あなた know something? This reminds me of something. I think Avril Lavigne needs to resign Sony 音楽 Entertainment because Sony 音楽 Entertainment can’t stand Avril Lavigne and Sony 音楽 Entertainment only wants big names and RCA like Beyonce. That’s all Sony 音楽 Entertainment does, big names and RCA. あなた see, Avril Lavigne only appeals early 2000s and Asia. It does not appeal Avril Lavigne materials in general like Under my Skin (despite the album sold well and ファン 愛 it). Worse, Sony 音楽 Entertainment refuse to get familiar with Avril Lavigne after her career was just getting started a decade ago.
Whenever Sony 音楽 Entertainment sees Avril Lavigne, Sony 音楽 Entertainment refuse to accept Avril Lavigne including her ballads. That makes Avril Lavigne flipping out. It’s like Sony 音楽 Entertainment wants もっと見る Britney Spears, Pink, Kelly Clarkson, Alicia Keys, Beyonce, Justin Timberlake, Pitbull and so on over Avril Lavigne causing Sony 音楽 Entertainment wants to forget about Avril Lavigne and stick with big names and RCA.
Speaking of RCA, that record label is the one who ruined Avril Lavigne in the 2004-2011 period where RCA distribute Arista’s Under My Skin 10 years 前 causing 2004 wants to forget about the entire Under My Skin era like Avril Lavigne performing her number 1 2004 single My Happy Ending at the 2004 MTV Video 音楽 Awards. Worse, her far superior 2004 singles (Don’t Tell Me, My Happy Ending and Nobody’s Home) paled along with her copy and paste bratty songs from 2007 onwards like What The Hell compared to her Let Go singles from 2002 (Complicated, Sk8tr Boi, I’m With You). It looks like radio only wants Complicated and forgets her singles in general like Girlfriend and Here’s To Never Growing Up. I bet RCA affected Arista marketing Under My Skin during 2004 causing Arista unable to promote Under My Skin on its own and Under My Skin lose its publicity like 2005 Grammy nominations for Under my Skin causing Sony 音楽 to stick with もっと見る Britney Spears and Kelly Clarkson during the mid 2000s non-stop.
I mean, why can’t radio play Avril Lavigne songs in general like He Wasn’t and Rock N Roll? I mean, her Let Go singles works perfectly thanks to The Matrix when Complicated becoming a huge hit and Sk8tr Boi has some of the strongest pop rock works during 2002. Plus, I’m With あなた is the most rawful Avril Lavigne yet following Losing Grip to become the most serious Avril Lavigne single to date. Even though Losing Grip did poorly in 2003. Then in 2004, RCA and Sony 音楽 came to see Arista when Avril Lavigne working on her sophomore album and steal her 秒 album along with Avril Lavigne herself causing RCA to ミルク Avril Lavigne 音楽 until 2011 when her fourth album Goodbye Lullaby ロスト her number 1 peaks in general and her money. RCA will never want to work with Avril Lavigne again. Goodbye Lullaby should’ve done better if it was released in 2009/2010 and not include What The Hell and Smile. That is why Avril Lavigne is the most annoying artist in the entire Sony 音楽 industry.
Flash フォワード, 前進, 楽しみにして to last 年 where Epic Records did not have enough money for Avril Lavigne to fund her bratty songs comeback. Here’s To Never Growing Up and Rock would’ve been great Avril Lavigne songs to become bratty comeback singles. But no, Epic Records did not make enough money causing Sony 音楽 to forget Epic Records and stick with big names and RCA like Miley Cyrus. Now her 最近 album ロスト money even もっと見る than the butchered Goodbye Lullaby. Her 2013 album has no album name and her singles ロスト number 1s again causing her 2013 album changed the 日付 3 times and released the same 日 going up against Eminem. Worse, she release her awful Hello Kitty song to 日本 causing Give It What あなた Like to ロスト its promotion. It looks like Sony 音楽 has moved on to big names like Britney Spears and RCA like Miley Cyrus since mid 2000s. This happens the same way to Backstreet Boys, Christina Aguilera and Carrie Underwood too.
I bet bad marketing killed Avril Lavigne’s 2004-2013 outputs like Under My Skin. I’m afraid Avril Lavigne might want to get kicked out によって Sony 音楽 Entertainment for good. That means, Sony 音楽 will not want to work with Avril Lavigne. Now Avril Lavigne ロスト money and making new 音楽 thanks to Sony 音楽 for killing her 音楽 または her career after the Let Go era.
