And another review of a live action movie. It should be pretty obvious, why I picked this one, but just in case あなた don’t know this: 20,000 Leagues under the Sea was a huge success for the ディズニー studios, a critical acclaimed movie which still influences our perceptions of the book it was based on. And I freaking loved this movie as a child. But then my copy of the movie got ロスト and I didn’t see it for a long, long time. When I rewatched it as an adult, I did it with a lot of trepidation. Would it still hold up after all this years?
1. The Setting
If there is anything Jules Verne is famous for, than it’s thinking up fantastic worlds for his characters to explore, fantastic worlds which seem to be just out of range. Futuristic but realistic is the receipt for his success. And the Nautilus is his most realistic but at the same time most far-fetched setting. Realistic because によって now submarines are a reality. Far-fetched because we are still not able to dive as far down as the Nautilus supposedly did (which is, btw, not 20,000 leagues. That’s actually the length the Nautilus travels under the seven seas).
Disney’s Nautilus is not just “a Nautilus”. It’s “the Nautilus”. Despite not looking anything like the 説明 in the book (which is much closer to what an actual submarine looks like), Disney’s デザイン (which can be considered as early steampunk) is what people tend to imagine nowadays. The unusual shape, the giant organ, the machine room with the strange looking lights. Old 映画 which try to display futuristic technology tend to look amusing nowadays, especially when it comes to computers. ディズニー manages the right balance between 表示中 and hiding to make the デザイン still convincing.
The underwater shots are very well done, too. Naturally there are some details which 表示する the age of the movie, mainly the quality of the explosions and a certain way to arrange the shots, but all in all, the movie hold up really well after all this years.
2. The Characters
The basics of the characters are the same. But while the book is pretty much focussed on Professor Aronnax, the movie puts a lot もっと見る emphasis on the dynamic between them all and adds some details to their characters. They are all based on clichés – the studious professor, his trusty, meek assistant, the womanizing, rude seaman, but they gut further layers during the movie. Especially Ned Land (who is a Canadian in the book, most likely to explain his ability to speak French) is way もっと見る fleshed out. But then, あなた don’t cast Kirk Douglas for a minor role. The whole cast consists of high-prolific and very talented actors, but there is a reason why Kirk Douglas got the 上, ページのトップへ billing, he was simply the most famous actor of the cast.
And then there is Captain Nemo. Imho Jules Verne is usually better in creating worlds than characters, but Nemo might be his best work. His vendetta against certain ships would nowadays be called an act of terrorism, he is basically a mass murderer, but he is also portrayed as someone who speaks up for the supressed and powerless.
The movie version of him is もっと見る fleshed out and もっと見る obscure at the same time. もっと見る fleshed out because we get some sort of backstory (mostly based on what Jules Verne wrote later about him), もっと見る obscure because neither his nationality (he is played によって a European actor, but with dark hair and tan), nor the identity of his enemies is revealed.
3. The Plot
To get this out of the way first: There are certain elements in this movie, which are so undeniable ディズニー that they make me roll my eyes. The opening book at the beginning. The song. Esmeralda the sea lion. A certain cutesiness when it comes to Captain Nemo ディナー 表, テーブル (sea snake tastes like veal? Really?). I admit though, I don’t really mind most of them. “A 鯨, クジラ of Tale”, it’s catchy and funny enough, and really, just the fun of seeing Kirk Douglas sing makes it worth it. But sometimes, those elements break the mood of the movie too much.
When it comes to the plot, the novel is really not an easy one to adapt. It is very episodic and while it has some suspenseful moments, it lacks a proper built up. ディズニー naturally picked the segments which promised the most suspense, added a little bit and then connected them with a thread によって suggesting that Nemo is constantly testing his guests, trying to make up his mind if he should share his secret with the world または not. Aronnax is obsessed with convincing him. Ned Land is obsessed with fleeing. Ironically between all this Counseil, the meek servant, proves to be the deciding factor in the movie, because he provides the necessary information which leads to entirely made up final. While Jules Verne did invent the secret island for the Nautilus, it is not mentioned in this novel but in The Mysterious Island. Also, Nemo doesn’t get shot. The book ends with the Nautilus being pulled under によって the Maelstrom.
