concept, または the 表示する would be over after one season. They have to use original stories and use the well-known references sparingly. But does this work as a real detective story, in which the audience is invited to deduce, too? No…not really. When CBS Sherlock asks if nobody noticed that something is missing in a room, because the otherwise symmetric arrangement has an empty spot, my only thought is “No, naturally not, because the camera angle didn’t allow me to see the symmetry until now.” At the same time, a lot of the conclusion CBS Sherlock makes are painfully obvious. One of the challenges a modern adaptation has to face is that the ACD Sherlock used forensics while the police didn’t, so a lot of his stunning deductions are based on paying attention to details which would have been missed back then. Nowadays the police knows what to look for. They don’t really need CBS Holmes to point out that there are enough shards for two glasses, または to learn that the victim changed her appearance radically in the last years. The only way this character can look smart is によって dumbing down all the other characters (with the exception of Joan), letting them stand around in awe and not doing their job. It’s hardly the first adaptation who does this, especially dumbing down Watson has a long tradition, but I think that a good Holmes should be first and foremost be cleverer than the audience.
To be fair, that the murder in A Study in ピンク was a taxi driver was also very clear early on. But in this case, it is understandable that the characters in the 表示する don’t catch on earlier, since the audience knows a little bit more. We know that all of them needed a taxi, but we don’t know if the police and BBC Sherlock know that. After all, the first deaths were treated as suicides, and who would expect a teenager springing the money for an expensive taxi? (Though in the unaired pilot BBC Sherlock actually did know early on, it was mostly the need to double the length of the episode which created this “slip” on his part).
But the main reason why BBC Sherlock is so impressive is because of a mixture of unexplained off-the-wall deductions and very clever on screen deductions. Often we see exactly what BBC Sherlock sees and then get his way to the deduction right on screen. Wet under the 襟, 首輪 but the umbrella is dry – she was at a place with rain and strong wind. Totally logical, but I would have never made the connection on my own. And if under all this logical deductions we get something along the line of “I can identify an airline pilot によって his left thumb” we are inclined to believe it, even if it is a little bit off the wall. Since the unexplained deductions are never part of the main case, it’s not really important if they work または not (at least あなた don’t feel betrayed によって an impossible solution), but they emphasis the impression that BBC Sherlock really can see what no one else (aside from Mycroft) can.
The concept of Sherlock is also way closer to the original than any other adaptation done beforehand, because it does something unique to all of them: It does it very best to pretend that BBC Sherlock is real, the same way the original stories were written as if they were about a real person. One of the reasons the original death of Sherlock Holmes caused so emotional reactions is because it felt for many readers as if a real person just died. Back then, people were wearing black badges to honor him and one ファン even attacked ACD for killing him. Nowadays ファン plaster “I believe in Sherlock” all over the internet. Naturally we all know on some level that we are dealing with a fictional character, but we 愛 to entertain the possibility, and the BBC does it very best to help the illusion along. あなた can visit “The Science of Deduction” as well as John’s Blog in the net, あなた can even find a fansite for Connie Prince and Molly’s online diary. And this is the real magic of Sherlock, not that it’s set in modern time, but that it’s set in our time, in our reality.
4.2 The Cases
Elementary tries to draw in the audience によって providing really unusual murder plots. The case in the pilot episode is pretty much typical for the show, with its unnecessarily complicated murder scheme and the badly explained motivation for it. I think part of the reason why it’s written this way is to make it harder for the audience to guess the culprit. But since Elementary is trapped in a very generic crime-show structure, it’s like the plot in itself points to the right culprit either way. One reason I rarely read crime novels is because I usually can tell after the first chapter who the murder is (provided that he was mentioned at this point), even if the crime hasn’t been committed yet. It’s hard to explain, but often if a writer tries too hard to distract from the actual culprit, he just draws even もっと見る attention to him (or her). And that’s also the problem of Elementary. It’s predictable
The cases in Sherlock tend to be unusual and complicated too, but the motivations are usually sound and since Moriarty is often the actual mastermind behind them, it makes もっと見る sense that they are deliberately out of the norm to challenge Sherlock. And I really don’t want to know how many people got away with murder with Moriarty’s help before he decided to give Sherlock a glimpse of his enterprise. I don’t think that it’s an accident that the two episodes which are usually considered the “weakest” of the 表示する (relatively speaking) are the ones in which Moriarty takes a back-seat. It’s just harder to believe that Chinese gangster would act the way they do in The Blind Baker, または that someone would test mind-altering smoke on ランダム people in the woods, even though it is a better explanation for a monstrous hound than illuminating paint.