So what Avril Lavigne can do now is to 移動する to Universal Records after Epic Records released her クリスマス album which is coming によって the end of this 年 called クリスマス Day. Now, I’ll talk about Universal later. Right now, I’ll be talking about Avril Lavigne’s upcoming sixth album クリスマス Day. Now, as あなた may know that クリスマス 日 will be Avril Lavigne’s first クリスマス album and her sixth album which will be coming this holiday season after Taylor 迅速, スウィフト releasing her fifth album, 1989. クリスマス 日 will include her クリスマス songs along with her クリスマス single, Totally Merry. It want planned to be released this summer from what I heard, but due to bad marketing and that awful Hello Kitty, Totally Merry has pushed back to this October/November-ish. I bet Sony 音楽 like RCA and bratty songs like The Best Damn Thing cause Avril Lavigne’s marketing to collapse causing Avril Lavigne unable to compete against other female artists from today and yesterday like Britney Spears, Pink, Kelly Clarkson, Beyonce, Rihanna, Miley Cyrus and Ariana Grande.
It looks like 音楽 only wants big names like Britney Spears and mainstream like One Direction rather than good quality 音楽 like Taylor 迅速, スウィフト (despite Taylor 迅速, スウィフト sold もっと見る records and made もっと見る money than Avril Lavigne making Taylor 迅速, スウィフト one of the biggest female artists of the 21 century). America is very lazy in the 音楽 industry. America 音楽 wants nothing but big names like Micheal Jackson and mainstream/fads like Justin Bieber over Avril Lavigne.
Anyway, back to クリスマス Day. It will likely to be the last Avril Lavigne album released によって Sony. It will charted at the holiday Billboard chart when it debut at number 1 on that chart along with number 4/5 at the Billboard 上, ページのトップへ 200 Albums charts making it her first number 1 album since The Best Damn Thing. That would be good giving a good late 2014 日付 for クリスマス 日 unlike the awful November 日付 Epic Records chose for her last year’s album. So have Avril Lavigne announced her クリスマス album this fall (mostly September/October) and released her クリスマス album on October/November. I would say November might be a better 日付 since Taylor Swift’s 1989 album will get and October date. So November would be a good release 日付 for the クリスマス 日 album along with its single Totally Merry just in time for the holidays.
After クリスマス Day, she will 移動する to Universal Records 次 年 so she can work on her seventh album. This will be her first album not made my Sony but rather Universal. So I’ll be talking about a good Universal label that works well for Avril Lavigne.
So how about Island Def Jam. リアーナ used to work there in 2005-2013. But now, she moved to another label that was owned によって カケス, ジェイ Z giving Avril Lavigne an extra edge to work on Island Def Jam. This is where she can work on her rock/pop album with a もっと見る mature route and serious explicit writing. That would be something that Avril Lavigne will want to try out.
Another label that works well is Big Machine Records. This is where Taylor 迅速, スウィフト gets to be Big Machine’s major staple. So have Avril Lavigne worked with Scott Borchetta who worked with Taylor 迅速, スウィフト because Taylor 迅速, スウィフト can handledly compete against Avril Lavigne thanks to better marketing and better radio plays and better digital sales. So have Avril Lavigne release a serious single with a もっと見る mature route instead of bratty songs and have that Avril Lavigne single to have a truckload of airplays on the radio and make quick bucks によって selling over 1 million digital sales during the first few weeks. Scott Borchetta または even Taylor 迅速, スウィフト will be very happy if Big Machine Records sees this. So Big Machine Records would be perfect for Avril Lavigne so that way Big machine Records will get rid of country 音楽 and replace with pop 音楽 like Christina Aguilera in Nashville.
My 次 and probably final thought is Interscope Records. Interscope Records is ホーム of Lady Gaga and her hilarious sexy songs like Telephone and applause. Since Lady Gaga can easily compete Avril Lavigne and defeat Avril Lavigne, Interscope would fit nicely for Avril Lavigne. An Avril Lavigne website called Avril Bandaids does ランダム フォーラム regarding of why Avril Lavigne needs Interscope Records and that give me an advice. Interscope works perfectly for Avril Lavigne so that way Avril Lavigne can have better chance to make her 音楽 もっと見る successful compared to Sony Music.
There あなた go those will be the choices for Universal labels that Avril Lavigne deserves. That’s why Universal Records is far superior to Sony 音楽 Entertainment. I’ll take Big Machine Records over RCA and Epic Records any way. So when Avril Lavigne turns 30, she will no longer making anymore bratty songs so that way she will 移動する to a もっと見る mature rout where it's pop rock または even rock. So her first future Universal album has to contain no bratty songs at all.
