Lady Gaga has some アドバイス for the millions of ファン who have glommed on to her rocket of a career.
Pay attention.
“It’s almost like I grow もっと見る rapidly as an artist than people can keep up with, if that makes any sense,” says the 23-year-old pop provocateur. “So によって the time you’re 読書 an interview または you’re watching a テレビ performance, I’m already, like, years beyond, creatively, in the world somewhere
“That can be confusing for people, I think. There can be a slight disconnect from what I proclaim about my 音楽 and what people are hearing and seeing. But that’s OK; I’d rather be ahead than behind, and people seem to be keeping up, which I’m very grateful for.”
There’s no 質問 Gaga — who ranked No. 3 on Billboard’s 一覧 of 上, ページのトップへ artists for 2009 — has been in the front car of a nonstop thrill ride for the past year-and-a-half.
Her debut album, “The Fame,” has sold もっと見る than 8 million copies worldwide — just もっと見る than 2 million of those in the U.S. — since its August 2008 release and launched a pair of No. 1 singles, “Just Dance” and “Poker Face.” The latter was the most downloaded song in Great Britain since the Official UK Charts Company began measuring five years ago. Meanwhile, Gaga’s “The Fame Monster,” a re-release of “The Fame” with eight new tracks, debuted at No. 5 on the Billboard 200 chart in November.
She won three MTV Video 音楽 Awards in September, including Best New Artist, received a Rising 星, つ星 prize from Billboard and was among Barbara Walters’ “10 Most Fascinating People of 2009.” And though blanked at the American 音楽 Awards, Gaga is nominated for five Grammy's, including Album, Record and Song of the Year.
She also recently signed on as creative director for a specialty product line with Polaroid Imaging.
The success makes her feel “a little bit like a pop 音楽 miracle,” but Gaga isn’t necessarily shocked that things have gone so well. “I’m very, very grateful,” she notes, “but I’m not surprised, ’cause it’s a good album.”
The Gaga phenomenon is about もっと見る than just the music, however.
Her notoriety comes from both what she does and how she does it. Like マドンナ and other chameleonesque pop culture ヒーローズ before her, Gaga specializes in creating mystery and sensation, with a parameter-pushing fashion sensibility (which landed her on People magazine’s Best and Worst Dressed lists) and an avant garde performing style.
Gaga — who was born Stefani Joanne Angelina Germanotta in New York and started playing ピアノ when she was 4 years old — studied theater and 音楽 but was really educated in the club scene on New York’s Lower East Side, where she made a name for herself with self-designed hot pants, bikini tops and face paint, lit ヘアスプレー cans on 火災, 火 and rode on disco balls hanging from club ceilings.
もっと見る recently, Gaga titillated によって bringing Kermit the Frog as her “date” to the Video 音楽 Awards and performing a medley of “Poker Face” and “Paparazzi” that culminated in a faux “suicide scene” complete with fake blood dripping from her ribcage.
“What I’ve learned is that あなた really don’t need to be a celebrity または have money または have the paparazzi following あなた around to be famous — あなた just declare your own fame and go with it,” explains Gaga, who wrote songs for Britney Spears, Fergie, the Pussycat ドール and New Kids on the Block before releasing “The Fame.”
“I think that’s always what drew people to me. I think what made it difficult for people to get and still makes it difficult for people to get is the theatrical nature of the work and the fact that, truthfully, my 音楽 doesn’t exist without the performance art element — and performance art is notoriously nerdy and uncomfortable, but it makes people pay attention.”
She doesn’t deny her sources in that regard, either.
“It’s always been a result of people around me saying, ‘Oh, that’s so very (David) Bowie of you. That’s very クイーン of you. That’s very Warhol of you. That’s quite マドンナ of you,’ ” acknowledges Gaga, who’s also parried away a slew of rumors, including one that she’s a hermaphrodite. “Then I say, ‘Ah, Warhol … ’ and I go into my Warhol file and I do research and then I make もっと見る 音楽 and I デザイン もっと見る shows.
“It’s like a constantly feeding your brain kind of thing and using that to get new ideas.”
Gaga’s current “Monster Ball Tour” is a culmination of that process. Built after her planned “Fame Kills” tour with Kanye West was canceled after the rapper bailed out, the 90-minute 表示する features five segments with different costumes — designed によって her own Haus of Gaga studio — video interludes and choreography and includes the suicide sequence, a “rebirth” during the song “Eh, Eh (Nothing Else I Can Say)” and a finale, “Bad Romance,” that Gaga sings from inside a giant gyroscope dubbed The Orbit.
She calls it “the first ever pop electro opera” but quickly adds that her ambition is to take things even beyond this point in the future.
“I look at music-making and becoming an artist the same way an infant becomes a toddler,” Gaga explains. “A baby learns to refine its abilities and get older and mature, and so does an artist.
“And at some point, I thought that the smartest way to think about 書く 音楽 and designing a stage 表示する is to say to myself a) What do I want to listen to? and, second, What would I go out and see または hear that would make me really jealous if I didn’t think of it first? Those are the two paramount 質問 that I follow.”
The future is on Gaga’s mind these days, too. She’s been 書く songs for the 次 album — “It’s not smart to wait until the world is hovering with breath that is bated and あなた feel the pressure,” she says — but there are ventures beyond 音楽 that are commanding her attention, too.
“I would 移動する into directing at some point, and もっと見る fashion design,” says Gaga, who now resides in Los Angeles because “the 音楽 industry’s dead in New York. I know that Hollywood was the place where I could really 移動する mountains.” But the mountains will stay in place for the time being.
“I’m really focused on this (tour) right now,” Gaga says. “But I’m always thinking of things and hatching crazy ideas, so I’m sure I’ll come up with something that pushes the envelope again. あなた can count on it.”