The Hound of Baskerville is a little bit unusual for Sherlock overall, because it’s the only episodes which presents a set of suspects. Normally the 質問 is not “who did it” but “How and why was it done” (not to confuse with the Columbo structure in which the 質問 is “how will the detective proof it”). And honestly, the 質問 how someone could die standing alone in a meadow, または how a serial killer convinces his victims to voluntary take poison, または why a guard figured out that a painting is a fake is way もっと見る interesting than the 質問 if the husband または the sister was the culprit.
The nature of the cases make the involvement of BBC Sherlock もっと見る logical, too. Since the case is unusual from the get-go, it makes sense that the police would involve the specialist for unusual cases. And if it doesn’t look unusual – well, Dimmock is really not happy about BBC Sherlock butting in what looks to him like a normal suicide, and the only reason BBC Sherlock gets called to a kidnapping is because the ambassador asked for the famous detective. With Elementary, I often wonder why the police calls CBS Sherlock for what initially looks like a pretty straightforward case, which only gets complicated later on. Are they psychic?
4.3 The Story-arc
The most notable thing about Elementary is that it spends a lot of time dwelling on the past of Joan and CBS Sherlock. The whole arc seems to be focused on them facing and overcoming their demons – in CBS Sherlock’s case quite literally. A lot of time is spend with the characters analyzing each other または digging into each other’s past. The first half of the season in mostly about Joan settling into her new life, the 秒 half focusses もっと見る on CBS Sherlock’s relationship with Irene.
Sherlock on the other hand is もっと見る about moving forward. Naturally both characters have a past which influences the present, but the focus is もっと見る on how their partnership changes them. John’s story is not about confronting his war memories but about building up a new life for himself. And BBC Sherlock’s is not about him battling his drug addiction (though he does have “danger nights”), but about his journey to become not just a great but also a good man. Sometimes the development is not exactly spelled out. For example in the first season he tends to 削除 what he considers unimportant, something which nearly leads to him “loosing” against Moriarty, because he didn’t think that the solar system is important. In the 秒 season, he suddenly has a mind palace, in which he stores all kind of information. While it is never outright stated, it is entirely possible that he decided on a new approach after realizing that he can’t predict what might matter in the future and what not.
Sherlock is full of references and ironic call-backs. For example in the first episode Sally warns John that at one point they will stand around a body and BBC Sherlock will be the one who put it there. At the end of the episode they stand around a body and John is the one who put it there. In the third episode of the first season, BBC Sherlock is upset because he doesn’t like what John wrote about the first case (quoting canon, btw). And in the first episode of the 秒 season Mycroft remarks that people who spy on other people for money are not trustworthy, revealing indirectly that offering John money for information was もっと見る a character test than a serious proposal.
Elementary has those call-backs, too, but tends to spell them out for the audience. Sherlock is much もっと見る subtle, and every time あなた watch, あなた might notice a new detail. For example there is a Cluedo board stuck to the ウォール with the ナイフ in “Scandal in Belgravia”, which is pretty hilarious in hindsight when John says that he will never play this game again one episode later. I wonder what happened there.
Conclusion: “Nothing is ever new” is a good 説明 for Elementary. An even better one is “just another CBS Crime Show”. It’s a really successful format CBS has used multiple times in the last years (and kind of what their regular viewer expects) but if あなた are familiar with those shows, it seems like あなた have seen Elementary beforehand, multiple times. Sherlock on the other hand is a 表示する which challenges the intelligence of the audience, invites it to pay attention to the detail and above all, to read 情報源 text again.
5. The Casting
To be frank: I usually don’t pay much attention to actors, especially not TV-Actors, unless they stand out to me in some way. And even if I really dislike an actor in a certain role, I rarely hold it against him または her, unless 発言しました actor ruins every role without fail. This happens rarely, though. Most actors out there have the ability to work in a certain kind of role, and as soon as the producers recognize this, they are usually cast in this role again and again either way. There are a few which have a really impressive range and can sell whatever they are 与えられた – in most (not all) cases those are the actors who are really successful despite not being particularly good-looking, and who nevertheless regularly steal the Hollywood beauties the 表示する because of pure charisma.