The worst part of the movie is easily the scene with the cannibals. It’s such a face-palm moment, and not just for the obvious reasons (meaning the stereotypical portrayal または the cannibals which ages the movie もっと見る than anything else in it), but also because it makes no sense that the ビーチ would be 安全, 安全です in the first place. If the cannibals have boats, this should be part of their territory, too.
The best part of the movie is when Ned Land rescues Nemo’s live. Let’s be honest: What everyone remembers about this movie is the fight with the giant squid. I kind of expected it to look really fake after all this years, most old special effects do, but this scene is done so masterfully, it aged incredible well. The effort ディズニー put in this one really paid off.
But it's also the best part because it puts one of the best aspects of the book in the forefront: Nemo and Ned don't like each other. Nevertheless they rescue each others live. But even this doesn't change their relationship. What it does do, especially in the movie, is serving as a counterpoint to Nemo's view on the world. Ned Land is a man of very questionable moral, a womanizer who is mainly interested in making money, and not above breaking his word. In Nemo's eyes, he is an example why humans are not trustworthy. And yet, this man risked his life for a man he hates.
But if あなた ask me, this movie should also be remembered for having a really thoughtful message. In the book, the crew does coal mining under water, but it’s not used for steam power, but electricity (true to Verne, a フォワード, 前進, 楽しみにして thinking concept back then). In the movie, the secret of the Nautilus is something もっと見る along the line of atom energy. It’s never explicitly stated, but the way it’s portrayed and the form of the giant 雲, クラウド after the final explosion heavily suggests it. The recurring theme about Nemo deciding if the world is ready for his invention, is answered with “not yet, but one day, it might be”. Which sounds like a typical ディズニー ending, with Nemo finding his believe in humanity and the promise of a better future. But consider when this movie was made, in the middle of the cold war, the time when humanity was on its best way to proof once and for all that it wasn’t ready to handle this kind of power.
4. Conclusion
20,000 Leagues under the Sea is one of the best live action 映画 ディズニー ever did. It’s thoughtful and has a message, which is nowadays not less important than back then. Of all adaptions I have seen, it is still easily the best one, but honestly, this is an easy feat, because most of them have female characters and an unnecessarily romance shoe-horned in. It’s not exactly a faithful take on the book, but it’s the kind of adaption which manages to tell its own story without diminishing the 情報源 text in the process.
1. The Setting
If there is anything Jules Verne is famous for, than it’s thinking up fantastic worlds for his characters to explore, fantastic worlds which seem to be just out of range. Futuristic but realistic is the receipt for his success. And the Nautilus is his most realistic but at the same time most far-fetched setting. Realistic because によって now submarines are a reality. Far-fetched because we are still not able to dive as far down as the Nautilus supposedly did (which is, btw, not 20,000 leagues. That’s actually the length the Nautilus travels under the seven seas).
Disney’s Nautilus is not just “a Nautilus”. It’s “the Nautilus”. Despite not looking anything like the 説明 in the book (which is much closer to what an actual submarine looks like), Disney’s デザイン (which can be considered as early steampunk) is what people tend to imagine nowadays. The unusual shape, the giant organ, the machine room with the strange looking lights. Old 映画 which try to display futuristic technology tend to look amusing nowadays, especially when it comes to computers. ディズニー manages the right balance between 表示中 and hiding to make the デザイン still convincing.
The underwater shots are very well done, too. Naturally there are some details which 表示する the age of the movie, mainly the quality of the explosions and a certain way to arrange the shots, but all in all, the movie hold up really well after all this years.
2. The Characters
The basics of the characters are the same. But while the book is pretty much focussed on Professor Aronnax, the movie puts a lot もっと見る emphasis on the dynamic between them all and adds some details to their characters. They are all based on clichés – the studious professor, his trusty, meek assistant, the womanizing, rude seaman, but they gut further layers during the movie. Especially Ned Land (who is a Canadian in the book, most likely to explain his ability to speak French) is way もっと見る fleshed out. But then, あなた don’t cast Kirk Douglas for a minor role. The whole cast consists of high-prolific and very talented actors, but there is a reason why Kirk Douglas got the 上, ページのトップへ billing, he was simply the most famous actor of the cast.