Pay attention.
“It’s almost like I grow もっと見る rapidly as an artist than people can keep up with, if that makes any sense,” says the 23-year-old pop provocateur. “So によって the time you’re 読書 an interview または you’re watching a テレビ performance, I’m already, like, years beyond, creatively, in the world somewhere
“That can be confusing for people, I think. There can be a slight disconnect from what I proclaim about my 音楽 and what people are hearing and seeing. But that’s OK; I’d rather be ahead than behind, and people seem to be keeping up, which I’m very grateful for.”
There’s no 質問 Gaga — who ranked No. 3 on Billboard’s 一覧 of 上, ページのトップへ artists for 2009 — has been in the front car of a nonstop thrill ride for the past year-and-a-half.
Her debut album, “The Fame,” has sold もっと見る than 8 million copies worldwide — just もっと見る than 2 million of those in the U.S. — since its August 2008 release and launched a pair of No. 1 singles, “Just Dance” and “Poker Face.” The latter was the most downloaded song in Great Britain since the Official UK Charts Company began measuring five years ago. Meanwhile, Gaga’s “The Fame Monster,” a re-release of “The Fame” with eight new tracks, debuted at No. 5 on the Billboard 200 chart in November.
She won three MTV Video 音楽 Awards in September, including Best New Artist, received a Rising 星, つ星 prize from Billboard and was among Barbara Walters’ “10 Most Fascinating People of 2009.” And though blanked at the American 音楽 Awards, Gaga is nominated for five Grammy's, including Album, Record and Song of the Year.
She also recently signed on as creative director for a specialty product line with Polaroid Imaging.
The success makes her feel “a little bit like a pop 音楽 miracle,” but Gaga isn’t necessarily shocked that things have gone so well. “I’m very, very grateful,” she notes, “but I’m not surprised, ’cause it’s a good album.”
The Gaga phenomenon is about もっと見る than just the music, however.
Her notoriety comes from both what she does and how she does it. Like マドンナ and other chameleonesque pop culture ヒーローズ before her, Gaga specializes in creating mystery and sensation, with a parameter-pushing fashion sensibility (which landed her on People magazine’s Best and Worst Dressed lists) and an avant garde performing style.
Gaga — who was born Stefani Joanne Angelina Germanotta in New York and started playing ピアノ when she was 4 years old — studied theater and 音楽 but was really educated in the club scene on New York’s Lower East Side, where she made a name for herself with self-designed hot pants, bikini tops and face paint, lit ヘアスプレー cans on 火災, 火 and rode on disco balls hanging from club ceilings.
もっと見る recently, Gaga titillated によって bringing Kermit the Frog as her “date” to the Video 音楽 Awards and performing a medley of “Poker Face” and “Paparazzi” that culminated in a faux “suicide scene” complete with fake blood dripping from her ribcage.
“What I’ve learned is that あなた really don’t need to be a celebrity または have money または have the paparazzi following あなた around to be famous — あなた just declare your own fame and go with it,” explains Gaga, who wrote songs for Britney Spears, Fergie, the Pussycat ドール and New Kids on the Block before releasing “The Fame.”
“I think that’s always what drew people to me. I think what made it difficult for people to get and still makes it difficult for people to get is the theatrical nature of the work and the fact that, truthfully, my 音楽 doesn’t exist without the performance art element — and performance art is notoriously nerdy and uncomfortable, but it makes people pay attention.”
She doesn’t deny her sources in that regard, either.
“It’s always been a result of people around me saying, ‘Oh, that’s so very (David) Bowie of you. That’s very クイーン of you. That’s very Warhol of you. That’s quite マドンナ of you,’ ” acknowledges Gaga, who’s also parried away a slew of rumors, including one that she’s a hermaphrodite. “Then I say, ‘Ah, Warhol … ’ and I go into my Warhol file and I do research and then I make もっと見る 音楽 and I デザイン もっと見る shows.
“It’s like a constantly feeding your brain kind of thing and using that to get new ideas.”
Gaga’s current “Monster Ball Tour” is a culmination of that process. Built after her planned “Fame Kills” tour with Kanye West was canceled after the rapper bailed out, the 90-minute 表示する features five segments with different costumes — designed によって her own Haus of Gaga studio — video interludes and choreography and includes the suicide sequence, a “rebirth” during the song “Eh, Eh (Nothing Else I Can Say)” and a finale, “Bad Romance,” that Gaga sings from inside a giant gyroscope dubbed The Orbit.
She calls it “the first ever pop electro opera” but quickly adds that her ambition is to take things even beyond this point in the future.
“I look at music-making and becoming an artist the same way an infant becomes a toddler,” Gaga explains. “A baby learns to refine its abilities and get older and mature, and so does an artist.
“And at some point, I thought that the smartest way to think about 書く 音楽 and designing a stage 表示する is to say to myself a) What do I want to listen to? and, second, What would I go out and see または hear that would make me really jealous if I didn’t think of it first? Those are the two paramount 質問 that I follow.”
The future is on Gaga’s mind these days, too. She’s been 書く songs for the 次 album — “It’s not smart to wait until the world is hovering with breath that is bated and あなた feel the pressure,” she says — but there are ventures beyond 音楽 that are commanding her attention, too.
“I would 移動する into directing at some point, and もっと見る fashion design,” says Gaga, who now resides in Los Angeles because “the 音楽 industry’s dead in New York. I know that Hollywood was the place where I could really 移動する mountains.” But the mountains will stay in place for the time being.
“I’m really focused on this (tour) right now,” Gaga says. “But I’m always thinking of things and hatching crazy ideas, so I’m sure I’ll come up with something that pushes the envelope again. あなた can count on it.”