I was pretty much without opinion about any of the main cast members of both shows. Well, I naturally had heard the name Lucy Liu beforehand, but I can’t actively remember seeing her on screen (no, I didn’t watch Charlie’s Angels). And while I adored Martin Freeman in “Love actually” and hoped that this actor would go on to a lot of other roles, I didn’t take the time to learn his name または follow the career. And since I have a really bad memory for faces, it did take some time for me to connect him to the actor which impressed me back then.
I’m also not a Dr. Who fan, so I was neither predisposed to like nor to dislike Sherlock because of the people behind it. Honestly, I originally just stumbled over the 表示する because I was bored and the タイトル sounded interesting enough to take a peek. Benedict Cumberbatch needed some solid 芝居 talent to win me over, because he looked so different from my imaginative Sherlock Holmes. But he delivered, it didn’t take long until I bought him as young version of Sherlock Holmes. For the record though: Unlike a lot of fans, I don’t think that he is particularly attractive. Charismatic, yes, but I honestly don’t get the fuss about his looks. He isn’t even my お気に入り actor of the show.
This honor belongs to Freeman. He had me from the very first scene. Just the half-sigh, half-whimper he does when he awakes from his nightmare made me immediately feel for his character. What impresses me about this actor is that he is really, really good in playing the normal guy from the street. I would never cast him in a flashy role, but if I had a quiet character who nevertheless has to stand out somehow, he would be on the 上, ページのトップへ of my list. And the great casting didn’t stop there. Sherlock is full of high-prolific actors. I even adore the performance of Pulver, even though I have some issues with the character she plays.
The first thing I noticed about the leads of Elementary was that they are both nearly impossible to understand. Perhaps あなた noticed によって now that I'm not a native speaker, and this is certainly not the first time a TV 表示する poses a challenge, but this is the worst case I have ever seen in any 表示する I decided to watch. With Miller it was pretty easy to realize what the problem was: I simply don’t understand his accent. Not because it’s British (in fact, I 愛 the もっと見る posh accent Mycroft and Sherlock use in the BBC version, it’s really easy to understand, even though it tends to sound a little bit arrogant, but since this fits the characters perfectly, I have no complains in this regard), but because he speaks a strange mix out of American and British English. With Lucy Liu, it took me some time to figure it out. First I thought that it’s because she whispers, but while both main character speak a little bit quieter than usual, it’s not THAT quiet. She also doesn’t mumble, if あなた concentrate, あなた can understand every word quite easy. And then I realized: She has 次 to no infliction. No matter what she says または what the mood of her character is, even when she is supposedly angry, every single word is spoken exactly the same, I can barely hear when a sentences ends.
Maybe the problem is もっと見る me and they are easier to understand for a native speaker. But just for the record: One of the main reasons I only watched a couple of selected episodes of Elementary was because this 表示する is a chore to watch. I have to pay really close attention every single 分 of it and often have to rewind to figure out what a dialogue was about.
This issue aside: I think both actors are a perfect fit and miscast at the same time. They fit the roles the makers of Elementary had in mind, but they would never make a good Sherlock Holmes and Dr. Watson in a もっと見る traditional sense. In Lucy Lui’s case because I think she looks too smart. Yeah, an odd complain, but I think she would make a much better Holmes than Watson. In her current role she looks too much as if she could upstage Homes whenever she is in the mood to do so – and while I’m all for female power, this was never the point of Watson.
With Miller, I’m not sure how much this is a casting and how much it is a directing issue, but he looks constantly scruffy. He looks もっと見る like I would imagine Watson and not Sherlock. No, scratch that. He looks もっと見る like a modern Inspector Columbo.
Conclusion: Both 表示する offer good actors, but in the case of Elementary not necessarily the right ones.
6. Final thoughts
I guess most people started to watch Elementary hoping for the best but expecting the worst. They ended up with a pleasant surprise in this case. With me, I was a little bit the other way around. I was hoping for the worst, but expected the best CBS has to offer. I ended up being disappointed in both regards.