So what do あなた think? What do あなた think will happen if Avril Lavigne moved to Universal Records 次 year? What do あなた think of Avril Lavigne moved to Universal so she can work on her pop/rock with もっと見る mature route instead of bratty songs? Sound off below!
Whenever Sony 音楽 Entertainment sees Avril Lavigne, Sony 音楽 Entertainment refuse to accept Avril Lavigne including her ballads. That makes Avril Lavigne flipping out. It’s like Sony 音楽 Entertainment wants もっと見る Britney Spears, Pink, Kelly Clarkson, Alicia Keys, Beyonce, Justin Timberlake, Pitbull and so on over Avril Lavigne causing Sony 音楽 Entertainment wants to forget about Avril Lavigne and stick with big names and RCA.
Speaking of RCA, that record label is the one who ruined Avril Lavigne in the 2004-2011 period where RCA distribute Arista’s Under My Skin 10 years 前 causing 2004 wants to forget about the entire Under My Skin era like Avril Lavigne performing her number 1 2004 single My Happy Ending at the 2004 MTV Video 音楽 Awards. Worse, her far superior 2004 singles (Don’t Tell Me, My Happy Ending and Nobody’s Home) paled along with her copy and paste bratty songs from 2007 onwards like What The Hell compared to her Let Go singles from 2002 (Complicated, Sk8tr Boi, I’m With You). It looks like radio only wants Complicated and forgets her singles in general like Girlfriend and Here’s To Never Growing Up. I bet RCA affected Arista marketing Under My Skin during 2004 causing Arista unable to promote Under My Skin on its own and Under My Skin lose its publicity like 2005 Grammy nominations for Under my Skin causing Sony 音楽 to stick with もっと見る Britney Spears and Kelly Clarkson during the mid 2000s non-stop.
I mean, why can’t radio play Avril Lavigne songs in general like He Wasn’t and Rock N Roll? I mean, her Let Go singles works perfectly thanks to The Matrix when Complicated becoming a huge hit and Sk8tr Boi has some of the strongest pop rock works during 2002. Plus, I’m With あなた is the most rawful Avril Lavigne yet following Losing Grip to become the most serious Avril Lavigne single to date. Even though Losing Grip did poorly in 2003. Then in 2004, RCA and Sony 音楽 came to see Arista when Avril Lavigne working on her sophomore album and steal her 秒 album along with Avril Lavigne herself causing RCA to ミルク Avril Lavigne 音楽 until 2011 when her fourth album Goodbye Lullaby ロスト her number 1 peaks in general and her money. RCA will never want to work with Avril Lavigne again. Goodbye Lullaby should’ve done better if it was released in 2009/2010 and not include What The Hell and Smile. That is why Avril Lavigne is the most annoying artist in the entire Sony 音楽 industry.
Flash フォワード, 前進, 楽しみにして to last 年 where Epic Records did not have enough money for Avril Lavigne to fund her bratty songs comeback. Here’s To Never Growing Up and Rock would’ve been great Avril Lavigne songs to become bratty comeback singles. But no, Epic Records did not make enough money causing Sony 音楽 to forget Epic Records and stick with big names and RCA like Miley Cyrus. Now her 最近 album ロスト money even もっと見る than the butchered Goodbye Lullaby. Her 2013 album has no album name and her singles ロスト number 1s again causing her 2013 album changed the 日付 3 times and released the same 日 going up against Eminem. Worse, she release her awful Hello Kitty song to 日本 causing Give It What あなた Like to ロスト its promotion. It looks like Sony 音楽 has moved on to big names like Britney Spears and RCA like Miley Cyrus since mid 2000s. This happens the same way to Backstreet Boys, Christina Aguilera and Carrie Underwood too.
I bet bad marketing killed Avril Lavigne’s 2004-2013 outputs like Under My Skin. I’m afraid Avril Lavigne might want to get kicked out によって Sony 音楽 Entertainment for good. That means, Sony 音楽 will not want to work with Avril Lavigne. Now Avril Lavigne ロスト money and making new 音楽 thanks to Sony 音楽 for killing her 音楽 または her career after the Let Go era.