And then there is Captain Nemo. Imho Jules Verne is usually better in creating worlds than characters, but Nemo might be his best work. His vendetta against certain ships would nowadays be called an act of terrorism, he is basically a mass murderer, but he is also portrayed as someone who speaks up for the supressed and powerless.
The movie version of him is もっと見る fleshed out and もっと見る obscure at the same time. もっと見る fleshed out because we get some sort of backstory (mostly based on what Jules Verne wrote later about him), もっと見る obscure because neither his nationality (he is played によって a European actor, but with dark hair and tan), nor the identity of his enemies is revealed.
3. The Plot
To get this out of the way first: There are certain elements in this movie, which are so undeniable ディズニー that they make me roll my eyes. The opening book at the beginning. The song. Esmeralda the sea lion. A certain cutesiness when it comes to Captain Nemo ディナー 表, テーブル (sea snake tastes like veal? Really?). I admit though, I don’t really mind most of them. “A 鯨, クジラ of Tale”, it’s catchy and funny enough, and really, just the fun of seeing Kirk Douglas sing makes it worth it. But sometimes, those elements break the mood of the movie too much.
When it comes to the plot, the novel is really not an easy one to adapt. It is very episodic and while it has some suspenseful moments, it lacks a proper built up. ディズニー naturally picked the segments which promised the most suspense, added a little bit and then connected them with a thread によって suggesting that Nemo is constantly testing his guests, trying to make up his mind if he should share his secret with the world または not. Aronnax is obsessed with convincing him. Ned Land is obsessed with fleeing. Ironically between all this Counseil, the meek servant, proves to be the deciding factor in the movie, because he provides the necessary information which leads to entirely made up final. While Jules Verne did invent the secret island for the Nautilus, it is not mentioned in this novel but in The Mysterious Island. Also, Nemo doesn’t get shot. The book ends with the Nautilus being pulled under によって the Maelstrom.
The worst part of the movie is easily the scene with the cannibals. It’s such a face-palm moment, and not just for the obvious reasons (meaning the stereotypical portrayal または the cannibals which ages the movie もっと見る than anything else in it), but also because it makes no sense that the ビーチ would be 安全, 安全です in the first place. If the cannibals have boats, this should be part of their territory, too.
The best part of the movie is when Ned Land rescues Nemo’s live. Let’s be honest: What everyone remembers about this movie is the fight with the giant squid. I kind of expected it to look really fake after all this years, most old special effects do, but this scene is done so masterfully, it aged incredible well. The effort ディズニー put in this one really paid off.
But it's also the best part because it puts one of the best aspects of the book in the forefront: Nemo and Ned don't like each other. Nevertheless they rescue each others live. But even this doesn't change their relationship. What it does do, especially in the movie, is serving as a counterpoint to Nemo's view on the world. Ned Land is a man of very questionable moral, a womanizer who is mainly interested in making money, and not above breaking his word. In Nemo's eyes, he is an example why humans are not trustworthy. And yet, this man risked his life for a man he hates.
But if あなた ask me, this movie should also be remembered for having a really thoughtful message. In the book, the crew does coal mining under water, but it’s not used for steam power, but electricity (true to Verne, a フォワード, 前進, 楽しみにして thinking concept back then). In the movie, the secret of the Nautilus is something もっと見る along the line of atom energy. It’s never explicitly stated, but the way it’s portrayed and the form of the giant 雲, クラウド after the final explosion heavily suggests it. The recurring theme about Nemo deciding if the world is ready for his invention, is answered with “not yet, but one day, it might be”. Which sounds like a typical ディズニー ending, with Nemo finding his believe in humanity and the promise of a better future. But consider when this movie was made, in the middle of the cold war, the time when humanity was on its best way to proof once and for all that it wasn’t ready to handle this kind of power.
4. Conclusion
20,000 Leagues under the Sea is one of the best live action 映画 ディズニー ever did. It’s thoughtful and has a message, which is nowadays not less important than back then. Of all adaptions I have seen, it is still easily the best one, but honestly, this is an easy feat, because most of them have female characters and an unnecessarily romance shoe-horned in. It’s not exactly a faithful take on the book, but it’s the kind of adaption which manages to tell its own story without diminishing the 情報源 text in the process.