I really wish that Elementary had been either really, really bad and easily to dismiss, または really, really good, something to watch during the hiatus. Sadly it is neither. It settled for being mediocre. A very polished kind of mediocre, but mediocre nevertheless. And even this would have been okay if the result would have been a mediocre Sherlock Holmes adaptation.
When it comes down to it, Elementary can barely considered adaption. If BBC had done Sherlock and had 与えられた all the characters (and the show) different names, I would have wondered immediately why the 表示する of a consulting detective and an army doctor with so many parallels to Sherlock Holmes isn’t named this way. If CBS had done the same with Elementary, I doubt that I would have even made the connection. It’s もっと見る a 表示する inspired によって Sherlock Holmes, with the difference that this one was bold enough to slap the Sherlock Holmes label on it. With different names there wouldn’t be the problem that Elementary fails to connect to the 情報源 text on a meaningful level.
But then, if it were “inspired によって it”, it would face really strong rivals, too. Monk, House, Psych, The Mentalist, Bones, just to mention a few shows which played with the concept, all done in 最近 years. And every single one of them better than Elementary, not necessarily in production value, but with もっと見る creative characters and plot, since those shows weren’t bogged down によって the Holmes name. Even as a cop-show, Elementary is 全体, 全体的です very generic. Perhaps enjoyable if あなた are into this kind of thing, but not memorable. It might have been if CBS had launched it a couple of years earlier, but now it’s a little bit late to the game. If not for the whole discussion surrounding it, it would have been wholly unremarkable.
In a way, it is similar to the Rathbone Movie-Series. It does have something to offer, but the 表示する as a whole is spoiled によって the demands and interests of an American network. The Rathbone 映画 have the advantage though that they were among the first adaptations ever made, and stayed influential for a long, long time. But the audience has been spoiled in the last years. With Jeremy Brett we got an actor, who was obsessed with Holmes and even had the mannerism described in the 本 down. It’s harder to get away with rewriting the stories now, because even non-readers have a better idea about it than just “genius detective and side-kick solves crimes”.
If あなた ask me, Sherlock will stay influential for a long, long time. Elementary on the other hand is certainly not a must-see for a Sherlock Holmes fan. I guess quite a few Sherlock ファン watch it nevertheless, though. And why not. If あなた are really into this kind of crime show, Elementary, generic または not, is still a decent offer, and for someone who didn’t watch The Mentalist and Castle, this might even look fresh and compelling. If I had seen the first episodes without knowing those shows, I guess I might have been もっと見る impressed によって those twisted cases.
Just for fun, I googled Elementary and BBC and looked for results from the last month. I found a myriad of posts along the line of “10 reasons why Elementary is better than Sherlock”. Why not “10 things which make Elementary a great adaptation”? It seems to me like the discussion has shifted. It’s no longer the Sherlock ファン who rage. Most of them have seen Elementary, concluded that it doesn’t really pose a danger and isn’t a rip-off, and are now a little bit puzzled that there are people out there who insist that it is somehow superior. Why is it so important for the Elementary ファン to gloat about the 表示する holding its own? I don’t think that most Sherlock ファン really care that much now that it’s clear that it isn’t a copy (naturally there will always be some rabid fanatics, and the larger the fandom, the もっと見る vocal they seem to be). At most they feel sad that so many Americans are missing out on the “superior adaptation” because Elementary runs on the もっと見る public network.
In any case, Elementary doesn’t have to proof that it’s better than Sherlock. They already ロスト this particular fight either way, it will always be the quantity 表示する which rode on the コート tails of the quality show. But in the end, this doesn’t really matter, because what Elementary really has to proof is that it’s a worthy Holmes adaptation.
7. And now?
Well, now I’ll wait for the third season of Sherlock, while Elementary will go the way all CBS shows go. They will ミルク is as long as the ratings are okay, if possible until syndication. Meanwhile, I’m in the mood for even もっと見る adaptations, but ones which manage to think outside the box without losing the connection to canon. I really want one with a well done female Moriarty. または one which is not about Watson exploring Sherlock, but Sherlock trying to figure out Watson. または one which is not about Watson at all, but instead fills the hole for the years when Sherlock was dead and how he took down Moriarty’s network, with Mycroft (perhaps even a female one) having his back. または one which focusses on the rivalry between Lestrade and Tobias Gregson. または one which makes Moriarty and Moran the protagonists of the story. The possibilities are endless.