So what Avril Lavigne can do now is to 移動する to Universal Records after Epic Records released her クリスマス album which is coming によって the end of this 年 called クリスマス Day. Now, I’ll talk about Universal later. Right now, I’ll be talking about Avril Lavigne’s upcoming sixth album クリスマス Day. Now, as あなた may know that クリスマス 日 will be Avril Lavigne’s first クリスマス album and her sixth album which will be coming this holiday season after Taylor 迅速, スウィフト releasing her fifth album, 1989. クリスマス 日 will include her クリスマス songs along with her クリスマス single, Totally Merry. It want planned to be released this summer from what I heard, but due to bad marketing and that awful Hello Kitty, Totally Merry has pushed back to this October/November-ish. I bet Sony 音楽 like RCA and bratty songs like The Best Damn Thing cause Avril Lavigne’s marketing to collapse causing Avril Lavigne unable to compete against other female artists from today and yesterday like Britney Spears, Pink, Kelly Clarkson, Beyonce, Rihanna, Miley Cyrus and Ariana Grande.
It looks like 音楽 only wants big names like Britney Spears and mainstream like One Direction rather than good quality 音楽 like Taylor 迅速, スウィフト (despite Taylor 迅速, スウィフト sold もっと見る records and made もっと見る money than Avril Lavigne making Taylor 迅速, スウィフト one of the biggest female artists of the 21 century). America is very lazy in the 音楽 industry. America 音楽 wants nothing but big names like Micheal Jackson and mainstream/fads like Justin Bieber over Avril Lavigne.
Anyway, back to クリスマス Day. It will likely to be the last Avril Lavigne album released によって Sony. It will charted at the holiday Billboard chart when it debut at number 1 on that chart along with number 4/5 at the Billboard 上, ページのトップへ 200 Albums charts making it her first number 1 album since The Best Damn Thing. That would be good giving a good late 2014 日付 for クリスマス 日 unlike the awful November 日付 Epic Records chose for her last year’s album. So have Avril Lavigne announced her クリスマス album this fall (mostly September/October) and released her クリスマス album on October/November. I would say November might be a better 日付 since Taylor Swift’s 1989 album will get and October date. So November would be a good release 日付 for the クリスマス 日 album along with its single Totally Merry just in time for the holidays.
After クリスマス Day, she will 移動する to Universal Records 次 年 so she can work on her seventh album. This will be her first album not made my Sony but rather Universal. So I’ll be talking about a good Universal label that works well for Avril Lavigne.
So how about Island Def Jam. リアーナ used to work there in 2005-2013. But now, she moved to another label that was owned によって カケス, ジェイ Z giving Avril Lavigne an extra edge to work on Island Def Jam. This is where she can work on her rock/pop album with a もっと見る mature route and serious explicit writing. That would be something that Avril Lavigne will want to try out.
Another label that works well is Big Machine Records. This is where Taylor 迅速, スウィフト gets to be Big Machine’s major staple. So have Avril Lavigne worked with Scott Borchetta who worked with Taylor 迅速, スウィフト because Taylor 迅速, スウィフト can handledly compete against Avril Lavigne thanks to better marketing and better radio plays and better digital sales. So have Avril Lavigne release a serious single with a もっと見る mature route instead of bratty songs and have that Avril Lavigne single to have a truckload of airplays on the radio and make quick bucks によって selling over 1 million digital sales during the first few weeks. Scott Borchetta または even Taylor 迅速, スウィフト will be very happy if Big Machine Records sees this. So Big Machine Records would be perfect for Avril Lavigne so that way Big machine Records will get rid of country 音楽 and replace with pop 音楽 like Christina Aguilera in Nashville.
My 次 and probably final thought is Interscope Records. Interscope Records is ホーム of Lady Gaga and her hilarious sexy songs like Telephone and applause. Since Lady Gaga can easily compete Avril Lavigne and defeat Avril Lavigne, Interscope would fit nicely for Avril Lavigne. An Avril Lavigne website called Avril Bandaids does ランダム フォーラム regarding of why Avril Lavigne needs Interscope Records and that give me an advice. Interscope works perfectly for Avril Lavigne so that way Avril Lavigne can have better chance to make her 音楽 もっと見る successful compared to Sony Music.
There あなた go those will be the choices for Universal labels that Avril Lavigne deserves. That’s why Universal Records is far superior to Sony 音楽 Entertainment. I’ll take Big Machine Records over RCA and Epic Records any way. So when Avril Lavigne turns 30, she will no longer making anymore bratty songs so that way she will 移動する to a もっと見る mature rout where it's pop rock または even rock. So her first future Universal album has to contain no bratty songs at all.
So what do あなた think? What do あなた think will happen if Avril Lavigne moved to Universal Records 次 year? What do あなた think of Avril Lavigne moved to Universal so she can work on her pop/rock with もっと見る mature route instead of bratty songs? Sound off below!
